Attributed To Benjamin Kopman "The Rabbi"

1963

Beautiful mid century mystery painting. Expressionist bull fighting oil on canvas with fabulous fauvist colors. It is signed upper right corner, but I cannot make it out. Painting me...

1950's portrait painting signed Schuenke Oil on canvas We believe the artist is Robert Schuenke, but this is not confirmed.

Olja Ivanjicki "Florence or Hell of l'Inconnue De La Seine" original oil circa 1965 Original oil on board. Dimensions 26" wide x 42" high. The frame measures 30" wide x 46" high. Signed and dated at the upper border. She has auction results over $9,000 which was earlier in 2021. Olga Ivanjicki, the daughter of Russian emigrants was born in Pancevo, Danube Banovina. She studied at the Academy of Fine Arts in Belgrade, graduated in 1957, and in the same year she was the only woman among the founders of MEDIALA Belgrade, an art group of painters, writers and architects such as Leonid Šejka, Vladimir Velickovic, Ljubomir Popovic, Miodrag Ðuric. In 1962, she received a scholarship of the Ford Foundation to pursue her art studies in the United States, and in 1978 she was a selected artist of the Fulbright program Artist in Residence at the Rhode Island School of Design. She had over ninety individual exhibitions and participated in numerous national and international group exhibitions. Ivanjicki’s painting was influenced by Symbolism, Surrealism, Pop art and Fantastic art. In the course of her career, the artist received the Vuk Lifetime Achievement Award (Vukova nagrada, 1988), the Seventh of July Award (Sedmojulska nagrada, 1988) and the Karic Award. L'Inconnue de la Seine (English: The Unknown Woman of the...

G.H. Ackermann "Wayside Gossip" Early 20th century Painting

Monumental mid-19th century oil portrait of two siblings Stunning museum quality original oil painting of a brother and sister with marbles...

Robert Tosa Mid Century Modern Abstract Portraits c.1952 Outstanding Mid Century Modern Painting. Various abstract portraits of a dancer. Original oil on board housed in a handsom...

An original oil on canvas diptych by American contemporary artist Mark Lavatelli created in 1996. 72" X 122"

An original oil, oil stick and charcoal diptych painting on canvas by Contemporary female artist Dorothy Fitzgerald. This monumental work measures 60" (h) x 120" (w) This work was featured in the recent exhibition of The Corridors Gallery at Hotel Henry...

The work looks much better in person with snappy bright colors that form a complex abstract composition of interconnected shapes. Hand-signed by artist, sticker label, The Work is Signed lower left - Provenance: Forum Gallery, New York - Label on verso Swann Gallery...

Depression era account of working men and women. Philip Howard Francis Dixon Evergood (born Howard Blashki; 1901–1973) was a Jewish American painter, etcher, lithographer, sculptor...

An oil painting by Theo Tobiasse from 1967. An expressionist-style textural painting of intensely dark and vivid color palette. Inspired from the artist's personal experiences of the...

Jean Jansem (1920-2013) Le triomphe de la mort, 2000 Huile sur toile Signée en bas à gauche et à droite 150 x 200 cm Bibliographie: Cette oeuvre est enregistrée dans les archives de l’Association des Amis de Jean Jansem. Figurera dans le catalogue critique de l’oeuvre de Jean Jansem actuellement en préparation par l’association des amis de Jean Jansem Historique: L’indigence d’après-guerre et la difficulté inhérente de trouver les matériaux adéquats et/ou habituels, telles les couleurs, très onéreuses alors, ont poussé les artistes figuratifs de l’après-guerre, en corrélation avec les préoccupations de l’époque, à redéfinir les paradigmes de la représentation. Il n’est plus question de chercher un sens mais bien pour les artistes d'étudier l’objet pour son intérêt formel, sa qualité intrinsèque. Le regard de l’artiste devient analytique et dépeint alors l’objet pour ce qu’il est et non plus pour son pouvoir évocateur ou symbolique. La nature morte n’est plus une invitation sensuelle à la ripaille, la pomme ou la pêche n’évoque aucune envie de croquer, la cruche aucune ivresse, la volaille...