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Enrique Chagoya “HISTOIRE NATURELLE DES ESPÉCIES: ILLEGAL ALIEN’S MANUSCRIPT”, 2008
About the Item
Enrique Chagoya is an American-Mexican artist best known for his mixed-media paintings and prints. In his work, the artist combines contemporary cultural icons with Pre-Columbian imagery as a means of tackling controversial and politically charged subjects. “For me, it [my work] is a form of visual language that I mix to make visual sentences, which are not necessarily phonetic,” the artist has said. “I try to express my own personal anxieties in my work. When I address the idea of corruption, I corrupt sacred imagery with non-sacred imagery.” He is most commonly associated with his series Recurrent Goya (2015), in which he mocks political dysfunction in the modern world, pointing to the examples of Vladimir Putin, Dick Cheney, and Ronald Reagan. Born in 1953 in Mexico City, Mexico, Chagoya studied economics at the National Autonomous University of Mexico. He moved to the United States in 1977, where he received a BFA from the San Francisco Art Institute and an MFA from the University of California at Berkeley. In 2013, the artist took part in the exhibition “Our America: The Latino Presence in American Art” at the Smithsonian American Art Museum in Washington, D.C. Today, his work found in the collections of the Honolulu Museum of Art in Hawaii, The Museum of Modern Art in New York, and the Fine Arts Museum of San Francisco. Chagoya lives and works in San Francisco, CA.
- Creator:Enrique Chagoya (1953, American)
- Dimensions:Height: 11 in (27.94 cm)Width: 75 in (190.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Atlanta, GA
- Reference Number:1stDibs: LU155528765332
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He also photographs the natives during customary festivals. At the same time, he presents his first sculptures in a gallery in Geneva. In 1988, he went to Uruguay for a year with his partner Arlette, it was there that their daughter Alizée was born. He set up a foundry workshop and made several sculptures which he exhibited in Buenos-Aires, Montevideo, and Punta del Este. He fell in love with the old cars that crisscrossed the roads of Uruguay and bought a Ford A 1929 pickup truck, in which he would later carry out a photographic report. Back in Europe, he settled in France with his family, restored an old farmhouse, set up a workshop and executed the sculpture “Corps et Graphie” inaugurated in Geneva in May 1991. He exhibited in various galleries in Switzerland and France. His son Valentin was born in 1994. In 1996 he returned to Uruguay to make a report on “cachilas” (popular name given to old cars in Uruguay). That same year, he led a bronze internship during the Borne ceramic meetings. He incorporates other materials in his sculptures, such as wood, iron and stone, and works the earth again. His works, anthropomorphic in character, tend to purify lines and volumes and orient themselves towards stylized figuration and abstraction. In 1998 he won the “Year 2000” competition organized by the municipality of Gd-Saconnex in Geneva, and exhibited at the Shakan gallery in Lausanne. Inspired by nature, he presented his first outdoor installations during the Open Doors Workshops in the Cher in 1999, and became a member of the Center Céramique de la Borne. In 2000, he participated in the first Contemporary Art Fair in Bourges and exhibited at the Voutat gallery in Geneva. At the beginning of 2001, he returned to Uruguay in order to prepare the publication of a photo book for the “Ides et Calendes” editions, which would be released in September of that same year under the name “Cachilas, a story of jacks in Uruguay. In 2002, he exhibited at the Diorama gallery in Geneva, at the Shakan gallery in Lausanne, at the Contemporary Art Fair in Bourges, and created the North / South installation on the Esplanade Montbenon in Lausanne. At the same time, he took over the presidency of the Artipousse association which runs plastic arts workshops in rural areas in the Cher department. In 2003, he became a member of the Association of Sculptors of Geneva, he won the competition for the review Accrochage, and exhibited at the Beaujon space in Paris, invited by the City Hall of the 8th Arrondissement. In 2004, he exhibited as a guest artist at the Center de Création Céramique de La Borne on the theme of the pebble, and presented at the third Contemporary Art Fair the work "Triptych" which will be acquired by the city of Bourges. In 2005, commissioned by the city of Onex, he produced “Rencontre”, an artistic intervention on a sequoia in Brot Park in Geneva, a sculpture from which a tray will be extracted which will become a palaver table for the inhabitants of the district, place du 150ème. . In 2006, he mounted a solo exhibition at the Ferme de la Chapelle gallery in Geneva, then inaugurated the work Triptyque at the 3rd Biennale of Contemporary Art in Bourges. He then participated in the Lancy Quadrennial in Geneva, as well as the 8th edition of Quid Novi? in Gaillard. He also presents his work at the Simple gallery in Gstaad. In 2007, he was one of the winners of the 1% Artistic Competition at the Collège d'Isneauville in Rouen and presented the “Growing Up” project there. Then, he exhibited at the Galerie du Théâtre Mac-Nab in Vierzon where the city acquired the sculpture “Colossus”. Then he took part in the “Art in all its States” event in Limay where he carried out an in situ intervention on chestnut trees. He also exhibits at the United Nations Palace in Geneva. As part of a call for tenders, he inaugurates a Wall Signage Sculpture that he produced for the Sports Complex of Belleville-sur-Loire. In 2008, he participated in the Rencontres des Arts in Mers-sur-Indre, as well as in the 17th International Ice Sculpture Competition in Valloire. In 2009, he was invited to the workshop of the International Snow and Ice Sculptures in Hovden, Norway. He took part in the “Featherweight” exhibition at the Ferme de la Chapelle gallery in Geneva, then produced a fish for the “O'Fish Parade” event which took place as part of the Loire Festival in Orléans, and presented one of his new sculptures for the 11th edition of Quid Novi? In Gaillard. 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