Anna Katrina Zinkeisen

A Boxing Tournament RA Artist, British Oil, Major Sporting Event

Oil on canvas Image size: 24 x 18 1/2 inches (61 x 47 cm) Gilded wood framed Provenance Estate of Judge Davis Norton and Florence Edelstein. William Bateman was a British Whig politician who sat in the House of Commons between 1721 and 1734. He was made Knight Companion of the Order of the Bath...

Oil on canvas, signed lower right Image size: 33 1/2 x 56 1/2 inches (85 x 143 cm) Original gilt frame Provenance With the artist's son, Millie Dow Stott Esq., until 1912. Artist's Studio Sale, Christies, November 1913. Private Collection Exhibitions London, Royal Academy, 1895, no. 679. Paris, Societe de la Nationale des Beaux-Arts, 1896, no. 1179. Berlin, VII Internationale Kunstausstellung 1897. no. 3533. Manchester, City of Manchester Art Gallery, 1912, no. 339. In the 1890s William Stott exhibited regularly at the Royal Academy, mainly highly decorative works with subjects derived from classical mythology and literature. This painting was Stott's 1895 entry to the Royal Academy and was subsequently exhibited at the Paris Salon of 1896 and then on to the Berlin, VII Internationale Kunstausstellung 1897. Shakespeare was a favourite source for Victorian painters, and the tragic romance of Ophelia, from Hamlet, was an especially popular subject, featuring regularly in the Royal Academy exhibitions. The most popular and iconic image of Ophelia's death was, and is to this day, John Everett Millais's 1851 painting showing the confused and tragic Ophelia floating downstream on her back in a state of mad ecstasy, arms raised in a gesture of inevitable submission. However, although Stott chose not to pastiche this image, it seems highly likely that he was prompted to take up this subject, which had almost become a 'rite of passage' among Victorian painters, by the fact that in 1894 Millais's Ophelia was presented to the National Gallery of British Art by Sir Henry Tate. It appears that Stott was much influenced by John William Waterhouse...

Oil on canvas Image size: 22 x 33 1/2 inches (56 x 85 cm) This is a half portrait of two choir boys wearing white ruffs at their necks, looking down as the...

David Forrester Wilson 1873 - 1950 "Summer Haze" Oil on canvas, signed lower left Image size: 18 x 24 inches Original gilt frame David Forrester Wilson's sensitive portrayal of ...

English School 19th Century Sleeping Angel Oil on canvas Image size: 29 x 40 inches Contemporary gilt frame

Attributed to Mary Adshead 1904 - 1995 London Costmongers Oil on canvas Image size: 30 x 36 inches Framed Costermongers were London people that sold fruit and veg and other ‘perishables’ from barrows. Often wheeling and then stationing their barrow on the street, so their customers could easily come and buy from them. Costermongers were fiercely independent, rebellious in their dress and outlook, and had little time for ‘middle class moralising’ and attempts to suppress or restrict their way of life. (Much like modern teenagers) The men depicted stop work for a break with cups of tea and a few read the newspapers. Next to the man with the yellow apron can be seen some cakes on a plate. A work place , a factory can be seen in the distance on the right. It is possible that the painting depicts a cabmen's shelter, as some did serve outside and many still survive today in London. The style of the painting is very much that of a student of the Slade School in London and has similarities with other artists work such as James Batemen or Herbert Ashwin Budd. On the back of the painting it has in chalk the name 'Rhoades', which could refer to the artist Geoffrey Hamilton Rhoades...

"Florence," a captivating Impressionistic masterpiece by the talented artist Irina Trushkova, beautifully captures the essence of one of the world's most enchanting cities. Rendered ...

60"x144" large scale painting, oil on canvas, created on two joined canvases. The deep blue palette gives a sense of underwater space in this grand depiction of coral reefs. Artist, Karen Marston presents this endangered species in a grand scale to show its beauty and importance to our environment. Karen Marston is a painter living and working in Brooklyn, NY. Her work has been seen in a number of solo exhibitions in New York City. In addition to her 2018 show Harbingers, at the Owen James Gallery in Soho, other recent solos include: 2017’s To Embrace the Whole Sky with the Mind, at Station Independent Projects on the Lower East Side, Demeter’s Wrath in 2016 at the Owen James Gallery and Storm Watch...

Original oil painting on canvas. Hand signed on front by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable...

'Island of Broken Toys' 2019, a diptych contemporary oil on canvas painting by Tamera Avery, whose paintings are created with wit and wisdom. Avery's work...

In this series of portraits, Birch materializes enigmatic, ectoplasmic figures in his psychologically charged canvases linking sympathies between external forces and interior emotion...

Johannes Boekhoudt is a Dutch artist born on October 20, 1966. In 1973, Boekhoudt immigrated with his parents to Costa Rica, eventually working as a commercial and air ambulance pilo...