Moroccan Girl
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Louis EndresMoroccan Girl1950
1950
About the Item
- Creator:Louis Endres (1896 - 1989, American)
- Creation Year:1950
- Dimensions:Height: 14 in (35.56 cm)Width: 12 in (30.48 cm)
- More Editions & Sizes:14 x 12 InchesPrice: $2,450
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU392522881
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1972
1stDibs seller since 2011
384 sales on 1stDibs
More From This SellerView All
- Lady in the Paris ParkLocated in Los Angeles, CABeautiful young lady in a Paris Park, signed, Original Frame, listed size includes the frame.Category
1950s Impressionist Figurative Paintings
MaterialsPanel, Oil
$788 Sale Price49% Off - PORTRAIT OF ANHALT PORTRAIOTBy Morton DimondsteinLocated in Los Angeles, CA"PORTRAIT OF ANHALT PORTRAIOT" FILM MAKER OIL ON PAPER C.1970 17.5 X 22.5 INCHES Morton Dimondstein 1920-2000 At the age of seventeen Morton Dimondstein enrolled in ...Category
1970s Figurative Paintings
MaterialsOil, Rag Paper
$1,200 Sale Price38% Off - PROFILE OF A WOMANBy Morton DimondsteinLocated in Los Angeles, CA"PROFILE OF A WOMAN" OIL ON PANEL C.1960 PAINTED IN ITALY 16 X 12 INCHES Morton Dimondstein 1920-2000 At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides. After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores. His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City. In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular. After moving back to Los Angeles, Dimondstein served as the art editor of the California Quarterly from 1953 to 1956. He briefly worked for the Saul Bass advertising firm where he designed books and book jackets, and collaborated on the ad campaigns for films such as William Wyler’s “The Big Country” and Otto Preminger’s “St. Joan.” Dimondstein received industry recognition for the images he created, but cranking out art for commercial ventures with strict deadlines was not for him. He chose to leave that world in favor of working as an independent artist and art teacher. Over the years he taught at the Kann Art Institute, the New School of Art, the University of Southern California in Los Angeles, and the School of Fine Art which he established with UCLA faculty member Martin Lubner...Category
1960s Figurative Paintings
MaterialsOil, Rag Paper
- PORTRAIT OF CHARLIE KELLERBy Morton DimondsteinLocated in Los Angeles, CA"PORTRAIT OF CHARLIE KELLER" ARTIST OIL ON PAPER C.1970 23 X 17.5 INCHES Morton Dimondstein 1920-2000 At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides. After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores. His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City. In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular. After moving back to Los Angeles, Dimondstein served as the art editor of the California Quarterly from 1953 to 1956. He briefly worked for the Saul Bass advertising firm where he designed books and book jackets, and collaborated on the ad campaigns for films such as William Wyler’s “The Big Country” and Otto Preminger’s “St. Joan.” Dimondstein received industry recognition for the images he created, but cranking out art for commercial ventures with strict deadlines was not for him. He chose to leave that world in favor of working as an independent artist and art teacher. Over the years he taught at the Kann Art Institute, the New School of Art, the University of Southern California in Los Angeles, and the School of Fine Art which he established with UCLA faculty member Martin Lubner...Category
1970s Figurative Paintings
MaterialsOil, Rag Paper
$1,200 Sale Price31% Off - OVERLOOKING FLORENCELocated in Los Angeles, CALEONARDO BAZZARO "OVERLOOKING FLORENCE" OIL ON CANVAS, SIGNED ITALY, C.1920 23.5 X 19.75 Born in Milan in 1853, Leonardo Bazzaro trained with Gae...Category
1920s Post-Impressionist Figurative Paintings
MaterialsOil, Canvas
$2,125 Sale Price27% Off - Man with Yellow TieLocated in Los Angeles, CAALEXANDER KREISEL "MAN WITH YELLOW TIE" OIL ON CANVAS BOARD, SIGNED RUSSIAN-AMERICAN, C.1935 26 X 19.5 INCHES FRAMED 29.5 X 23.5 INCHES Alexander Krei...Category
1930s Expressionist Figurative Paintings
MaterialsOil, Canvas
$1,688 Sale Price24% Off
You May Also Like
- Woman Reading by JOZEF ISRAËLS - Dutch painter, Hague School, portrait artBy Jozef IsraëlsLocated in London, GBWoman Reading by JOZEF ISRAËLS (1824-1911) Oil on Panel 21 x 12.5 cm (8 1/4 x 4 15/16 inches) Signed lower right Executed circa 1870 Artist biography D...Category
19th Century Academic Figurative Paintings
MaterialsWood Panel, Oil
- Prism, Oil PaintingBy Elizabeth ZanzingerLocated in Denver, COElizabeth Zanzinger's (US based) "Prism" is an oil painting that depicts a woman in the foreground looking into the distance with an atmospheric su...Category
2010s Academic Figurative Paintings
MaterialsPanel, Oil
- "Crossing", Oil PaintingBy Elizabeth ZanzingerLocated in Denver, COElizabeth Zanzinger's (US based) "Crossing" is an oil painting that depicts an elderly man crossing the high water of a river with a young child on...Category
2010s Academic Figurative Paintings
MaterialsPanel, Oil
- Magnolia Grandiflora, Oil PaintingBy Elizabeth ZanzingerLocated in Denver, COElizabeth Zanzinger's (US based) "Magnolia Grandiflora" is an oil painting that depicts a nude figure in the foreground with a bright red backgroun...Category
2010s Academic Figurative Paintings
MaterialsOil, Panel
- A Pompeian LadyBy John William GodwardLocated in New Orleans, LAJohn William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...Category
Early 20th Century Academic Portrait Paintings
MaterialsOil, Canvas
- Beautiful Woman, The Coy LookBy Charles Joshua ChaplinLocated in Miami, FLIf Vogue magazine existed in the late 19th century, this sitter could be on the cover. The depth of her feminine beauty and sweetness is mesmerizing. She looks at you. You look ...Category
1880s Academic Portrait Paintings
MaterialsOil