Ben McLaughlin

Monday: 3 Down, Method of Removing Hair Roots (12)

2008

His Private Island Acrylic on canvas 60 x 54 inches (152.4 x 137.2 cm)

Modern Wilderness, 2011 Acrylic on canvas 48 x 36 inches (121.9 x 91.4 cm)

Sean Landers Minotaur, 2008 Oil on linen 11 x 14 inches (27.9 x 35.6 cm)

Caitlin Cherry’s paintings feature larger-than-life subjects in striking color: Black femme figures, familiar composites drawn from an image culture that thrives on appropriating the...

Carlos Quintana (b.1966, Cuba), makes feverish paintings, he creates worlds onto themselves, or rather re-invents our world, but on his own terms. His frantic brush strokes and vibra...

It Seemed Endless, 2012 Acrylic on canvas 18 x 18 inches (45.7 x 45.7 cm)

Sara Scribner's (US based) "Into the Night" is an original, handmade oil painting that depicts a woman in a long pink dress walking towards a background ...

French, réalisme fantastique, Surrealist oil on board by Claude Verlinde. Signed and dated bottom left. Presented in plain wood frame with gilt filet. ...

View of a Village Square Vukmanovic Stefan Belgrade 1924 – 1995 Degernau Serbian Painter Signature: Signed bottom middle Medium: Oil on panel Dimensions: Image size 45 x 60 cm Biography: Vukmanovic (Vucmanovic) Stefan was born in 1924, in Belgrade, former Yugoslavia. He was a Serbian painter of landscapes and town scenes. Vukmanovic studied at the Munich Academy of Fine Arts with the master teacher and artist Charles Crodel (1894 – 1973). He was a member of the Munich Secession. In this statement of principles, the artists declared their intentions to move away from outmoded principles and a conservative conception of what art was. Throughout the 1930s, many political ideologies (Marxism, Socialism, Capitalist Democracy, Communism and Fascism) were engaged in struggles for dominance, and epitomised the political atmosphere of the era. Surrealism art...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful Architectural Italian Landscape. Porto Azzurro, 1964 Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", (Panel) H 27" x W 19" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings...

Tomorrow we will cross a vast sea Gian Paolo Dulbecco Born in La Spezia (Italy) in 1941, he begins as a self-taught painter at the end of the 50s,...

Justin Wheatley's (US based) "The Reunion" is an original, handmade acrylic painting that depicts small white house-like objects balancing precariously on paintbrushes over a grey an...