Clementine Hunter

African House

1960's

Blue Dog by George Rodrigue, 1995, oil or acrylic on canvas, 14x11 unframed, offered framed. (#95101) A stunning original Blue Dog in a pa...

The Oak Tree defined Rodrigue’s early and beloved works, and this piece represented a return to his roots to create a stunning work in the color palate of the artist’s iconic Blue Do...

An absolutely incredible mixed media original on canvas board by George Rodrigue from the prime of his career. This piece features a hand pulled silkscreen of the Blue Dog by the han...

“A Number One Tiger Fan” (2011), Estate stamped with Estate COA The only LSU Blue Dog, this incredibly rare piece, estate stamped by the official estate of the artist, was created i...

See How My Garden Grows, (1996) by George Rodrigue An original hand pulled silkscreen by George Rodrigue, signed in paint pen "Rodrigue," and numbered in paint pen 57/90. This pie...

A one of a kind Rodrigue original print, created by the artist as a one of a kind work on his computer. After printing the file was destroyed. One of...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box derby cars of his youth, eac...

Charming mid-century naive painting of small figures and chickens in a rural landscape by an unknown artist (American, 20th Century). Signed with the monogram "I. M. H." on lower lef...

Mid century pulp art portrait of a somber clown with a yellow shirt, red hair and a red nose, holding a scepter in a dramatized space with a candle and green ...

Medium: Oil and Pencil on Canvas Laid Down on Board Study for the December 23rd, 1939 issue The Saturday Evening Post.

This painting is inspires by the painting of chaim soutine pastry chefs.

Natan Heber was trained by his father in Poland to be a ritual slaughterer. In 1925, he joined the Zionist movement "Mizrachi" and in 1936 immigrated to Palestine where he opened a poultry shop in Haifa. He began to paint at the age of sixty-one, after ill health forced him to retire. Driven by a need to memorialize his family and their shtetl community lost in the Holocaust, he drew scenes of traditional Jewish life. Unfamiliar with the conventions of scale and perspective, he set his heavily outlined frontal figures on steeply rising surfaces and often portrayed his father in monumental size to mark his importance. One of Israel's greatest naive-style painters. Along with Shalom of Safed, Kopel Gurwin and Gabriel Cohen, He is renowned as one of Israel's greatest living naive-style folk art painters, The Haifa Museum of Art will be opening the first ever Outsider Art exhibition (also known as Art Brut) in Israel in January 2013. He was included in the show of Outsider art at Haifa Museum The exhibition included works by Classical Outsider artists, none of them have ever been shown in Israel - Henry Darger, Martin Ramirez, Adolf Wölfli, Aloïse, Hauser, Carlo Zinnelli, Bill Traylor, Minnie Evans, William Hawkins and Sam...