Dana Coleman

Snap Peas Pickin'

2019

Dana Coleman is a contemporary Gullah artist who captures the dynamic, awe-inspiring beauty of the Lowcountry in each of his paintings. His realistic depictions of his Gullah heritage, lowcountry lifestyle, architecture and landscapes draw in the viewer, creating a one-on-one experience that lasts a lifetime. He uses natural and bright colors to execute his contrasting and harmonious work. After earning an associate degree in graphic design at Trident Technical College in Charleston, South Carolina, Dana studied civil engineering at the University of South Carolina in Columbia, where he refined his innate ability to recognize and execute the fine detail that can be found in his paintings. Dana, who has earned several awards for his artistic talent, always has believed that “You can paint anything you set your mind to.” His artwork captures the most vivid and fond memories he has collected since his childhood “in the country,” just outside of Charleston. He shares those experiences with viewers so they can enjoy the diverse and vibrant culture that is unique to Charleston. His architectural background has helped Dana reproduce the history and beauty found in the Charleston area, from its weathered houses and structures to its beautiful beaches and marshland. ​ With an ever-changing palette, Dana paints with various techniques, depending on the subject matter – and his emotional attachment to the subject matter. Applying paint with purpose and patience, he applies the strengths of each specific medium to achieve smooth, rich surfaces and crystal clear, vibrant hues. Dana’s artwork can be found in numerous private art collections around the world and has been displayed at the Metropolitan Museum of Art in New York. His work is a permanent fixture at the Sierra Leone National Museum and the Fort Sumter...

Smoke Noland Anderson is a self taught portrait artist who strives to create works of art that are a celebration of people of color. He is known for h...

Noland Anderson is a self taught portrait artist who strives to create works of art that are a celebration of people of color. He is known for his deta...

In this work, which took nearly three years to complete, great historical luminaries examine African-American life. All of the past and present problems black America faced at the time the piece was completed are present. Gray mixed in the reality of black despair with slight dabs of hope for the future. Luminaries featured include Harriet Tubman, Richard Allen, Marcus Garvey...

Noland Anderson is a self taught portrait artist who strives to create works of art that are a celebration of people of color. He is known for his deta...

Noland Anderson is a self taught portrait artist who strives to create works of art that are a celebration of people of color. He is known for his deta...

Archaic Hercules Skinning a Rabbit, 2019 Acrylic on canvas 53.14 H x 55.11 W in. 135 H x 140 W cm In classical mythology, Hercules is famous for his strength and his numerous far-ra...

This large 119" x 72" mixed media painting by the artist, XVALA, is from his series 'Pandemic Collection: 8' and depicts bright colorful cartoon chara...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...

Carmelo Niño Amantes con escena, 2019 Acrylic on canvas 200 x 400 cm 78.7 x 157.4 in. The work is accompanied by a certificate of authenticity signed b...

Carmelo Niño Carolina niña con Marina, 2021 Acrylic on canvas 350 x 200 cm 137.7 x 78.7 in. The work is accompanied by a certificate of authenticity signed by the artist. Carmelo Niño, a Venezuelan artist originally from Maracaibo, Zulia State, an oil-producing region of Venezuela, is today one of the most outstanding painters in the plastic arts landscape in the country. Many years have passed since his birth in 1951 to the present, when he inaugurates this August 2022, a major exhibition at the Ascaso Gallery in Miami, with paintings from different dates resulting from the permanent and daily work of reflection, physical and intellectual, that he has always pursued in his creative life. Without neglecting a single moment of day-to-day life to be in front of the medium-sized canvas on the easel or of larger canvas hanging on a wall, he works in his large studio in the area of El Junco, outside the capital city of Caracas, surrounded by lush green vegetation, with a wonderful climate of pleasant temperature and poetic mist that invites to the reverie and glorification of his life as a painter. From a very early age Niño and his family discovered his vocation for drawing, a discipline in which he showed a special disposition and talent. From this moment on he dedicates his life to art, to the practice of painting, starting from a fantastic and strange world of fantasy, close to surrealism, unfailingly influenced by the circus of fantasy owned by his mother and a musician father. These circumstances will shape the artist's life. His traces and influences from the beginning will be present in his creative work, especially through the memories of the infinite curiosity to look, touch and be enraptured by the strange furniture and objects from his mother's circus that he knew were deposited in a room of the house. This universe of fantasy will leave an indelible mark on his subconscious and will serve as the thematic and artistic support for all his work. In an interview conducted by the critic Roberto Montero Castro in 1977, Carmelo Niño states, "the symbols of my painting come from the everyday life". His life has been one of continuous work and effort. At the age of fifteen he enrolled in the School of Arts of Maracaibo, graduated three years later, 1966, and immediately, with a scholarship, he travelled to Spain, took a few courses at the San Fernando Academy in Madrid, strengthened his preparation in art workshops and in frequent visits to the big museums of this European capital. With a sensitive gaze he penetrates the mysteries of masterpieces of the great artists who have made the universal history of art. His life as a painter has been intense, of intense study, preparation and work. With much composure and modesty he talks about his life and his artistic production, recognized not only in Venezuela, but also internationally. His participation in exhibitions began in 1969 and as early as 1970 he held his first individual exhibition at the Fine Arts Center of Maracaibo. From these dates onwards successes started to come, with the participation in collective and individual exhibitions, in Venezuela and abroad, as well as the awards from 1971, when he won the Scholarship Award at the First National Salon of Young Artists in Maracay, Aragua State; in 1972 he was awarded the Second Prize at the Regional Salon of Maracaibo. 1975 is the year of awards, he received the First Prize at the IV Salon of Young Artists in Caracas; the Aurelio Rodriguez Award at the IV Avellan Salon in Caracas and the First Prize at the Salon of Young Zulian Artists in Maracaibo; he also participated in the group exhibition of History of Painting in Venezuela, at Casa de Las Americas, Havana, Cuba; and in 1976 he was invited by Jose Gomez Sicre to take part in the exhibition of Venezuelan painting...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...