Henry Charles Bryant

Henry Charles Bryant 19th century oil, genre scene, children at fair

19th century

A very fine village scene depicting An English Village with figures, animals, horses, and cart by an Inn, oil on canvas, indistinctly signed,G Lara , lower left The size being 51cm x 31cm whilst overall being 66 cm x 47cm in excellent ready to hang condition Georgina Lara was also known as Edwina Lara ,she was a London painter of rustic farmyard and village scenes. Her work is extremely similar to Edward Masters who also went by the name of William Masters...

19th century oil Devon coastal scene William Shayer Snr (Circle of) A very attractive oil on canvas of cockle gatherers on the Devon coast The painting depicts a busy scene with people gathering their cockles with horses/donkeys laden with baskets ready to take to market. The painting Bears signature, also inscribed and dated 1833 (lower right) The size overall is 95 x 130cm whilst the image is 64 x 104cm (25 x 40¾ in.) Housed in the original heavy gilt frame Provenance: The property of a lady and gentleman , removed from a Cheshire country house William Shayer (1787–1879) was an English landscape painter and figure painter who became prominent during the Victorian era. A self-taught artist, who began by painting decorations on rush-bottom chairs. He moved on to painting carriages in the town of Guildford, after which he started doing heraldic painting...

fine landscape oil painting of a farmyard scene by Georgina Lara (act.1840-1880) British. Oil on canvas,housed in a gilt frame. Signed, and inscribed on a label verso, The overall si...

The Hampton Ferry is a pedestrian cable ferry linking Evesham and the village of Hampton across the River Avon in the English county of Worcestershire. The route dates back to the 13th century, when it was established by the monks of Evesham Abbey as a short-cut to their newly planted vineyard on Clark's Hill. oil on canvas by George Willis Pryce...

A beautiful view of warwick castle with 2 swans on the river avon One of Englands finest medieval castles in the heart of warwickshire oil on canvas by George Willis Pryce...

workman bridge over the river avon in Evesham worcestershire. Workman Bridge was erected in 1856 to replace a medieval bridge. It was named after Henry Workman, long-time mayor of Evesham. oil on canvas by George Willis Pryce...

‘Awakening’ by Herbert James Draper (1864-1920). This monumental oil painting – which depicts two wood nymphs rising to meet the morning sun – is signed by the artist and dated 1918...

‘St. James’ Day’ by Richard Morton Paye (1750-1820). This very large and important 18th century oil on canvas depicts a diverse crowd of Londoners at an oyster stand on a summer’s ev...

‘Awakening’ by Herbert James Draper (1864-1920). This monumental oil painting – which depicts two wood nymphs rising to meet the morning sun – is signed ...

Portrait of a young boy, full-length in a blue velvet coat and breeches, standing on a stone terrace in a park landscape, playing with a spinning top....

Portrait of a Country Lady, depicted Seated wearing a silk glove and with a Quill Pen English artist, circa 1820's oil on canvas, unframed canvas: 35 x 29 inches provenance: private ...

Circle of Fred MORGAN (1847-1927) c1890 A sensitively painted portrait, possibly a study for a larger work, of a young country girl. Indistinctly signed ** Morgan, possibly Fred. Unfortunately Fred signed in a number of different ways depending on the grandeur of his work. However, a consistent element was the colour, a reddish brown similar to the colour of the signature on this painting. I can offer no provenance with this painting, so I am selling at as circle of Morgan rather than actually by him. “Frederick Morgan ROI was an English painter of portraits, animals, domestic and country scenes. He became known for his idyllic genre scenes of childhood. Morgan was born in London to John Morgan and his wife, Henrietta Hester Clare. His father was a successful genre artist sometimes known as 'Jury Morgan' (after one of his paintings The Gentlemen of the Jury). At the age of 14, he was taken out of school by his father who then tutored him in art. At the age of 16, while still studying with his father, his first picture, The Rehearsal, was exhibited at the Royal Academy, and, after a hiatus of several years, his paintings were shown there regularly. For a while he worked as a portrait artist for an Aylesbury photographer; this training proved to be crucial as it "taught him how to observe closely and to give the greatest attention to detail." Eventually he turned to other subjects for his art, in particular idyllic genre scenes of country life and childhood. For many years, starting in 1874, Thomas Agnew & Sons' purchased all the work he produced. Although an excellent portrait artist, Morgan had problems in depicting pets and barnyard animals - he enlisted the aid of either Arthur John Elsley...