Gian Paolo Dulbecco

Notturno Night

1997

Tomorrow we will cross a vast sea Gian Paolo Dulbecco Born in La Spezia (Italy) in 1941, he begins as a self-taught painter at the end of the 50s,...

Unconscious Female Force Signed and dated lower right, canvas 43x51 with frame 45x53 Born in 1950 Vina Del Mar Chile. Already when a child his drawings and paintings were noticed by the public. From 1966 to 1969 he attended the Academy of Fine Arts in Valparaiso where he received awards every year. Very soon he exhibited his works that document his specific interest in the portrayal of man in Chile. In the age of 24 he went abroad having exhibition in several Latin American countries. In 1983 he joined the League Art Student of New York. Duran developed his style which distinguishes him from present day currents. His work was exhibited in Europe, South America and USA recently his work was exhibited in Chile. Ivan Duran Garlick...

Men Philosophizing 1998 Born in 1950 Vina Del Mar Chile. Already when a child his drawings and paintings were noticed by the public. From 1966 to 1969 he attended the Academy of Fine Arts in Valparaiso where he received awards every year. Very soon he exhibited his works that document his specific interest in the portrayal of man in Chile. In the age of 24 he went abroad having exhibition in several Latin American countries. In 1983 he joined the League Art Student of New York. Duran developed his style which distinguishes him from present day currents. His work was exhibited in Europe, South America and USA recently his work was exhibited in Chile. Ivan Duran Garlick...

The Garden Of Semiramis, oil on board, signed and dated, title in Latin on revers. Gian Paolo Dulbecco was born in La Spezia (Italy) in 1941, he be...

Woman playing tennis, heavy oil impasto on canvas framed. Elisabeth Sabala Abelló (Barcelona, 1956). She studied industrial design at the School of Arts and Crafts in Barcelona ​and has a degree in Fine Arts, a specialty in painting, from the Central University of the same city. Sabala is a convinced figurative who has given all the prominence of her work to the representation of the human being in its most trivial aspects. At a time when the artistic landscape extols abstract and conceptual art focused on the great universal themes, Sabala continues to focus on the small defects that bring us closer to the collective and the human. The artistic progression of Sabala takes place, at first, from a bleak period to another vitalist and, later, from the representation of isolated characters (In the super, Reading the stories of​ the paintings) to the recreation of great concentrations of its peculiar individuals characterized in an endless number of situations (The Great Dance, The Girls of the Choir). Sabala's work is vital and touching, as well as scathing and satirical: it confronts its characters in the most varied situations, capturing, at the same time, the viewer's attention with an unusual juxtaposition of colors that do not seek chromatic harmony, but expression and movement through matter. In 1980 she won the first prize of a painting of the City of Castelldefels, and the following year she debuted individually in the Caixa Catalunya room, in Barcelona. In 1984, she was selected for the XXIII Joan Miró Drawing Prize, taking part in a traveling exhibition in Japan. He won the first prize of the International Painting Competition of Pollença (Mallorca) in 1985, and the following year he took part in a collective held at the Martano gallery in Turin. That same year of 1986 she obtained the Scholarship of Plastic Arts of the Generalitat de Catalunya. Sabala continues to hold personal shows in Barcelona, ​​Mallorca, Madrid, and Italy, and in 1989 she debuted in New York with an individual exhibition held at the Scott Alan Gallery. Since then she will reiterate his presence both in that city and in Paris, Berlin, Monaco, Amsterdam, Los Angeles, Mexico City, Hong Kong, etc. His works have been present at Interactive, ARCO, Art Forum, Art Jonction and New Art, as well as in various Spanish museums. • Studies: Fine Arts, University of Barcelona • Industrial Design, School of Arts and Crafts, Barcelona Main exhibitions Spain: • Barcelona: ◦ Arcs & Cracks​, 1990, 1992, Anna Benach 1993, Helena Ramos 1993 ◦ Maria Jose Castellvi 1996, 1997, 1999, 2001 “a wedding is a wedding” + Performance “Ella” ◦ 2004, 2006 “Fashion satisfaction” + Performance ◦ 2008 “Women's weapons” • Girona: ◦ Helena Ramos 1990, 1991, 1993, 1995 ◦ Cyprus Art...

Fun Dining. Smith Blanchard was born on August 19, 1952 in Port-au-Prince, Haiti. Smith Blanchard was the son of the late Haitian artist Sisson Blanchard...

Ludwig Schwarzer formulates a highly independent work, bizarre in content and marked by perfection in craftsmanship. After realistic and later expressionist attempts, he found his ow...

View of a Village Square Vukmanovic Stefan Belgrade 1924 – 1995 Degernau Serbian Painter Signature: Signed bottom middle Medium: Oil on panel Dimensions: Image size 45 x 60 cm Biography: Vukmanovic (Vucmanovic) Stefan was born in 1924, in Belgrade, former Yugoslavia. He was a Serbian painter of landscapes and town scenes. Vukmanovic studied at the Munich Academy of Fine Arts with the master teacher and artist Charles Crodel (1894 – 1973). He was a member of the Munich Secession. In this statement of principles, the artists declared their intentions to move away from outmoded principles and a conservative conception of what art was. Throughout the 1930s, many political ideologies (Marxism, Socialism, Capitalist Democracy, Communism and Fascism) were engaged in struggles for dominance, and epitomised the political atmosphere of the era. Surrealism art...

Lazzaro Donati (Italian, 1926-1977), "Signora dal Cappello," oil on panel, signed lower left, signed, titled and dated verso, overall (with frame): 22.5"h x 24.5"w Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work i faucist recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and jean Jansem. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell a painting...

This is for a French Avant garde theatre stage design. it depicts a man in sunglasses , coat and scarf in a wheelchair. (Eugene Ionesco) Grégoire Michonze...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful Architectural Italian Landscape. Porto Azzurro, 1964 Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", (Panel) H 27" x W 19" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful woman. La Regina (the Queen) Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", (Panel) H 27.5" x W 20" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell...