Items Similar to "Sidewalks in Greys, " Oil Painting
Want more images or videos?
Request additional images or videos from the seller
Jim Beckner"Sidewalks in Greys, " Oil Painting2021
2021
About the Item
Jim Beckner's (US based) "Sidewalks in Greys" is an oil painting that depicts a busy city sidewalk and street at night cast in the fluorescent light of the signs and cars and passersby.
About the Artist:
Jim Beckner’s art vibrates with the pulse of the city. His edgy and energetic paintings give one a sense of motion, and though his subject is gritty, the colors with which he achieves this feeling are far from muddy; in fact, one often finds throughout his work, pure, clean jewels of pigment that pop with life. The lively pacing of his brushwork so easily lends itself to motion, to traffic and pedestrians, illuminated shop windows, and street lights.
- Creator:
- Creation Year:2021
- Dimensions:Height: 18 in (45.72 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Denver, CO
- Reference Number:1stDibs: LU130827836142
Jim Beckner
Denver-based artist Jim Beckner paints like a jazz musician. The blues bop, the oranges swing, and the yellows vibrate. Drawn to the beat of the city, the artist creates expressionistic urban landscapes that show his unabashed love of color. More than anything, his paintings dance with their own energy, and an urban rhythm emanates from his canvases. Beckner was born and raised in Lakewood, CO, a suburb of Denver. Art played an integral role in the family. “My dad was—and still is—a watercolor artist,” he explains. “He does a lot of Colorado landscapes, very detailed, specific, realistic artwork.” Beckner remembers drawing and coloring at every opportunity when he was a child. “Both of my parents recognized that it was something I enjoyed,” he recalls. “I often drew to entertain those around me.” Occasionally, the Beckner family would drive into downtown Denver to eat out at a restaurant. “I always thought the city was an exciting place,” notes the artist. “It had a certain edginess about it.” Those early excursions, and the urban sensibility they fostered in the impressionable youth, would have a profound effect on his burgeoning talent. Pragmatism took hold, however, when he entered Colorado State University in Fort Collins. “My parents and I agreed it made sense to have something to fall back on, so I decided to major in marketing,” he says. “I figured I could always paint on my own time.” To that end he minored in painting and filled his electives with art history and studio art classes. He took three classes with CSU painting professor Patrice Sullivan—an experience that continues to resonate. “She was the first one to help me understand how to see shapes of color,” he explains. “Before that I was more inclined to view art as drawing something and then filling it in with color.” Today he traces many of the origins of his current style to his college days. “I look back at the paintings I did then,” says Beckner, “and some were very vibrant with a lot of thick brushwork. I still handle the brush the same way, although now I’m more deliberate about it.” After graduating from college, Beckner worked a number of odd jobs. He continued painting and took classes at the Art Students League of Denver, where he found another mentor in painter Mark Daily. “Mark’s more of a representational artist. And a good colorist,” notes Beckner. “He also uses a thick impasto.” As time progressed, Beckner developed a painterly style in which color and movement replaced form and outline as his driving forces. These days, “I don’t particularly enjoy working on the drawing aspect of a painting. I’m too impatient,” he confesses. “I like to work quickly and get a lot of paint on the canvas fast.” The result is a body of work heavily weighted to urban landscapes, in which the artist infuses everyday scenes with the pulsating rhythms of city life. “As they say,” he adds, “paint what you know.” .
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1990
1stDibs seller since 2019
527 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Denver, CO
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- "Unloading Truck" Oil PaintingLocated in Denver, CODavid Shingler's (NC based) "Unloading Truck" is an oil painting that depicts a industrial scene of a construction worker standing with a full loading truck Bio/artist statement: ...Category
2010s American Impressionist Figurative Paintings
MaterialsOil, Board
- "There that yet may be" Oil paintingLocated in Denver, COTodd Carpenter's (US based) "There that yet may be" is an oil painting that depicts a black and white landscape of a city's lights nestled in a canyon between mountains, with swirlin...Category
2010s Impressionist Landscape Paintings
MaterialsBoard, Oil
- "Still Imagined" Oil paintingLocated in Denver, COTodd Carpenter's (US based) "Still Imagined" is an oil painting that depicts a black and white landscape with leafless trees and saplings together in the dark Bio/artist statement: Todd Carpenter is a Los Angeles based artist who uses black and white paint to explore the perception of space and beauty. Carpenter's formal education is in science - he holds a MS in Neuroscience from UCSD and a BS in Psychobiology from UCLA - and he brings this background into service when making art. His paintings explore the mechanisms of perception and aesthetics, examining among other things how the depiction of light can impart realism and convey emotion. Like his paintings bridging art and science, Carpenter's career has similarly straddled the two fields, and he has taught subjects ranging from neuroscience and environmental science to photography and painting. Artist Statement As a painter, I am particularly interested in how the depiction of light contributes to our experience of paintings. Painting, as with any visual art, is obviously dependent on light. But painting can also have a more specific connection in that the accurate depiction of light is crucial for achieving realism. Realism in paintings largely arises from the portrayal of depth - perceiving a painting as being realistic is equivalent to seeing its subject as existing in more than just the two dimensions of the picture plane - and one of the mechanisms by which humans perceive depth is through lighting cues. Light creates features such as shading, shadow, and contrast that tell us about the three-dimensional arrangement of our surroundings, and artists often use these features to impart realism to paintings. Light also factors in to the emotional impact of paintings. The differential illumination of our surroundings can evoke different moods, as evidenced by the influence sunsets, candlelight, and darkness can have on us. Such effectssuggest that our perception of light could be tied to primitive instincts, with light signaling factors such as shelter, nightfall, and warmth, which were once crucial for survival. The depiction of light in paintings...Category
2010s Impressionist Landscape Paintings
MaterialsBoard, Oil
- "Panpandemic" Oil paintingLocated in Denver, COTodd Carpenter's (US based) "Panpandemic" is an oil painting that depicts a black and white landscape of towering snow capped mountains and vast, deserted valleys Bio/artist statement: Todd Carpenter is a Los Angeles based artist who uses black and white paint to explore the perception of space and beauty. Carpenter's formal education is in science - he holds a MS in Neuroscience from UCSD and a BS in Psychobiology from UCLA - and he brings this background into service when making art. His paintings explore the mechanisms of perception and aesthetics, examining among other things how the depiction of light can impart realism and convey emotion. Like his paintings bridging art and science, Carpenter's career has similarly straddled the two fields, and he has taught subjects ranging from neuroscience and environmental science to photography and painting. Artist Statement As a painter, I am particularly interested in how the depiction of light contributes to our experience of paintings. Painting, as with any visual art, is obviously dependent on light. But painting can also have a more specific connection in that the accurate depiction of light is crucial for achieving realism. Realism in paintings largely arises from the portrayal of depth - perceiving a painting as being realistic is equivalent to seeing its subject as existing in more than just the two dimensions of the picture plane - and one of the mechanisms by which humans perceive depth is through lighting cues. Light creates features such as shading, shadow, and contrast that tell us about the three-dimensional arrangement of our surroundings, and artists often use these features to impart realism to paintings. Light also factors in to the emotional impact of paintings. The differential illumination of our surroundings can evoke different moods, as evidenced by the influence sunsets, candlelight, and darkness can have on us. Such effectssuggest that our perception of light could be tied to primitive instincts, with light signaling factors such as shelter, nightfall, and warmth, which were once crucial for survival. The depiction of light in paintings...Category
2010s Impressionist Landscape Paintings
MaterialsBoard, Oil
- "Truth as a Poetic Lie" Oil paintingLocated in Denver, COTodd Carpenter's (US based) "Truth as a Poetic Lie" is an oil painting that depicts a black and white landscape full of dense trees and foliage, blotted out by something reminiscent ...Category
2010s Impressionist Landscape Paintings
MaterialsBoard, Oil
- "Darkness Rises" Oil paintingLocated in Denver, COTodd Carpenter's (US based) "Darkness Rises" is an oil painting that depicts a city in the distance glimmering in the darkness with a few sparse and leafless trees vaguely blocking its view Bio/artist statement: Todd Carpenter is a Los Angeles based artist who uses black and white paint to explore the perception of space and beauty. Carpenter's formal education is in science - he holds a MS in Neuroscience from UCSD and a BS in Psychobiology from UCLA - and he brings this background into service when making art. His paintings explore the mechanisms of perception and aesthetics, examining among other things how the depiction of light can impart realism and convey emotion. Like his paintings bridging art and science, Carpenter's career has similarly straddled the two fields, and he has taught subjects ranging from neuroscience and environmental science to photography and painting. Artist Statement As a painter, I am particularly interested in how the depiction of light contributes to our experience of paintings. Painting, as with any visual art, is obviously dependent on light. But painting can also have a more specific connection in that the accurate depiction of light is crucial for achieving realism. Realism in paintings largely arises from the portrayal of depth - perceiving a painting as being realistic is equivalent to seeing its subject as existing in more than just the two dimensions of the picture plane - and one of the mechanisms by which humans perceive depth is through lighting cues. Light creates features such as shading, shadow, and contrast that tell us about the three-dimensional arrangement of our surroundings, and artists often use these features to impart realism to paintings. Light also factors in to the emotional impact of paintings. The differential illumination of our surroundings can evoke different moods, as evidenced by the influence sunsets, candlelight, and darkness can have on us. Such effectssuggest that our perception of light could be tied to primitive instincts, with light signaling factors such as shelter, nightfall, and warmth, which were once crucial for survival. The depiction of light in...Category
2010s Impressionist Landscape Paintings
MaterialsBoard, Oil
You May Also Like
- "Autumn Afternoon in Luxembourg Garden"By Martha WalterLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...Category
Early 20th Century American Impressionist Landscape Paintings
MaterialsOil, Board
- "Under the Large Striped Umbrella on a Foggy Day"By Martha WalterLocated in Lambertville, NJJim’s of Lambertville Fine Art Gallery is proud to offer this piece by Martha Walter (1875 - 1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylvania Academy of the Fine Arts. It was at the Academy that Walter’s artistic talent was discovered. An admiring instructor by the name of William Merritt Chase took young Martha under his wing, giving her both inspiration and direction. She additionally enrolled with Chase at his summer school in Shinnecock, Long Island and in 1903, was awarded the Cresson Traveling Scholarship by the Pennsylvania Academy. This sent Martha Walter on travels to France, Italy, Spain, and Holland, where she attended the Grand Chaumiere and the Academie Julian in Paris. Afterwards, she established a studio on the Rue De Bagneaux in France with several other American women artists...Category
1910s American Impressionist Landscape Paintings
MaterialsBoard, Oil
- Walking with Big SisterBy Dorothea SharpLocated in Belgravia, London, LondonOil on board Board size: 13 x 16 inches Framed size: 18.25 x 21.25 inches Signed with initials lower leftCategory
20th Century Impressionist Figurative Paintings
MaterialsOil, Board
- Pair of early 20th Century British Impressionist paintings of the beachLocated in Petworth, West SussexAttributed to Rowland Wheelwright, 20th Century 'Bather's on the shore' and 'Sunbathing by the Cliffs' Oil on canvas board 9 X 10. 1/4in. (22.8 X 2...Category
20th Century Impressionist Figurative Paintings
MaterialsOil, Canvas, Board
- Summer Fun, 12x14" oil on boardBy Lu HaskewLocated in Loveland, COSummer Fun by Lu Haskew Oil Painting of kids at play on the beach 12x14.5" image size 15x18.5" framed Shipping price includes the custom packing necessary for safe transport of fine...Category
Early 2000s American Impressionist Figurative Paintings
MaterialsCanvas, Oil, Board
- In the Garden, 10x8" oil on boardBy Lu HaskewLocated in Loveland, COIn the Garden by Lu Haskew Oil Painting of woman with an umbrella in a backyard garden 10x8" image size 14x12" framed Shipping price includes the custom packing necessary for safe t...Category
Early 2000s American Impressionist Figurative Paintings
MaterialsCanvas, Oil, Board
Recently Viewed
View AllMore Ways To Browse
Used Street Lights
Shop Window
Grey Pop Art
Fluorescent Light
Oil Painting With Jewels
Used Fluorescent Light
Traffic Painting
City Lights Oil Paintings
Fluorescent Painting
City Night Lights
City Night Lights Painting
Jim Grey
Traffic Lights Used
Vintage Calendar Design
Oil Painting Of Ballet Dancer
Little Women Antique
Impressionist Ballet
Human Anatomy Drawing