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Mark Beard
Man in Suit (WPA Style Figurative Painting by Mark Beard as Edith Cromwell)

date unknown

About the Item

WPA style figurative painting of a man with suit and tie "Man in Suit," painted by Mark Beard aka 'Edith Thayer Cromwell' Oil on canvas, 39.5 x 30.5 inches, 54 x 32 inches in white painted wood frame This figurative portrait painting of a striking man was made by Mark Beard under his fictitious artistic persona, Edith Thayer Cromwell. Painted with heavy brushstrokes in an impressionistic WPA style, the suited man is composed with tones of grey, black, white and soft yellow. In the background, two soldiers embrace under yellow candle light and a bar maiden sits in the corner gazing at the viewer. The figurative painting is complemented by a white painted wood frame. About the artist: Mark Beard is perhaps the most literal example of an artist pulled in so many different directions that he chose to “invent” six different personae in which to channel his overflowing energy and need for expression. Each painting style is radically different from the next, so it remains entirely believable that the work could stem from six completely different people of different time periods and different schools of thought. With a background in set design, Beard has always been one who could conjure total magic with anything available. Mark Beard, born in 1956 in Salt Lake city, now lives in New York City. His works are in museum collections worldwide, including the Metropolitan Museum of Art, New York City; the Museum of Modern Art, New York City; the Whitney Museum of American Art, New York City; the Boston Museum of Fine Arts; and the Harvard, Yale, and Princeton University Art Museums; among many others. We would not be the least bit surprised to see new ‘personas’ emerge in the coming years. About Mark Beard's personality, Edith Thayer Cromwell: Edith Thayer Cromwell, 1893 - 1962 Edith ("Eddy") Thayer Cromwell was born in Boston, Massachusetts, in 1893 and died in St. Ives, Cornwall, in 1962. The premature death of her mother left Cromwell the only child of a liberal father who encouraged her artistic pursuits, sending her to study at the Slade in London at the age of nineteen. It was there that she encountered Hippolyte-Alexandre Michallon. Cromwell responded to her teacher's strict discipline and the two remained friends until Michallon's death in the Cornish cottage she would inherit from him 1930. At the onset of World War I, Edith returned to America and moved after a time in Boston to New York, where she met Charles Demuth and Mardsen Hartley. They took her to Alfred Steieglitz's gallery, 291 and introduced her to the American avant-garde. After the first World War and the death of her father, Cromwell returned to the Slade in London and assisted Michallon in his evening classes, where she met young Bruce Sargeant in 1920. Cromwell developed an immediate rapport with the sensitive young man, encouraging him to study full-time and bringing him under the wing of the rigorous Michallon. She painted Sargeant's portrait in 1925 and remained his lifelong friend and confidante. In 1930 she moved to New York where she lived part-time, dividing her summers between St. Ives and landscape painting trips to France and New England. Cromwell began mixing with a glamorous circle of jet-setting women and embarked upon a series of affairs. She later explored exotic themes in her work. In the mid-'50s a series of heart attacks forced Edith into semi-retirement, where she painted until her death in 1962.
  • Creator:
    Mark Beard (1956, American)
  • Creation Year:
    date unknown
  • Dimensions:
    Height: 54 in (137.16 cm)Width: 32 in (81.28 cm)Depth: 1.5 in (3.81 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Hudson, NY
  • Reference Number:
    1stDibs: LU2276475612
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