Königliche Porzellan-Manufaktur (KPM)Épanouissementc. 1900
c. 1900
About the Item
- Creator:
- Creation Year:c. 1900
- Dimensions:Height: 9 in (22.86 cm)Width: 6 in (15.24 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Missouri, MO
- Reference Number:1stDibs: LU74733920762
Königliche Porzellan-Manufaktur (KPM)
Known by just KPM, the Königliche Porzellan-Manufaktur company has been synonymous with exquisite porcelain works fit for nobility and royalty for over 200 years. KPM porcelain plates, centerpieces and sculptures are painstakingly formed through ages-old techniques and meticulously painted by hand, producing one-of-a-kind quality.
KPM began in Berlin in 1763, founded by King Frederick II of Prussia, after two other entrepreneurs had been unsuccessful in establishing porcelain manufacturing companies in Germany. In 1878, KPM developed a relationship with the Chemical-Technical Research Institute and its director, Hermann Seger. This partnership gave KPM early access to advances in porcelain production and coloration.
KPM flourished under the banner of royal ownership until 1918, when it became a state-run entity after the monarchy was disbanded following Germany’s loss in World War I. With the rise of the Nazi Party in the 1930s, many of the company’s top designers and directors were dismissed, denied exhibitions or forced to flee Germany due to Jewish heritage or loyalty to Jewish colleagues. In 1943, an Allied bombing raid destroyed the KPM factory, and the company was not reestablished until after the war.
KPM reopened in Franconia and began producing porcelain wares. Some staff also worked on reconstructing the historic KPM site in Berlin. In 1957, manufacturing returned to the original company premises.
KPM rebounded over the next few decades. In 2006, in a step to privatize companies throughout the country, German financier Jörg Woltmann bought the organization.
Since its privatization, the company has opened many galleries and shops around Germany and has worked in collaboration with notable brands like Bottega Veneta and Bugatti motor company in recent years.
Although rooted in the Rococo style, KPM has adapted its craft to meet the current trends, all while maintaining the highest levels of excellence throughout its centuries of operation. It continues to produce lavish, elegant porcelain works for elite clientele the world over.
On 1stDibs, browse a vast selection of Königliche Porzellan-Manufaktur serveware, decorative objects, lighting and more.
- ShippingRetrieving quote...Ships From: Missouri, MO
- Return PolicyA return for this item may be initiated within 2 days of delivery.
- RuthBy Königliche Porzellan-Manufaktur (KPM)Located in Missouri, MOKPM Porcelain "Ruth" c. 1900 Original hand-painted KPM Porcelain In Original Gilded Florentine Frame 7 x 4 (16 x 9 framed) Since 250 years, the royal sceptre brand stands for finest...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil, Porcelain
- Queen LouiseBy Königliche Porzellan-Manufaktur (KPM)Located in Missouri, MOKPM Porcelain "Queen Louise" c. late 19th century Original Hand-Painted Porcelain Signed "R. Dittrich" Since 250 years, the royal sceptre brand stands fo...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil, Porcelain
- Queen LouiseBy Königliche Porzellan-Manufaktur (KPM)Located in Missouri, MOKPM Porcelain "Queen Louise" c. 1900 Original hand-painted KPM Porcelain approx. 14 x 11 inches approx. 21 x 15 inches framed Since 250 years, the royal ...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil, Porcelain
- MargueriteBy Königliche Porzellan-Manufaktur (KPM)Located in Missouri, MOMarguerite Hand Painted Porcelain w/crown stamp #107 Signed "Wagner" Original Gilded Florentine Frame approx 6 x 4 inches /approx 14 x 8 inches framed Since 250 years, the royal sc...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil, Porcelain
- Poor Man's FlockBy George Chambers 1Located in Missouri, MOGeorge W. Chambers “Poor Man’s Flock” 1897 Oil on Canvas 23.5 x 37.5 inches/42 x 57 inches framed approx. In Original Frame Provenance: The Artist thence by Descent; to Private Mi...Category
1890s Victorian Figurative Paintings
MaterialsCanvas, Oil
- A Fresh CatchLocated in Missouri, MOAlfred Guillou (French 1844-1926) "A Fresh Catch" Oil on Canvas Signed Lower Left Canvas Size: approx 18 x 24 inches Framed Size: approx 24 x 30 inches...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil, Canvas
- The rites of summerLocated in London, GBsigned ‘- George Wetherbee -‘ (lower left) oil on canvas 23 x 46 ½ in. (58.4 x 118.1 cm.) with frame 33 x 55 in. (83.8 x 139.7 cm.) An American, born in Cincinnati, George Faulkner Wetherbee...Category
Late 19th Century Victorian Figurative Paintings
MaterialsCanvas, Oil
- Voyageurs en Hiver (Travellers in Winter) /// Antique Oil Painting LandscapeLocated in Saint Augustine, FLArtist: Edmond Firey (French, 19th Century-20th Century) Title: "Voyageurs en Hiver (Travellers in Winter)" *Signed by Firey lower left Circa: 1880 Medium: Original Oil Painting on C...Category
1880s Victorian Figurative Paintings
MaterialsCanvas, Paint, Oil
- Charming Victorian interior scene of a blacksmith enjoying a drinkLocated in Harkstead, GBA very characterful image of a farrier or blacksmith enjoying a drink in an interior. Alfred H Green (working 1844-1878) A farrier in an interior enjoying a drink Signed Oil on boar...Category
Mid-19th Century Victorian Interior Paintings
MaterialsOil, Board
- Victorian landscape painting of Scottish fishing boats moored in a bayLocated in Harkstead, GBA very tranquil scene of fishing boats moored in harbour with a sunlit sea beyond. Painted with a most attractive palette of blues and greens and with a pleasing composition that le...Category
19th Century Victorian Landscape Paintings
MaterialsOil, Canvas
- Charming Victorian interior scene of a blacksmith enjoying a drinkLocated in Harkstead, GBA very characterful image of a farrier or blacksmith enjoying a drink in an interior. Alfred H Green (working 1844-1878) A farrier in an interior enjoying a drink Signed Oil on boar...Category
Mid-19th Century Victorian Interior Paintings
MaterialsOil, Board
- 19th Century seascape oil painting of Penzance harbour, CornwallBy William Edward WebbLocated in Moreton-In-Marsh, GloucestershireWilliam Edward Webb British, (1862-1903) Penzance Harbour Oil on canvas, signed Image size: 29 inches x 45.5 inches Size including frame: 38 inches x 54.5 inches A pleasing coastal painting of Penzance Harbour at low tide by William Edward Webb. In the foreground, a fisherman sells his catch to a woman and her daughter, whilst figures in horses and carts wait for others to unload their boats. William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871. By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester. Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work. His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall...Category
19th Century Victorian Landscape Paintings
MaterialsOil, Canvas