Want more images or videos?
Request additional images or videos from the seller
1 of 6
Charles Sprague PearceYoung Girl Selling Oranges and Lemons
About the Item
Signed and inscribed lower right: Charles Sprague Pearce / Paris.
- Creator:Charles Sprague Pearce (1851 - 1914, American)
- Dimensions:Height: 13.75 in (34.93 cm)Width: 10.5 in (26.67 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU11912675332
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 1995
1stDibs seller since 2012
25 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Courtyard at NoonBy Robert SpencerLocated in New York, NYRobert Spencer paints a sun-drenched scene of figures moving about outside red clay buildings in his work entitled, “Courtyard at Noon.”Category
1910s Impressionist Figurative Paintings
MaterialsOil, Canvas
- The LetterBy James Carroll BeckwithLocated in New York, NYSigned lower right: CARROLL BECKWITH.Category
19th Century American Impressionist Figurative Paintings
MaterialsOil
- Young Woman with a ToyLocated in New York, NYSigned lower right: H. S. Hubbell –Category
20th Century American Impressionist Figurative Paintings
MaterialsOil
- Montigny-sur-LoingLocated in New York, NYDated, signed, and inscribed lower left: 1876 WILL. • H • LOW MONTIGNY sur LoingCategory
Late 19th Century American Impressionist Figurative Paintings
MaterialsOil, Canvas
- The Little Models (Reverie)By Irving Ramsey WilesLocated in New York, NYSigned lower right: Irving R Wiles; on verso: Irving R WilesCategory
Late 19th Century American Impressionist Figurative Paintings
MaterialsCanvas, Oil
- The Rapelye Homestead, Bowery Bay, Long IslandBy William Rickarby MillerLocated in New York, NYSigned and dated lower left: W.R. Miller. 1877.Category
Late 19th Century Hudson River School Landscape Paintings
MaterialsCanvas, Oil
You May Also Like
- L’embarquement by Gaston La ToucheBy Gaston La ToucheLocated in New Orleans, LAGaston La Touche 1854 - 1913 French L’embarquement The Embarkment Signed "Gaston La Touche" (lower right) Oil on panel A fashionable group of merrymakers boards a rowboat at sundown in this oil on panel by renowned French painter Gaston La Touche. Softly lit and lushly detailed, the work represents the artist’s talent for capturing the gaiety of the Belle Époque. With its luminous coloring and feathery brushwork, this oil evokes the style and joie de vivre of the era rendered in La Touche’s distinctive, mature style. Fresh and airy, the work is a beautiful example of the artist’s skill at capturing the subtle qualities of light and color. Set against the plein air backdrop of a wooded pond awash in the soft glow of the golden hour, the scene reflects the influence of the Impressionists. The subject also recalls works by Manet, Monet and Renoir, who delighted in depictions of modern leisure among the expanding middle class. The scene is an informal one, and its unconventional cropping suggests that the viewer is invited to take a seat in the boat and join the group on their outing. Such relaxed, inviting scenes were remarkably popular among contemporary, modern audiences. However, La Touche's style is singular, possessing an element of fantasy and romance that set him apart from the Impressionists. Gaston La Touche was born in St. Cloud, outside of Paris, in 1854, and he showed a keen interest in art from a young age. At ten years old, he began taking private art instruction, which lasted until 1870, when his family was forced to flee to Normandy amid the Franco-Prussian War. This was the only formal art training La Touche would ever receive. Despite his lack of Academy training, he made his debut at the Paris Salon of 1875 with a sculptural medallion and etchings, and he exhibited his first painting at the Salon of 1881. Although he began his career painting dark-toned realist compositions, by 1890, his style had shifted to what would become his signature — a lighter, brighter, idealistic society world. The artist was associated with practically all of the most influential artists and thinkers of late 19th century France, including Édouard Manet, Edgar Degas, Émile Zola, who frequently met at the legendary Cafe de la Nouvelle Athenes to share their thoughts on modern society. In 1900, he was named a Chevalier of the Legion d'Honneur and an Officer in 1909. Additionally, he was well-decorated at the grand...Category
Late 19th Century Impressionist Figurative Paintings
MaterialsPanel, Oil
- Washers on the banks of La TouquesBy Eugène Louis BoudinLocated in Belgravia, London, London'Washers on the banks of La Touques' By Eugène BOUDIN (French 1824-1898) Oil on panel: 12 x 16.25 inches Framed size: 15.25 x 19 inches On the reverse of the frame: Old label beari...Category
20th Century Impressionist Landscape Paintings
MaterialsOil, Panel
- Pont du ChâteauBy Albert LebourgLocated in LE HAVRE, FRAlbert LEBOURG (1849-1928) Pont du Château, 1918 Oil on panel Size : 33 x 42 cm Signed and dated 1918 lower left. Origin : - Galerie Tuffier, Les Andelys, - Private collection, Pa...Category
1910s Impressionist Landscape Paintings
MaterialsOil, Panel
- Next generationsBy Francien KriegLocated in PUIFLIJK, NLFrancien Krieg, a contemporary Dutch artist, gives a new dimension to figurative painting with her penetrating and unfiltered portraits. Krieg, who received her art education at the ...Category
2010s Impressionist Figurative Paintings
MaterialsOil, Wood Panel
- Looking outsideBy Francien KriegLocated in PUIFLIJK, NLFrancien Krieg, a contemporary Dutch artist, gives a new dimension to figurative painting with her penetrating and unfiltered portraits. Krieg, who received her art education at the ...Category
2010s Impressionist Figurative Paintings
MaterialsOil, Wood Panel
- Brooklyn BridgeBy Nelson WhiteLocated in Sag Harbor, NYOil Painting of the Brooklyn Bridge, painted en plein air. A sailboat sails underneath. Painted in a thick, impressionist style. Painting dimensions: 4 x 11 inches Framed dimensions: 9 x 16 inches Framed in a handmade, Italian, custom gold leaf frame. Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote and Harry Hoffman. Later, Nelson White's father began to take his family to summer on Shelter Island and became friendly with many of the artists of the Peconic colony such as Irving Wiles, an important American impressionist. After graduating from the Tabor Academy in Marion, Massachusetts in 1951, Nelson H. White began to study at Mitchell College in Connecticut but left to pursue studies in the violin, musical theory and composition. At this time, he began to spend more time studying art with his father and grandfather. By 1955, Nelson H. White had decided to devote himself to a career as a painter and traveled to Florence, Italy to become an apprentice to Pietro Annigoni, the world-renowned Florentine master. Within two years, the young White had won two awards for his work. While in Florence he also studied with the great Italian teacher, Nerina Simi. Today, White divides his time between the United States and Florence. White is still actively involved with studies at The Florence Academy of Art in Florence, Italy. Although he has received instruction from some very important artists, White's work is highly individual. He paints with great spirit. Upon seeing his work one quickly senses White’s great love for nature and the outdoors. Through his eyes we are able to view and interpret nature in an intimate manner. Whether Nelson H. White is painting the Connecticut shore, a beach in Italy, a pond on Shelter Island or the hills of Vermont, he allows the observer to view a soft, yet dramatic side of nature. His ability to use color, coupled with rich brush work and a graduation of light, air and atmosphere allows one to enjoy a certain mood which is clearly conveyed in White's paintings. It is a mood that leaves us with a lasting impression. White has shown his work in numerous galleries across the globe since the 1950s, from the United States all the way to Italy and Russia. White's first museum restrospective was in the New Britain Museum of American Art in July 2012. His work can be found in many private and public collections, as well as several museums. Art Education 1999- present The Florence Academy of Art, Florence, Italy 1956-1987 Student of Ms. Nerina Simi, Florence Italy 1955-1980 Apprentice to Pietro Annigoni, Florence, Italy abd studied watercolor painting with Ogden Pleissner...Category
21st Century and Contemporary American Impressionist Landscape Paintings
MaterialsOil, Panel
Recently Viewed
View AllMore Ways To Browse
Egg Art
Hand Painted Old Sign
Jewish Artists Paintings
Singapore Artist
Half Painted Frame
Spanish Real
Contemporary Applied Arts Gallery
Girl At The Well
French Maurice
Black Man Oil Painting
Large Scale Figurative Paintings
Venice Painting Wells
Contemporary Art Dress Painting
1950s Italian Painting
Art Jesus
Jesus Art
Paris Theatre
Oil Paintings Of Men