Ariyo Adeyemi

Emotions and Fiction

2020

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

"Spring of Hope," encapsulates the essence of the artwork. Just as spring represents a season of rejuvenation and new beginnings, the woman in this piece embodies the idea of hope blooming anew. The flowing scarf, with its gentle and fluid movement, conjures images of a gentle breeze, carrying with it the promise of better days ahead. Oyindamola's use of color in "Spring of Hope" is both intentional and evocative. She employs soft, pastel hues that evoke a sense of serenity and optimism. The woman's visage radiates tranquility, and her eyes suggest a moment of introspection and inner peace. It's as if she is embracing the beauty of the present while eagerly anticipating the opportunities that the future may hold. The central figure in "Spring of Hope" is rendered with remarkable attention to detail. Oyindamola captures the elegance and grace of the woman, who exudes a sense of poise and strength. Her closed eyes convey a sense of trust and surrender, suggesting a willingness to embrace the unknown with open arms. Symbolism plays a crucial role in this artwork. The scarf, flowing around the woman's neck, is a powerful symbol of continuity and resilience. It represents the idea that no matter the challenges faced, there is always a thread of hope that connects us to a brighter future. The scarf's circular form also signifies the cyclical nature of life, where endings inevitably give way to new beginnings. "Spring of Hope" is a painting that resonates deeply with viewers, inviting them to reflect on the ever-present possibility of renewal in their own lives. The closed eyes of the woman encourage introspection and a sense of connection with the universal human experience of longing for better days. Oyewumi Oyindamola...

"Esther, After My Mom's" is a captivating artwork that beautifully captures the essence of storytelling through painting. Adeniyi Joshua Adetayo...

"My Sister, The Moon" by Adeniyi Joshua Adetayo is a captivating artwork that delicately captures a young lady standing at the back of a house, ...

Àjoké, You are not a joke, But out of your spring Series of bubbling waves of laughter That remains undiluted like a freshly tapped wine. Ìbàdí àrán, I heard that you make men Run a...

Unique Artwork, framed on american black wood box Caroline Limousin (French, b.1985) also known as Cali is a mixed media artist born in Nantes, France. From a young age, she devoted...

'Love Garden Party (Picnic #2)' is an original mixed-medium work of art composed of high quality acrylics paint, opaque, metallic and neon inks, hand-cut collage, sealed with satin varnish on 36"h x 24"w on cold press paper stock. The painting is framed (41.5"h x 29.5”w.) with conservation quality, high UV-filtering museum glazing. Signed by the artist. Part of Skip Hill's 'Love Garden Party' series, this work depicts three women gathered around a festive table filled with food and drink. Skip Hill was born in 1961 in Padre Island, Texas but grew up primarily in Oklahoma City. After attending Oklahoma City University to study Advertising and Marketing, he worked as a graphic designer before relocating in 1987 to Southern California. A two-week trip to Thailand in 1989 turned into a year traveling throughout Southeast Asia while writing for a business magazine based in Bangkok. In 1990 Skip Hill relocated to the Netherlands, immersing himself in the culture and learning the Dutch language. His frequent visits the Van Gogh Museum, the Stedelijk Museum and The Rijksmuseum in Amsterdam as well as the Boijman Van Beuningen Museum in Rotterdam, sparked Hill’s interest in creating art inspired by aesthetic concerns over the strictly commercial art he produced during his advertising career. It was during this time abroad that he traveled through Germany, Czechoslovakia and Morocco. After returning to Oklahoma in 1993, Skip Hill studied formally at The University of Oklahoma with conceptual artist Hachivi Edgar Heap of Birds, and influential abstract painter George Bogart...

John Button View: Arcade, 1975 Gouache on Paper (Framed with prestigious Fischbach and Kornblee Gallery Labels) 20 1/2 × 24 1/2 inches Signed and dated on the front This is a unique painting Frame included: held in the original 1970s artist's period frame with prestigious labels This 1970s John Button gouache bears labels from renowned Jill Kornblee as well as Fischbach Galleries...

Van.I.T is a unique drawing by contemporary artist Cécile Bisciglia. The drawing is made with ballpoint pen, acrylic and posca on canvas, dimensions a...

Luigi Pietro is a unique drawing by contemporary artist Cécile Bisciglia. The drawing is made with ballpoint pen on canvas, dimensions are 200 × 200 c...

'Love Garden Party (Picnic #1)' is an original mixed-medium work of art composed of high quality acrylic paint, opaque, metallic and neon inks, hand-cut collage, sealed with satin varnish on 36"h x 23.875"w on cold press paper stock. The painting is framed (41.5"h x 29.5”w) with conservation quality, high UV-filtering museum glazing. Signed by the artist. Part of Skip Hill's 'Love Garden Party' series, this work depicts four women gathered around a festive table filled with food and drink with a myriad of disparate objects including masks, Asian porcelain, and flowers. Skip Hill was born in 1961 in Padre Island, Texas but grew up primarily in Oklahoma City. After attending Oklahoma City University to study Advertising and Marketing, he worked as a graphic designer before relocating in 1987 to Southern California. A two-week trip to Thailand in 1989 turned into a year traveling throughout Southeast Asia while writing for a business magazine based in Bangkok. In 1990 Skip Hill relocated to the Netherlands, immersing himself in the culture and learning the Dutch language. His frequent visits the Van Gogh Museum, the Stedelijk Museum and The Rijksmuseum in Amsterdam as well as the Boijman Van Beuningen Museum in Rotterdam, sparked Hill’s interest in creating art inspired by aesthetic concerns over the strictly commercial art he produced during his advertising career. It was during this time abroad that he traveled through Germany, Czechoslovakia and Morocco. After returning to Oklahoma in 1993, Skip Hill studied formally at The University of Oklahoma with conceptual artist Hachivi Edgar Heap of Birds, and influential abstract painter George Bogart...