Helmut Verch

Dächer und Türme / Roofs and Towers

1977

Claire Bertrand, a painter of expressionist tendency , concentrates mainly on landscapes and portraits , of which she reduces the motifs to the essential.

In the summer of 1952, Motesiczky took a holiday in the Austrian alpine village of Judenstein in Tyrol, near Innsbruck. Back home in London and workin...

In his turbulent compositions, lines and colors overlap and condense into figuratively looking scenes. As a figurative informal painter or informal figure painter, he proves in a way...

In his painting, Robert Hammerstiel is in constant search of the balance and harmony of form. In his drastic reduction to the physical essentials and the colourful placarding, he cre...

Strobl’s painting is also reminiscent of the constructed nature of the world in general: his cityscapes, pictures of rooms and passages subtly indica...

Strobl’s painting is also reminiscent of the constructed nature of the world in general: his cityscapes, pictures of rooms and passages subtly indica...

Elisabeth DUJARRIC de LA RIVIÈRE (Jouy-en-Josas 1930 – Excideuil 2005) Portrait of the artist's mother Oil on canvas H. 171 cm; L. 70 cm Signed on the back Provenance: Private collection, Périgord Born in the heart of the Bièvre valley, a few kilometers from Versailles...

Elisabeth DUJARRIC de LA RIVIÈRE (Jouy-en-Josas 1930 - Excideuil 2005) Self-portrait with apple Oil on canvas H. 100 cm ; L. 73 cm Sig...

Measures 22" x 18" and framed 27" x 24" x 3". About this artist: Born in Galatz, Romania, John Barber became a modernist painter of figures and scenes of...

"Horas de Rodigio" by Alvar Sunol is an Original Oil on Board painting and measures 39x39. This painting incorporates Alvar's favorites drawing inspiration of mixing the old with the...

Mid century modern figural abstract painting with a touch of cubism. Original oil on canvas. Dimensions 35 1/2" x 23 1/2". Frame dimensions 41" x 29". Very good vintage conditi...

"Spirit" a bold and thoughtful cubist oil on canvas was painted in December of 2001 by African American artist William (Bill) Cooper. William Y. Cooper was a writer, painter, muralist, illustrator, and art teacher. He moved to Western New York in 1954 from Birmingham, Alabama, to pursue work, and Buffalo has been his home ever since. In 1975, he received his Bachelor of Fine Arts degree from the University at Buffalo; he was also a state certified art teacher. Cooper woked primarily in oils and acrylics, but also creates drawings on paper. He has painted several commissioned murals and has had more than fifteen one-man shows in Western New York and Ghana, West Africa, and has participated in more than twenty-five group exhibitions since he began his professional career in 1969. His paintings and drawings address both his African heritage and his experience as an American through symbolism and metaphor. He observes, “I am an Afrocentric artist. My worldview is rooted in an African frame of reference and a deep, abiding sense of the creator from whence I draw my inspiration, strength, and a sense of who I am. The use of symbols allows me to explore literal ideas.” Among Cooper’s published works are two children’s books, 77 Jackson Street, Rear and Nakai and the Red Shoes, and a novel for adults, The Mopane Tree. Cooper founded the Afrocentric Artists’ Collective and ran the organization from 1979 to 1981. In 2013 he was designated a “Living Legacy” artist by the Burchfield Penney Arts Center, the latest in a series of honors which has also included awards from the Arts Council of Buffalo & Erie County, the New York State Council on the Arts, and Alpha Kappa Alpha...