French Modernist Post Impressionist Provence Mod Women Jean Sardi Oil Painting

Yitzchak Roman, Israeli Folk Artist Painting and sculpture, born in Safed, 1913, known for his naive depictions of Jewish life and biblical scenes...

Aaron Fink (American, b. 1955) Hand signed and dated 1986, verso. The large canvas size measures approx: 72" x 66". This painting is part of the artist's "Images of Gambling" series, amongst his best figural work. Aaron Fink was born in Boston in 1955. He received his MFA from Yale University and his BFA from the Maryland Institute College of Art. His work has been exhibited widely throughout the U.S., Europe and Japan and Australia, and is included in the collections of the Museum of Modern Art, NY, the Art Institute of Chicago, the Museum of Fine Arts, Boston and the Walker Art Center, Minneapolis, among many others. He lives and works in the Boston area. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. Figurative abstract expressionist art. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. He was included in the show The Expressive Voice: Selections from the Permanent Collection at the Danforth Museum of Art. An exhibition of Boston Expressionism, a school that embraced a distinctive blend of visionary painting, dark humor, religious mysticism, and social commentary. Historical roots of this movement can be traced to European Symbolism and German Expressionism, but artists living and working in the Boston area from the 1930’s through the 1950’s, were particularly inspired by Chaim Soutine and Max Beckmann. Artists included; Aaron Fink, Bernard Chaet, David Aronson, Ernst Ludwig Kirchner, Hyman Bloom, Jack Levine, Jackson Pollock, Jason Berger, Karl Zerbe, Lawrence Kupferman, Michael Mazur, Sigmund Abeles and Willem de Kooning. He was included in the show 40 Years of Printmaking: From the Center Street Studio Archives, along other great figural artists Gabor Peterdi, John Walker, Lester Johnson and Nell Blaine. S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Nederlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Choate Rosemary Hall, Wallingford, CT Citizens Bank, Boston Coopers & Lybrand Danforth Museum, Framingham, MA Danish House of Parliament Davis Museum, Wellesley College, Wellesley, MA DeCordova Museum and Sculpture Park Lincoln, MA Farnsworth Museum, Maine Fidelity Investments, Boston Fogg Museum of Art, Harvard University, Cambridge, MA Fuller Museum of Art, Brockton, MA G.E. Corporation Goldman Sachs & Company IBM, New York Indianapolis Museum of Art Library of Congress Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York Museum of Contemporary Art, Chicago Museum of Fine Arts, Boston Museum of Modern Art, New York National Gallery of Art, Washington, DC New York Public Library Philadelphia Museum of Art Portland Museum of Art, Portland, Maine United States Department of State University of Massachusetts, Amherst Awards Residency, Anderson Ranch, Snowmass, CO, 1998, 1996 National Endowment for the Arts, 1987, 1982 Artist Fellowship, Massachusetts Council on the Arts and Humanities, 1984 American Academy in Rome, Prix de Rome – Alternate in Painting, 1979 Yale University, Ford Foundation Special Project Grant, Fall 1979 Skowhegan Scholarship Award, conferred by the Maryland Institute College of Art, Spring 1976 SELECTED GROUP EXHIBITIONS Contemporary Responses to Modernism: A New England Perspective, University of Southern Maine Color and Line: Expressive Tradition in Boston, Endicott College, Beverly, MA, Beautiful Decay, Danforth Art Museum, Framingham, MA MICA Then and Now, Ethan Cohen Gallery, Beacon, NY Bon Appetit, Concord Art Association Celebrating Ten Years, Galerie D’Avignon, Montreal, Canada New England Impressions: Exploring the Woodcut, Concord Art, Concord, MA Go Figure: The Figure in Contemporary Art – A Response to Art History, Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA Working Sources: The Painter and the Photographic Image, Alpha Gallery, Boston, MA The Unique Print: Six Innovative Approaches to the Monotype, Starr Gallery, Newton, MA Selections from Atelier Mourlot, Hankyu Department Store, Tokyo, Japan Yale Collects Yale, Yale University Art Gallery, New Haven, CT, 1993 70’s and 80’s: Printmaking Now, Museum of Fine Arts, Boston, MA, 1986-1987 Skowhegan Alumni, Leo Castelli Gallery, New York, and Portland Museum of Art, Portland, Maine, Public and Private: American Prints Today, Brooklyn Museum, Brooklyn, NY Contemporary Miami Collectors, Metropolitan Museum, Coral Gables, FL, 1984 The American Artist as Printmaker, Brooklyn Museum, Brooklyn, NY, 1983-84 Jon Abbott, Aaron Fink, Tom Lieber, Chris Wool...

Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Péczely Antal Anton 1891 - 1963 Known for his Jewish genre scenes, Chess scenes and other early 20th Century salon style paintings. In the tradition of Moritz Oppenheim...

Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Péczely Antal Anton 1891 - 1963 Known for his Jewish genre scenes, Chess scenes and other early 20th Century salon style paintings. In the tradition of Moritz Oppenheim...

ARIEH ALLWEIL (ARIE ALWEIL) 1901-1967 Galicia 1901-1967 Safed, Israel (Ukrainian/Polish/Israeli) Arieh Allweil, born 1901, Galicia. Immigrated to Palestine in 1920. Studies: 1921-25 Art Academy, Vienna; Dresden Academy. Alweil brought with him the high values of the Central European avant-garde, which he had absorbed during his years of study in Vienna. He joined the ‘Kunstschau’ group- of artists that had formed around Gustav Klimt and Egon Schiele. He exhibited with them in the 1920’s, and emigrated to Palestine in 1926. He was one of the founders of the Tel Aviv Art Museum and the Midrasha Art Teachers College in Israel. As opposed to other modern Israeli artists in his period, Allweil's woodcuts and illustrations pertained to contemporary events such as the Holocaust and the pioneering spirit before the establishment of the State of Israel. Most notable is this work as well as the first illustrated Passover Haggada for the IDF which he made in 1950 and which was printed for 3 years with his inspirational woodcut illustrations. He published a series of linoleum cuts of Israeli and Biblical subjects and created large scale murals of the Holocaust. Teaching: In Israel, art. Prizes: Received Dizengoff Prize twice; 1955 Turov Prize for Bible Illustrations. Published series of linoleum cuts of Israeli and Biblical subjects, also illustrated a Passover Haggadah and large scale murals of Holocaust. From 1952 until his death lived in Tel Aviv and in Safed in summer. Died 1967, Safed. Education 1921-25 Art Academy, Vienna, Austria 1921-25 Dresden Academy, Germany Teaching Herzliyah Gymnasium High-School, Israel, art. Tel Aviv High School Awards And Prizes 1937 Dizengoff Prize for Painting and Sculpture, Tel Aviv Museum of Art, Municipality of Tel Aviv-Jaffa 1946 Dizengoff Prize 1955 Turov Prize for Bible Illustrations Select Solo Exhibition: 1933 Tel Aviv Museum, Solo Exhibition 1942 Katz Gallery, Tel Aviv 1950 Tel Aviv Museum, Tel Aviv 1956 The Blue Dome, Safed 1968 Memorial Exhibition of the artist Arieh Allweil Yad Labanim Museum, Petach-Tikva 1969 Solo Exhibition The Knesset, Jerusalem 1987 Arieh Allweil: 1901-1967 - ''Return to Betanya Ilit'' Beit Gabriel, Zemah 1994 Arieh Allweil: Prints and Calligraphy The Isaac Kaplan Old Yishuv Court Museum,Jerusalem 2011 Arieh Allweil, Letters, Figures, Landscapes Mishkan Le'omanut, Museum of Art, Kibbutz Ein Harod Select Group Exhibitions 1929 Eged - Palestine Painters Group Allenby Street, Tel Aviv Artists: ChanaOrloff, Abraham Melnikoff, Reuven Rubin, Nachum Gutman, Sionah Tagger, Arieh Allweil, Haim Gliksberg, Yossef Zaritsky, Leon Arie Fein, Pinchas Litvinovsky, Elias Newman. 1932 The Bezalel National Museum, Jerusalem Artists: Pinchas Litvinovsky, Gutman Nachum Allweil, Arieh 1936 First Exhibition of ''Hever Omanim'' Steimatzky Galleries, Jerusalem Artists: Gutman, Nahum Holzman, Shimshon Moshe Mokady, Miron Sima, Jakob Steinhardt, Zeev Ben Zvi, Moshe Ziffer...

Rare Judaica Art. Jewish genre scene. In the tradition of Moritz Oppenheim, Isidor Kauffman and Maurycy Gottlieb and later of Tully Filmus, Zalman Kleinman and Itshak Holtz the artist captures this Jewish scene with a particular sensitivity. Part of the Ecole De Paris The term "School of Paris" was used in 1925 by André Warnod (fr) to refer to the many foreign-born artists who had migrated to Paris. School of Paris artists were progressively marginalized. Beginning in 1935 art publications no longer wrote about Marc Chagall, just magazines for Jewish audiences, and by June 1940 when the Vichy government took power, School of Paris artists could no longer exhibit in Paris at all. The artists working in Paris between World War I and World War II experimented with various styles including Cubism, Orphism, Surrealism and Dada. Foreign and French artists working in Paris included Jean Arp, Joan Miró, Constantin Brâncuși, Raoul Dufy, Tsuguharu Foujita, artists from Belarus like Michel Kikoine, Pinchus Kremegne, and Jacques Lipchitz, the Polish artist Marek Szwarc and others such as Russian-born prince Alexis Arapoff. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The "core members were almost all Jews, and the resentment expressed toward them by French critics in the 1930s was unquestionably fueled by anti-Semitism." One account points to the 1924 Salon des Indépendants, which decided to separate the works of French-born artists from those by immigrants; in response critic Roger Allard (fr) referred to them as the School of Paris. Jewish members of the group included Emmanuel Mané-Katz, Chaim Soutine, Adolphe Féder, Chagall, Moïse Kisling, Maxa Nordau...

Original Lachlan Goudie ROI oil painting entitled "The Piano Lesson" measuring 39cm x 30cm inclusive of frame. Signed lower left. Goudie lives and wor...

oil on linen canvas heavy duty stretcher reference to Hatian vessels named govi containing souls of the departed

It is said that Marbling (his painting technique) originated in Japan in the 12th Century. Mikael has been able to reinvent the technique existing for more than hundreds of years li...

It is said that Marbling (his painting technique) originated in Japan in the 12th Century. Mikael has been able to reinvent the technique existing for more than hundreds of years li...

It is said that Marbling (his painting technique) originated in Japan in the 12th Century. Mikael has been able to reinvent the technique existing for more than hundreds of years li...

Original oil painting on canvas. Hand signed on front by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable...