Mauro Bellucci

Untitled - Painting by Mauro Bellucci - 2020

2020

This beautiful abstract painting Untitled was realized by the Italian artist Mauro Bellucci in 2020. Water enamel paint on canvas from the series Industrial Pollution. Hand-signed o...

The Police, unique painting on panel with black frame. Enamels and acrylics, hand-signed. Realized in 2018. Dimensions with frame: approximately 76 x 86 cm.

Little Market (Origin Title: Mercatino) is an original Contemporary artwork realized in 1983 by the italian Contemporary artist Leo Guida (1992 - 2017). Original Oil on canvas. Tot...

Lying Nude with Signal 2 (Nudo disteso con segnale 2) is an original Contemporary artwork realized in 1988 by the italian Contemporary artist Leo Guida (1992 - 2017). Original oil o...

Lying Nude with Signals 1 (Original Title: Nudo disteso con segnali 1) is an original Contemporary artwork realized in 1988 by the italian Contemporary artist Leo Guida (1992 - 2017)...

Multicolored apples fill an elegant crystal vase collocated on a smooth surface. This vase is the heart of the composition and it captures with its opulence of details the attention ...

Sleeve (#146) 2006 Signed, titled, and dated, verso Oil and enamel on canvas 48 x 56 inches This work is offered by CLAMP in New York City.

Some Days (#2269) 2022 Signed, titled, and dated, verso Oil and enamel on canvas 46 x 42 inches This painting by Jack Balas is offered by CLAMP in New York City.

This painting by Jack Balas is offered by CLAMP in New York City. O Canada (#1680) 2018 Signed, titled, and dated, verso Oil and enamel on canvas 60 x 48 inches $13,750

"The Ancient Testament" Pop Art Painting 55" x 79" inch by Gosha Ostretsov Born in 1967, in Moscow Lived in Paris for ten years (1988 - 1998), now lives and works in Moscow. PUBLIC...

A cello is held up between the legs of its accompanying musician in a snowy landscape. Snow has collected on the protruding bits of Cello and on the tops of the musician's knees. Though we can't see the face of the musician, we see their bare arms, folding upwards, as if they have buried their face in their hands. -- Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings...

In the series of paintings titled “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints. The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings of young women based on Nancy Drew...