L.... Franssen

Mother with Child, Rose, Old Master, Figurative Painting, Love, Christmas Scene

circa 1760

In 2001 the German art historian Art historian and Raphael Expert, Prof. Jürg Meyer zur Capellen, published the painting "Die Heilige Familie" in a monographic article, ascribing the present work to the Venetian painter Giovanni Battista Pittoni (1687 -Venice - 1767). (Newspaper "Weltkunst", October 2001, No 12, p. 1850 f. ill.) He describes it as a typical work by this artist. Pittoni was one of the most influential and successful artists of the Venetian Settecento. He was a pupil of the Veronese Master Giovanni Balestra (1666-1740). His style is influenced by Sebastiano Ricci (1659-1734) and Giambattista Tiepolo (1696-1770). Giovanni Battista Pittoni was already successful at a young age and soon lead his own workshop. He created large-scale hitoria paintings, as well as large, religious altarpieces. In addition to Venetian and Upper Italian patrons, Pittoni also had many interested parties from Europe. His work is accordingly scattered in many different museums and private collections today. Pittoni - like other painter colleagues of his time - repeated his own compositions both by hand and with the help of his workshop. He repeatedly incorporated details into other pictures and contexts. Prof. Meyer zur Capellen noted the very good condition of the present work and the high quality of the paint with fine graduations and the vivid brushstrokes. Provenance: The panting has not been on the art market for at least 300 years. In the year 2000 the work was donated by the Münster-based, Noble Family Ketteler zu Harkotten to a private collection in Westphalia. Most probably the canon Nikolaus Hermann von Ketteler zu Harkotten bought the piece in Venice in 1750 together with the altarpiece of the Clemens Church in Münster. On the reverse of the work is a fideicommissum number by Ketteler zu Harkotten. As it belonged to the family commission, the painting was inalienable until 1919, when the corresponding law was repealed, and after that time it remained in the family's possession without interruption. Pittoni's only direct relationship to Münster is the commission for the high altar painting of the Baroque St. Clemens Church. It can be assumed that then canon von Ketteler saw this painting in the artist's workshop during his stay in Venice and acquired it for himself. This would also explain the discrepancy in dating. (ca. 1735/1750). However, it is also possible that the painting originated in the possession of Ferdinand von Plettenberg...

A Tavern Interior - 18th Century Old Master, Figurative Oil Painting by Schaak Little is known about the artist J.S.C. Schaak. He was active in England as a portraitist between 1760-1770. His name indicates his German or Dutch origin. Especially portraits of generals...

Circle or Follower of David Teniers, Peasant in a Tavern Inn, drinking and smoking. Oil on canvas, Framed: 39 x 47 cm. Typical Flemish Baroque Interior...

Painting after Gerard Ter Borch. The orginal "The Letter" is in Munich, Alte Pinakothek . It measures height: 56 cm (22 in); width: 46.5 cm (18.3 in) and dates from c. 1655.

Attributed to Peter Candid / Pieter de Witte (Bruges c. 1540 - 1628 Munich) Sacra Conversazione Oil on wood, 29 x 37 cm The painter, sculptor and architect Peter Candid, known in Italy as Pietro Candido, was born in Bruges between 1540 and 1548. In the 1560s he stayed in Florence, where he worked in the workshop of Giorgio Vasari, with whom he collaborated on a number of commissions for the House of Medici. After a brief stay in Volterra, he went to Munich in 1586. For the next 42 years, until his death, he remained court painter to Duke William V...

Religious Painting, depicting Madonna and the Child, surrounded by Angels by the Circle of Carlo Maratta (Maratti). This painting is wonderful example of...

Amanti alla Fontana - Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 maggio 1839 - Roma, 23 m...

Amanti alla Fontana - Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 maggio 1839 - Roma, 23 m...

Oil on canvas Canvas size: 32 x 45 inches Framed size: 35.5 x 50 inches Signed lower right

Georges-Antoine Rochegrosse 1859-1938 French La Princesse Bleue Oil on canvas Signed lower left Canvas: 27 1/8" high x 32 1/8" wide Frame : 37 3/8" high x 41 3/4" wide Exposed...

ÁNGEL MARÍA CORTELLINI Spanish, 1819 - 1887 OFRECIENDO UNA COPA oil on canvas 13-1/4 x 11 inches (33.5 x 28 cm.) framed: 17-1/4 x 15 (44 x 38 cm.) Ángel María Cortellini. Sanlúcar de Barrameda (Cádiz), 27.09.1819 – Madrid, 1887. Painter. Ángel María Cortellini was born in Sanlúcar de Barrameda on September 27, 1819, to an Italian father and a Spanish and Sanlúcar mother. Contrary to family opinion, he decided to dedicate himself to painting and already, at the age of nine, he was enrolled in a drawing academy in his hometown. They soon sent him to Seville, where he was a disciple of Joaquín Domínguez Bécquer...

ÁNGEL MARÍA CORTELLINI Spanish, 1819 - 1887 CONVERSANDO signed "Cortellini" (lower right) oil on canvas 13-1/4 x 11 inches (33.5 x 28 cm.) framed: 17-1/4 x 15 (44 x 38 cm.) Ángel María Cortellini. Sanlúcar de Barrameda (Cádiz), 27.09.1819 – Madrid, 1887. Painter. Ángel María Cortellini was born in Sanlúcar de Barrameda on September 27, 1819, to an Italian father and a Spanish and Sanlúcar mother. Contrary to family opinion, he decided to dedicate himself to painting and already, at the age of nine, he was enrolled in a drawing academy in his hometown. They soon sent him to Seville, where he was a disciple of Joaquín Domínguez Bécquer...