Maud Mariota Bosanquet

Original large Expressionist Figurative oil painting by English artist c.1960s

1965

ARTIST: Beatrice Huntington (1889-1988) Scottish TITLE: "Portrait Of A Red Haired Lady" SIGNED: lower left and with provenance from The Scottish Gallery Edinburgh and James Bourlet exhibition label also MEDIUM: oil on canvas SIZE: 68cm x 60cm inc frame CONDITION: very good DETAIL: The Scottish artist Beatrice M. L. Huntington (1889–1988) enjoyed a long and varied career as a painter and is best known for her insightful portraits, characterised by a strong sense of design and an intuitive use of colour. Her approach to painting was ever-evolving: throughout her long and fascinating life, which spanned a century and bore witness to the advent of the modern era, she remained indefatigably committed to her development as an artist and to 'containing and realising the big-ness of it all', as she herself described it in a letter to a friend in 1977, when at the age of 88 she was still refining her approach to form and colour. The daughter of an eminent St Andrews doctor, Beatrice grew up in affluent surroundings – an imposing townhouse on St Andrews South Street both her father's surgery and the family home. A precocious talent for both music and art led her, perhaps unusually for a girl at that time, to pursue her studies abroad. In 1906, the year she turned 17, she went to Paris to study drawing and painting and in 1911, after an evidently successful formative period in Paris, she continued her studies in Munich, attending a private art school where she apparently flourished. By the 1920s, Beatrice's own identity and path as an artist were clearly defined. Her marriage to the painter William Macdonald in 1925 created a unique artistic partnership and cemented her place within the Scottish art scene of the 1920s and 1930s, particularly in Edinburgh where Macdonald was already well established and a close friend of Scottish Colourists F. C. B. Cadell and Samuel Peploe. This is illustrated by surviving correspondence and in particular by a characterful portrait of a debonair William Macdonald by Cadell, dating from the mid-1920s. Macdonald's particular affinity for the arid landscapes of southern Spain had earned him the nickname William 'Spanish' Macdonald. Beatrice shared his love of travel and together they explored the Continent, returning frequently to the French Riviera and to southern Spain, taking as their base, for a time at least, the picturesque Mediterranean fishing village of Cassis in the South of France, a favoured haunt of the Colourists. The couple moved in artistic milieux both at home and abroad, also spending time in Kirkcudbright in Galloway. Their time painting together in Spain culminated with a joint exhibition in 1928 at Messrs Watt and Sons, Dundee, entitled 'Pictures of Spain...

ARTIST: Stuart Denyer NEAC (1953-) British TITLE: "The Studio At The Royal Academy London" SIGNED: lower right and dated 1981 MEASURES: 120cm x 89cm inclusive of frame CONDITION...

ARTIST: Janet Patterson (1941-) Scottish TITLE: “Portrait OF A Seated Lady” SIGNED: lower right MEDIUM: oil on board SIZE: 30cm x 25cm inc frame CONDITION: excellent DETAIL: Painter and teacher, born in Edinburgh. She trained at Slade School of Fine Art. A French Government Scholarship enabled her to extend her studies, and a Churchill Fellowship in 1987 provided six months travelling and painting in Australia. Lectured at Liverpool and Wallasey Colleges of Art and then at Edinburgh College of Art, later moving to London. She said that her painting was “about the passage of life, how I react to situations and atmosphere”. Group exhibitions included Sheffield Open, Liverpool Academy, LG, National Trust and Fine Art Society, Edinburgh. Solo shows included Petter Potter, Haddington; Scottish Gallery, Edinburgh; and Camden Arts Centre, 1982. Was included in Scottish Art in the 20th Century at RWA, 1991. Won second prize, Hunting Art...

ARTIST: Paul Frans (1958-) Belgium TITLE: “French Promenade Scene” (probably Deaville) SIGNED: lower left MEDIUM: oil on canvas SIZE: 75cm x 50cm ...

ARTIST: Osmund Caine (1914-2004) British TITLE: “Paris Street Scene With Numerous Dispersed Figures” SIGNED: lower right MEDIUM: oil on board SIZE: 81cm x 69cm inc frame CONDITION: very good DETAIL: Artist in oil, watercolour and stained glass and teacher, born Manchester, full name George Osmund Caine. Studied at Birmingham College of Art, 1930–7, and in Italy, 1938. Served in the Military Police during World War II. Gained an honours degree in medieval and modern history and studied singing at Guildhall School once he had begun teaching, singing lieder and choral works on the radio and in concerts. He taught, 1945-76, including principal lectureship in graphic design at Twickenham College of Technology. Caine was a forceful, unconventional teacher who developed a successful, broad-based vocational course embracing illustration, exhibition and graphic design, typography and photography. In 1966 he made two films: The Ruskin Country, and, with his wife Mary, The Glastonbury Giants. Her associated book, The Glastonbury Zodiac: key to the mysteries of Britain, appeared in 1978. Took part in numerous mixed exhibitions, including NEAC, RBSA and RA, and had many solo shows in Britain and France, later ones including Duncan Campbell Fine Art, 1986, Galerie Salammbo, Paris, 1987, and retrospective at Orleans House Gallery, Twickenham, 1998. English hill figures, British castles, monumental effigies, Kew Gardens and France were notable themes in his work. Caine completed 15 stained glass windows in Britain and abroad, including St Gabriel’s Church, Cricklewood, and St Cuthbert’s Church, Copnor. In the mid-1980s Caine gained a Durham...

Original Lachlan Goudie ROI oil painting entitled "The Piano Lesson" measuring 39cm x 30cm inclusive of frame. Signed lower left. Goudie lives and wor...

A beautiful and rare example of a figurative work by the French post-impressionist Ferdinand du Puigaudeau

A complex composition of interlocking pyramids defines Cornwell not only as a great storyteller but a master of painting fundamentals and design. There exists no living artist today who can paint and draw on a level as Dean Cornwell. Published in Cosmopolitan magazine: "The Short Happy Life of Francis Macomber" by Ernest Hemingway Reproduced in Dean Cornwell, Dean of Illustrators (Broder) The work is rendered in the painterly style of a school of impressionism. Dean Cornwell was Normam Rockwell's favorite Illustrator. He was a student of Harvey Dunn, he in turn taught artists and developed talents for a generation. Oils for Cosmopolitan, Redbook, True, American Weekly, Life, Good Housekeeping. Book art for Man from Galilee and others. Ad contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt...

A magical, idealized moment is captured as a bare-breasted maiden strolls out in the rain. Inscribed with title and signature on reverse Roughton Galleries; Dallas, Texas The work ...

Literature: Bazetoux, Henri Lebasque Catalogue Raisonne (Neuilly, 2008), vol. 1, p. 223 (no. 820) (illus)

Signed post impressionist landscape oil on canvas by French painter Henri Le Sidaner. This stunning piece depicts two fishing boats moored in a fishing village at sunset. The last l...

Beautiful signed and dated divisionist oil on canvas portrait by sought after French post impressionist painter Henri Martin. The depicts a side view the artist's wife who is wearing...