Items Similar to French Mediterranean Provencal Oil On Canvas, Boats in Martigues, 1940-1950s
Want more images or videos?
Request additional images or videos from the seller
1 of 7
François BernardFrench Mediterranean Provencal Oil On Canvas, Boats in Martigues, 1940-1950s1940-1950s
1940-1950s
About the Item
French mediterranean provencal painting. Oil on canvas by François Bernard, France, 1940-1950s. Boats in Martigues, Provence. With frame : 61x111 cm - 24x43.7 inches, without frame : 50x100 cm - 19.7x39.4 inches. Signed "Bernard" lower right (see photo)
- Creator:François Bernard (1814 - 1903, French)
- Creation Year:1940-1950s
- Dimensions:Height: 24.02 in (61 cm)Width: 43.71 in (111 cm)Depth: 2.68 in (6.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Amans des cots, FR
- Reference Number:1stDibs: LU1088213810322
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2018
34 sales on 1stDibs
- ShippingRetrieving quote...Ships From: Saint Amans des cots, France
- Return PolicyA return for this item may be initiated within 2 days of delivery.
More From This SellerView All
- Notre-Dame de Paris, Oil on Canvas by Henri André MartinLocated in Saint Amans des cots, FROil on canvas by Henri-André Martin (1918-2004), France, ca.1960. Notre-Dame de Paris. With frame: 79.3x 60.3 cm - 31.2x23.7 inches. Without frame: 54x 73 cm - 21.3x28.7 inches. 20P format. Signed lower left "Henri A. Martin" (see photo). Born in Lyon in 1918, the child and the adolescent Henri-André Martin spent his youth in Saint-Étienne, his father, Edme Martin, first installed as a practicing doctor in Lyon, having been appointed doctor of the anti-tuberculosis dispensaries of the Loire. During his first years of studying medicine in Lyon, he nevertheless enrolled in the Beaux-Arts. Appointed hospital intern upon his return from captivity in 1942, he ended his medical career as director of the otolaryngology university clinic at Édouard-Herriot hospital. But painting was his passion. Painting was for Henri-André Martin the way of expressing his feelings. By nature very reserved and of an extreme modesty that many took for coldness, it was what allowed him to express his strong artistic sensitivity and, his pictorial periods are as many reflects of his anxieties, of his hopes, of his joys. At every period of his life, wherever he goes and whenever he has a moment, he paints gouaches, often of small size, but sometimes of larger size. He also paints beaches that have been compared to those of Boudin. Their invoice shows, however, that this figure is only appearance and that in fact, these beaches made of water, sky and sand, readily dispense with the motif, the work of the material seeming to have more importance. as the subject. Despite the fact that until the 1970s he painted "on the ground", his canvases remain far removed from the anecdote. Often harsh like the landscapes of Provence, the Parisian walls which express concern, or the railways, the switch tracks which suggest, in ocher and black, all the embarrassment of choice. We find the same nostalgic gravity in the canvases of the carcasses of boats which, as his friend Louis Pons later wrote, "seem to die of immobility" or in the canvases of Venice, or the landscapes of Eygalières. In the following years, his painting became simpler, more synthetic, such as these landscapes with tortured almond trees, black and gnarled olive trees, plane trees standing out against the ocher sky of the dawn of Provence, in winter. These are also the canvases of Hamburg in the dough becomes heavier, the colors darken, marking all the gravity of the port landscapes. Workshop work gradually takes precedence over motif painting. The pivotal period coincides with that of his work on the olive tree, during which he leads the realization of the "Trunks", a collection of six lithographic plates, of the book L'olivier comprising many lithographs and serigraphs, but also texts. poetic and numerous paintings. He then became passionate about everything related to the olive tree (literature, painting, traditions, history), but also to the tree itself, its thousand-year-old history, its poetry, its symbols, but also its culture, its size. oil production...Category
1960s Post-Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Village of Provence, Oil on CanvasLocated in Saint Amans des cots, FROil on canvas by Michel Jouenne, France, Early 1960s. Village of France. Measurements : with frame : 38.7x28 inches - 98.3x71 cm, without frame : 36.3x25.6 inches - 92.2x65 cm, Forma...Category
1960s Neo-Expressionist Figurative Paintings
MaterialsCanvas, Oil
- Henri-André Martin Road in Eygalieres, Alpilles, Provence, Oil on Canvas, 1999By Henri-André MartinLocated in Saint Amans des cots, FROil on canvas by Henri-André Martin (1918-2004), France, 1999. Road in Eygalieres, Alpilles, Provence. With frame: 52x67 cm - 20.5x26.4 inches. Without frame: 46x61cm - 18.1x24 inches. Format 12P. Signed and dated lower left "Henri-André Martin 99" (see photo). Located on the back (see photo). Can be matched to make a pair with another painting by Henri-André Martin that we offer on 1stdibs whose title is "Henri-André Martin Road in the Alpilles, Provence, Oil on Canvas, 1980s". Born in Lyon in 1918, the child and the adolescent Henri-André Martin spent his youth in Saint-Étienne, his father, Edme Martin, first installed as a practicing doctor in Lyon, having been appointed doctor of the anti-tuberculosis dispensaries of the Loire. During his first years of studying medicine in Lyon, he nevertheless enrolled in the Beaux-Arts. Appointed hospital intern upon his return from captivity in 1942, he ended his medical career as director of the otolaryngology university clinic at Édouard-Herriot hospital. But painting was his passion. Painting was for Henri-André Martin the way of expressing his feelings. By nature very reserved and of an extreme modesty that many took for coldness, it was what allowed him to express his strong artistic sensitivity and, his pictorial periods are as many reflects of his anxieties, of his hopes, of his joys. At every period of his life, wherever he goes and whenever he has a moment, he paints gouaches, often of small size, but sometimes of larger size. He also paints beaches that have been compared to those of Boudin. Their invoice shows, however, that this figure is only appearance and that in fact, these beaches made of water, sky and sand, readily dispense with the motif, the work of the material seeming to have more importance. as the subject. Despite the fact that until the 1970s he painted "on the ground", his canvases remain far removed from the anecdote. Often harsh like the landscapes of Provence, the Parisian walls which express concern, or the railways, the switch tracks which suggest, in ocher and black, all the embarrassment of choice. We find the same nostalgic gravity in the canvases of the carcasses of boats which, as his friend Louis Pons later wrote, "seem to die of immobility" or in the canvases of Venice, or the landscapes of Eygalières. In the following years, his painting became simpler, more synthetic, such as these landscapes with tortured almond trees, black and gnarled olive trees, plane trees standing out against the ocher sky of the dawn of Provence, in winter. These are also the canvases of Hamburg in the dough becomes heavier, the colors darken, marking all the gravity of the port landscapes. Workshop work gradually takes precedence over motif painting. The pivotal period coincides with that of his work on the olive tree, during which he leads the realization of the "Trunks", a collection of six lithographic plates, of the book L'olivier comprising many lithographs and serigraphs, but also texts. poetic and numerous paintings. He then became passionate about everything related to the olive tree (literature, painting, traditions, history), but also to the tree itself, its thousand-year-old history, its poetry, its symbols, but also its culture, its size. oil production...Category
1990s Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- Oil on Canvas by Jallais, Boats in Port, 1960sLocated in Saint Amans des cots, FROil on canvas by Jallais, France, 1960s. Boats in port. In its pretty dark brown wooden frame. With frame: 68x58 cm - 26.8x22.8 inches, without frame: 61x50 cm - 24x19.7 inches. 12F ...Category
1960s Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- Bories-en-Provence Village Near Gordes, Large Oil on CanvasLocated in Saint Amans des cots, FROil on canvas by Paul Clement (1906-), France, 1967. Bories-en-Provence near Gordes. Measurements : with frame: 106x87 cm - 41.7x34.25 inches, without frame: 100x81 cm - 39.4x31.9 in...Category
1960s Expressionist Figurative Paintings
MaterialsCanvas, Oil
- Edith Desternes, The Church Notre-Dame de l'Assomption in Auvers-sur-Oise, 1920sLocated in Saint Amans des cots, FROil on canvas by Edith Desternes (1901-2000), France, 1920s. The Church Notre-Dame de l'Assomption in Auvers-sur-Oise. This church has been painted in 1890 by Vincent van Gogh. At first glance, one is struck by the strength of this work. Then, on examination, one is captivated by this depth of soul and technique. Edith Desternes uses a thick paint here where black, and dark colors, play a privileged role. Thus the contrast between the warm and cold tones, surrounded by black, create an intense luminosity reminiscent of stained glass windows from the Middle Ages. Georges Rouault is present in this powerful work. With frame : 87x66 cm - 34.25x26 inches ; without frame : 81x60 cm - 31.9x23.6 inches ; 25P Format. Signed "E. Desternes" lower right (see photo). On the back, we notice the pictorial material dropped by the artist, it is not a restoration. The condition is excellent ! Céline Édith Desternes was born in Paris on February 21, 1901. She was the daughter of Louis Desternes (1864-1936), professor at the Lycée...Category
1920s Expressionist Figurative Paintings
MaterialsCanvas, Oil
You May Also Like
- Jerusalem by Ludwig Blum, landscape painting, figurative artBy Ludwig BlumLocated in London, GBJerusalem by Ludwig Blum Oil on canvas 18 x 28.7 inches / 45.7 x 73cm Signed Painted circa 1955Category
1950s Naturalistic Landscape Paintings
MaterialsOil, Canvas
- Jerusalem by Ludwig Blum - Figurative landscape paintingBy Ludwig BlumLocated in London, GBJerusalem by Ludwig Blum Oil on canvas 25.6 x 32 inches / 65 x 81cm Signed Painted circa 1940Category
1940s Naturalistic Landscape Paintings
MaterialsOil, Canvas
- View on the Governor’s Palace in Paramaribo, SurinamLocated in Amsterdam, NLGOVERT VAN EMMERIK (1808-1882) View on the Governor’s Palace in Paramaribo, Surinam Signed and dated 1856 Oil on canvas, 70 x 90 cm In large gilt...Category
19th Century Naturalistic Landscape Paintings
MaterialsOil, Canvas
- Mountain View from Hålland, Åre by Swedish Artist Ante Karlsson-Stig, From 1932Located in Stockholm, SEThe painting we are selling is a breathtaking mountain view from Hålland in Jämtland, Sweden, created by Ante Karlsson-Stig in 1932. Ante Karlsson-Stig (1885-1967) was a Swedish pain...Category
1930s Naturalistic Landscape Paintings
MaterialsCanvas, Oil
- "Catalonia Landscape", Early 20th Century Oil on Canvas by Modest UrgellLocated in Madrid, ESMODEST URGELL Spanish, 1839 - 1919 CATALONIA LANDSCAPE signed “Urgell” (lower left) oil on canvas 27-1/4 x 51-1/4 in. (69 x 130 cm.) framed: 31-1/4 x 55-...Category
Early 1900s Naturalistic Landscape Paintings
MaterialsCanvas, Oil
- 19th century French or Basque 'Young Lovers', a Courting Couple in a landscapeBy Maxime DastugueLocated in Woodbury, CTStunning oil on canvas, scene of two young courting lovers in an extensive landscape. A French painter from the middle to late 19th century. Dastugue was a portrait and genre painter...Category
1870s Naturalistic Figurative Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
Grace Kennison
Tom Keating
Von Gegerfelt
Italian Botanical Fern Prints
Fashion Illustration Framed
Girl Strong
Native Girl
Source My Eye For Design
Florentine Angel Painting
Gigi New York
Abanindranath Tagore
Little Girl With Dog On Canvas
Salon Art With Women
Sad Man Painting
Francois Mengalatte
Ted Nichols
Modern Paintings From India
New Stuart Woods Book