Skip to main content
Want more images or videos?
Request additional images or videos from the seller

Jim Beckner
"Sidewalks in Greys, " Oil Painting

2021

About the Item

Jim Beckner's (US based) "Sidewalks in Greys" is an oil painting that depicts a busy city sidewalk and street at night cast in the fluorescent light of the signs and cars and passersby. About the Artist: Jim Beckner’s art vibrates with the pulse of the city. His edgy and energetic paintings give one a sense of motion, and though his subject is gritty, the colors with which he achieves this feeling are far from muddy; in fact, one often finds throughout his work, pure, clean jewels of pigment that pop with life. The lively pacing of his brushwork so easily lends itself to motion, to traffic and pedestrians, illuminated shop windows, and street lights.
  • Creator:
  • Creation Year:
    2021
  • Dimensions:
    Height: 18 in (45.72 cm)Width: 18 in (45.72 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Denver, CO
  • Reference Number:
    1stDibs: LU130827836142
More From This SellerView All
  • "Unloading Truck" Oil Painting
    Located in Denver, CO
    David Shingler's (NC based) "Unloading Truck" is an oil painting that depicts a industrial scene of a construction worker standing with a full loading truck Bio/artist statement: ...
    Category

    2010s American Impressionist Figurative Paintings

    Materials

    Oil, Board

  • "There that yet may be" Oil painting
    Located in Denver, CO
    Todd Carpenter's (US based) "There that yet may be" is an oil painting that depicts a black and white landscape of a city's lights nestled in a canyon between mountains, with swirlin...
    Category

    2010s Impressionist Landscape Paintings

    Materials

    Board, Oil

  • "Still Imagined" Oil painting
    Located in Denver, CO
    Todd Carpenter's (US based) "Still Imagined" is an oil painting that depicts a black and white landscape with leafless trees and saplings together in the dark Bio/artist statement: Todd Carpenter is a Los Angeles based artist who uses black and white paint to explore the perception of space and beauty. Carpenter's formal education is in science - he holds a MS in Neuroscience from UCSD and a BS in Psychobiology from UCLA - and he brings this background into service when making art. His paintings explore the mechanisms of perception and aesthetics, examining among other things how the depiction of light can impart realism and convey emotion. Like his paintings bridging art and science, Carpenter's career has similarly straddled the two fields, and he has taught subjects ranging from neuroscience and environmental science to photography and painting. Artist Statement As a painter, I am particularly interested in how the depiction of light contributes to our experience of paintings. Painting, as with any visual art, is obviously dependent on light. But painting can also have a more specific connection in that the accurate depiction of light is crucial for achieving realism. Realism in paintings largely arises from the portrayal of depth - perceiving a painting as being realistic is equivalent to seeing its subject as existing in more than just the two dimensions of the picture plane - and one of the mechanisms by which humans perceive depth is through lighting cues. Light creates features such as shading, shadow, and contrast that tell us about the three-dimensional arrangement of our surroundings, and artists often use these features to impart realism to paintings. Light also factors in to the emotional impact of paintings. The differential illumination of our surroundings can evoke different moods, as evidenced by the influence sunsets, candlelight, and darkness can have on us. Such effectssuggest that our perception of light could be tied to primitive instincts, with light signaling factors such as shelter, nightfall, and warmth, which were once crucial for survival. The depiction of light in paintings...
    Category

    2010s Impressionist Landscape Paintings

    Materials

    Board, Oil

  • "Panpandemic" Oil painting
    Located in Denver, CO
    Todd Carpenter's (US based) "Panpandemic" is an oil painting that depicts a black and white landscape of towering snow capped mountains and vast, deserted valleys Bio/artist statement: Todd Carpenter is a Los Angeles based artist who uses black and white paint to explore the perception of space and beauty. Carpenter's formal education is in science - he holds a MS in Neuroscience from UCSD and a BS in Psychobiology from UCLA - and he brings this background into service when making art. His paintings explore the mechanisms of perception and aesthetics, examining among other things how the depiction of light can impart realism and convey emotion. Like his paintings bridging art and science, Carpenter's career has similarly straddled the two fields, and he has taught subjects ranging from neuroscience and environmental science to photography and painting. Artist Statement As a painter, I am particularly interested in how the depiction of light contributes to our experience of paintings. Painting, as with any visual art, is obviously dependent on light. But painting can also have a more specific connection in that the accurate depiction of light is crucial for achieving realism. Realism in paintings largely arises from the portrayal of depth - perceiving a painting as being realistic is equivalent to seeing its subject as existing in more than just the two dimensions of the picture plane - and one of the mechanisms by which humans perceive depth is through lighting cues. Light creates features such as shading, shadow, and contrast that tell us about the three-dimensional arrangement of our surroundings, and artists often use these features to impart realism to paintings. Light also factors in to the emotional impact of paintings. The differential illumination of our surroundings can evoke different moods, as evidenced by the influence sunsets, candlelight, and darkness can have on us. Such effectssuggest that our perception of light could be tied to primitive instincts, with light signaling factors such as shelter, nightfall, and warmth, which were once crucial for survival. The depiction of light in paintings...
    Category

    2010s Impressionist Landscape Paintings

    Materials

    Board, Oil

  • "Truth as a Poetic Lie" Oil painting
    Located in Denver, CO
    Todd Carpenter's (US based) "Truth as a Poetic Lie" is an oil painting that depicts a black and white landscape full of dense trees and foliage, blotted out by something reminiscent ...
    Category

    2010s Impressionist Landscape Paintings

    Materials

    Board, Oil

  • "Darkness Rises" Oil painting
    Located in Denver, CO
    Todd Carpenter's (US based) "Darkness Rises" is an oil painting that depicts a city in the distance glimmering in the darkness with a few sparse and leafless trees vaguely blocking its view Bio/artist statement: Todd Carpenter is a Los Angeles based artist who uses black and white paint to explore the perception of space and beauty. Carpenter's formal education is in science - he holds a MS in Neuroscience from UCSD and a BS in Psychobiology from UCLA - and he brings this background into service when making art. His paintings explore the mechanisms of perception and aesthetics, examining among other things how the depiction of light can impart realism and convey emotion. Like his paintings bridging art and science, Carpenter's career has similarly straddled the two fields, and he has taught subjects ranging from neuroscience and environmental science to photography and painting. Artist Statement As a painter, I am particularly interested in how the depiction of light contributes to our experience of paintings. Painting, as with any visual art, is obviously dependent on light. But painting can also have a more specific connection in that the accurate depiction of light is crucial for achieving realism. Realism in paintings largely arises from the portrayal of depth - perceiving a painting as being realistic is equivalent to seeing its subject as existing in more than just the two dimensions of the picture plane - and one of the mechanisms by which humans perceive depth is through lighting cues. Light creates features such as shading, shadow, and contrast that tell us about the three-dimensional arrangement of our surroundings, and artists often use these features to impart realism to paintings. Light also factors in to the emotional impact of paintings. The differential illumination of our surroundings can evoke different moods, as evidenced by the influence sunsets, candlelight, and darkness can have on us. Such effectssuggest that our perception of light could be tied to primitive instincts, with light signaling factors such as shelter, nightfall, and warmth, which were once crucial for survival. The depiction of light in...
    Category

    2010s Impressionist Landscape Paintings

    Materials

    Board, Oil

You May Also Like
  • "Autumn Afternoon in Luxembourg Garden"
    By Martha Walter
    Located in Lambertville, NJ
    Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...
    Category

    Early 20th Century American Impressionist Landscape Paintings

    Materials

    Oil, Board

  • "Under the Large Striped Umbrella on a Foggy Day"
    By Martha Walter
    Located in Lambertville, NJ
    Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Martha Walter (1875 - 1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylvania Academy of the Fine Arts. It was at the Academy that Walter’s artistic talent was discovered. An admiring instructor by the name of William Merritt Chase took young Martha under his wing, giving her both inspiration and direction. She additionally enrolled with Chase at his summer school in Shinnecock, Long Island and in 1903, was awarded the Cresson Traveling Scholarship by the Pennsylvania Academy. This sent Martha Walter on travels to France, Italy, Spain, and Holland, where she attended the Grand Chaumiere and the Academie Julian in Paris. Afterwards, she established a studio on the Rue De Bagneaux in France with several other American women artists...
    Category

    1910s American Impressionist Landscape Paintings

    Materials

    Board, Oil

  • Walking with Big Sister
    By Dorothea Sharp
    Located in Belgravia, London, London
    Oil on board Board size: 13 x 16 inches Framed size: 18.25 x 21.25 inches Signed with initials lower left
    Category

    20th Century Impressionist Figurative Paintings

    Materials

    Oil, Board

  • Pair of early 20th Century British Impressionist paintings of the beach
    Located in Petworth, West Sussex
    Attributed to Rowland Wheelwright, 20th Century 'Bather's on the shore' and 'Sunbathing by the Cliffs' Oil on canvas board 9 X 10. 1/4in. (22.8 X 2...
    Category

    20th Century Impressionist Figurative Paintings

    Materials

    Oil, Canvas, Board

  • Summer Fun, 12x14" oil on board
    By Lu Haskew
    Located in Loveland, CO
    Summer Fun by Lu Haskew Oil Painting of kids at play on the beach 12x14.5" image size 15x18.5" framed Shipping price includes the custom packing necessary for safe transport of fine...
    Category

    Early 2000s American Impressionist Figurative Paintings

    Materials

    Canvas, Oil, Board

  • In the Garden, 10x8" oil on board
    By Lu Haskew
    Located in Loveland, CO
    In the Garden by Lu Haskew Oil Painting of woman with an umbrella in a backyard garden 10x8" image size 14x12" framed Shipping price includes the custom packing necessary for safe t...
    Category

    Early 2000s American Impressionist Figurative Paintings

    Materials

    Canvas, Oil, Board

Recently Viewed

View All