Henriette Gorbitz

"My Home", Cozy Pumpkin House in the Garden Naive/Primitivist Acrylic Painting

2005

This artwork depicts the evolution of a birch or poplar leaf along the seasons, from light green to dirt brown, in 16 panels disposed in a 4×4 table. The landscape of each row prolongs in the four columns, with different colors and characteristics. A patchwork of boxes with leaves surrounds this table. This artwork is not framed. Henriette Gorbitz is a naïve/primitive French artist, passionate about Jean Giono...

As most of Françoise Duprat's works of the 21st century, this abstract painting is inspired by the sea of the Gulf of Morbihan. This marine landscape...

This artwork depicts a small pond in a summer or spring mountain landscape in the background. The artist applied different tints in rectangular areas starting from the center. It may suggest different seasons, but it's not, since the vegetation doesn't change. The sunset sky is unaffected by these differences of tint. Two of these areas are filled with mosaic patterns, one light blue and the other yellow. The surrounding area is made as a carpet of leaves with strong veins. On top of these leaves are leaf-shaped patches of sky. Four large leaves also cover the landscape. This artwork is not framed. Henriette Gorbitz...

This artwork actually contains two landscapes. The inner landscape depicts a forest of birch trees at dawn or at dusk, with a purple sky and a fuzzy Sun. The ground is full of colored small flowers and plants. The outer landscape depicts a night green landscape through birch branches, with clouds and the Moon. Although both landscape can't actually merge, some branches of the inner landscape extends into those of the outer landscape, which makes this painting surrealist. Both landscapes are separated by a pink mosaic...

This artwork depicts a patchwork of tree leaves and monochromous landscapes. This artwork is not framed. Henriette Gorbitz is a naïve/primitive French artist, passionate about Jean Giono...

This artwork depicts a forest of young deciduous trees at sunset, with a red sky visible through the branchs. This artwork is framed with a nice molded frame. Unframed dimensions : 61×50 cm. Henriette Gorbitz...

Recalling Britannia, acrylic on canvas, 100cm x 40cm, 2023 Even in his most realistic images, there is a beautiful exaggeration in the paintings of Peter Rodulfo...

Magic realist fantasy painting in the manner of Ernst Fuchs and Arik Brauer. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

This beautiful landscape painting by Olga is part of her Pandemic series she did during the Covid 19 pandemic. As oppose to the chaos the world is experiencing due to the pandemic, her landscape paintings are the opposite; calm, almost surreal and utopic. Olga is mostly engaged in painting and illustration. She likes breaking the rules of proper reflecting of nature with the use of unexpected elements from another universe. Her works are minimalistic in the form, simply elegant and gracefully colorful. Olga Szczechowska...

A farm stands before you on the horizon. A windmill majestically slices the blue sky. A bird, painted in taut brushstrokes, struts on a branch. These are tranquil images; horizon far...

This beautiful landscape painting by Olga is part of her Pandemic series she did during the Covid 19 pandemic. As oppose to the chaos the world is experiencing due to the pandemic, her landscape paintings are the opposite; calm, almost surreal and utopic. Olga is mostly engaged in painting and illustration. She likes breaking the rules of proper reflecting of nature with the use of unexpected elements from another universe. Her works are minimalistic in the form, simply elegant and gracefully colorful. Olga Szczechowska...

This beautiful landscape painting by Olga is part of her Pandemic series she did during the Covid 19 pandemic. As oppose to the chaos the world is experiencing due to the pandemic, her landscape paintings are the opposite; calm, almost surreal and utopic. Olga is mostly engaged in painting and illustration. She likes breaking the rules of proper reflecting of nature with the use of unexpected elements from another universe. Her works are minimalistic in the form, simply elegant and gracefully colorful. Olga Szczechowska...