Jose Antonio Herrera Alcazar

Study golf players ballpen on paper artwork

2015

Antoni Vives Fierro (1940) - London - Oil and collage on canvas Oil measures 54x81 cm. Frame 57x84 cm.. He was born in Barcelona in 1940. He is a versatile painter specialized in ur...

Antoni Vives Fierro (1940) - London - Oil on canvas Oil measures 60x73 cm. Frameless. He was born in Barcelona in 1940. He is a versatile painter specialized in urban landscape and ...

Antoni Vives Fierro (1940) - Portrait of a woman - Oil on canvas Oil measurements 46x38 cm. Frame measurements 67x59 cm. He was born in Barcelona in 1940. He is a versatile painter ...

Agustín Úbeda (1925-2007) - Women in the forest - Oil Oil on paper glued to table Oil measures 36x50 cm. Frame measures 45x59 cm. Provenance: Family of the artist. Includes certificate of authenticity from Galeria Sastre...

Jose Luis Florit - View of Barcelona - Acrylic paper glued to canvas Canvas measurements 73x92 cm. Frameless. José Luis Florit Rodero (Madrid,...

Acrylic on paper laid board. Frameless.

'Love Garden Party (Picnic #2)' is an original mixed-medium work of art composed of high quality acrylics paint, opaque, metallic and neon inks, hand-cut collage, sealed with satin varnish on 36"h x 24"w on cold press paper stock. The painting is framed (41.5"h x 29.5”w.) with conservation quality, high UV-filtering museum glazing. Signed by the artist. Part of Skip Hill's 'Love Garden Party' series, this work depicts three women gathered around a festive table filled with food and drink. Skip Hill was born in 1961 in Padre Island, Texas but grew up primarily in Oklahoma City. After attending Oklahoma City University to study Advertising and Marketing, he worked as a graphic designer before relocating in 1987 to Southern California. A two-week trip to Thailand in 1989 turned into a year traveling throughout Southeast Asia while writing for a business magazine based in Bangkok. In 1990 Skip Hill relocated to the Netherlands, immersing himself in the culture and learning the Dutch language. His frequent visits the Van Gogh Museum, the Stedelijk Museum and The Rijksmuseum in Amsterdam as well as the Boijman Van Beuningen Museum in Rotterdam, sparked Hill’s interest in creating art inspired by aesthetic concerns over the strictly commercial art he produced during his advertising career. It was during this time abroad that he traveled through Germany, Czechoslovakia and Morocco. After returning to Oklahoma in 1993, Skip Hill studied formally at The University of Oklahoma with conceptual artist Hachivi Edgar Heap of Birds, and influential abstract painter George Bogart...

Indian Chief, 2024 by contemporary African American artist Bai (Carl Karni-Bain), is a 30 x 22in acrylic, oil pastel, and ballpoint pen abstract figurative portrait painting on etchi...

The Black Indian Chief, 2024 by contemporary African American artist Bai (Carl Karni-Bain), is a 30 x 22in acrylic, oil pastel, and ballpoint pen portrait painting on etching paper. ...

Woman with a Bull, 2023 by contemporary African American artist Bai (Carl Karni-Bain), is a 30 x 22in acrylic, oil pastel, and ballpoint pen figurative painting on etching paper. Th...

This is drawing made with pen, pencil and watercolor on wood done from life of donkeys the artist observed in Mexico, and cacti, and a woman holding up the hoof of one donkey. Whims...

In "Backyard," the central figure—a woman—commands attention against a backdrop of natural beauty. She stands in her own space, seemingly lost in thought, creating an atmosphere of both stillness and introspection. Adetayo's portrayal of this woman invites viewers to consider the emotions and thoughts that might be coursing through her mind. Is she reflecting on memories? Contemplating her place in the world? The interpretation becomes a personal journey for each observer. The landscape that envelops the woman is not just a passive backdrop but a powerful metaphor. Just as the external world shapes our internal experiences, the landscape symbolizes the myriad influences that contribute to one's sense of self. The woman's connection to the environment around her mirrors the intricate relationship between identity and surroundings. The notion of a "backyard" often evokes a sense of familiarity and intimacy. It is a space that is uniquely personal, and this artwork invites us to ponder what this personal space means for the woman depicted. In much the same way, we are all shaped by our own "backyards"—our histories, cultures, and experiences that come together to form our individual identities. The tranquility of the artwork encourages viewers to embrace the beauty of stillness and contemplation. In a world that often moves at breakneck speed, "Backyard" reminds us of the value of taking a moment to disconnect, reflect, and connect with our own thoughts and emotions. The woman's posture, relaxed and poised, suggests that she is attuned to this moment of quiet introspection. Adetayo's choice to depict a woman adds an additional layer of significance. Historically, women have been portrayed as subjects of scrutiny and objectification, often with their thoughts and emotions overlooked. "Backyard" challenges this norm by presenting a woman as the focal point of a scene that radiates depth and complexity. While "Backyard" is a singular artwork with a specific subject, its themes resonate universally. Regardless of gender or background, the artwork invites viewers to reflect on their own personal landscapes, the spaces they occupy, and the introspective moments that shape their lives. Adetayo's ability to capture such universal themes while maintaining a unique and personal touch is a testament to the power of art to bridge gaps and foster connections across diverse audiences. Adeniyi Joshua Adetayo...