Ole Fredrik Hvidsten

«Late night apiphany» Acrylic on Canvas by O. F. Hvidsten

2020

Signed and dated. «Meg og deg» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memory ...

Signed and dated. «So far, so good, and then...» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremos...

Signed and dated. «This mask will last a lifetime» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and forem...

Signed and dated. «O Donald, where aren't thou?» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memory of two dramatic years since 2020 that have affected us all. Covid, and its consequences, have become a common point of reference that we will all talk about and bear remembrance to for a long time. But our memories are like life itself; dynamic and in constant change, often weakening with time, and can either ebb out or be reinforced. O.F. Hvidstens work in this period stand out as an anchor point for this common experience. Ole Fredrik Hvidsten...

Signed and dated. «Taking a chance on the dancefloor» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and fo...

Signed and dated. «Good sharks makes all the difference» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and...

Archaic Hercules Skinning a Rabbit, 2019 Acrylic on canvas 53.14 H x 55.11 W in. 135 H x 140 W cm In classical mythology, Hercules is famous for his strength and his numerous far-ra...

Gyre acrylic, spray paint on canvas 80" x 96" 2022 Part of the New Minority Series Dennis Jones was first introduced to the use of a bidet while being extremely ill in Hurghada, Egypt. He has played the game of ‘Jenga’ with prostitutes in Phuket, Thailand. Once he hiked down to the bottom of the Grand Canyon from the North Rim and back in twelve hours. Jones has also visited fifty US National Parks. The work of Dennis Jones is growth oriented. There is diversity among his oeuvre and much risk in such an approach. Eschewing a ‘signature style’ that he considers to be boring, creatively limiting and market driven, he prefers to consider how method and expression intermingle and form a conceptual basis. A cursory glance may consider his prodigious output to lack focus, but a deeper reading reveals that he remains true to himself and allows his work to take him where it needs to go. There has always been the presence of a figure in his work, either implied, or directly visible. One can trace several years of development from his interest in figurative and cartoon-like imagery in, Toyland (2006), through his foray into text based work (2007-13) and a later influence of abstraction (2012-18). Following this trajectory brings one to his current body of work that combines figuration, cartoons and abstraction. He is a visual artist, educator, and architect. Each of the ‘hats’ he wears directly influence his work. He states that ‘a fascination with an integration of material, process and expression, truth of emotion and visually communicating thought are what sustain and drive him as an artist. Jones has participated in over seventy solo and group shows that include local, national and international venues. His creative output includes paintings, sculptures, drawings, installations, videos, photos, books, teaching and residential architecture. Jones’ work was selected to be included in the New American Paintings 2019 Midwest Competition Publication, juried by Staci Boris, Associate Director of Exhibitions, School of the Art Institute of Chicago. Currently, his focus is on a growing body of paintings, in mixed media, on canvas that combine abstraction, figuration and cartoon imagery. Jones had a one person exhibition at the University of Michigan in September through December of 2018. A review of the show can be read on the page titled, Candyland Review. Earlier the same year, He curated an exhibition titled, SIX, that opened in January of 2018, at The Janice Charach Gallery; a five thousand square foot space, located in West Bloomfield, Michigan. The exhibition featured the work of six Detroit artists and provided adequate space for each to show a body of work…essentially six individual shows in one space. Selected venues that have shown Jones’ work include: The OK Harris Gallery, New York; Galerie Protege, NY; The Mary Washington Galleries, Mary Washington University, Fredericksburg, Maryland; The Kraft Lieberman Gallery, Chicago; The Drift Gallery, Portsmouth, NH; The Project Room, Lincoln, NE; The Art Gallery of Windsor, Windsor, Canada; Artcite, Windsor, CA; The Thames Gallery, Chatham, Ontario, Canada; The Kenderdine Art Gallery, University of Saskatchewan, Saskatchewan, CA; Definitely Superior Gallery, Thunder Bay, ON, CA; Gallery Lambton, Sarnia, ON, CA, WKP Kennedy, North Bay...

Sandbar Trilogy is a brilliantly colorful pop art painting, an ode to the popular gay beach scene in Miami, Florida. Three panels of male figures are seen lounging, sitting and stan...

David Stern (Germany, b. 1956) Acrylics on canvas 71 inches by 81 inches Hand signed by artist, certificate of authenticity available Keywords: red, abs...

JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fa...

Hannah Barrett’s paintings imagine a colorful, absurdist world inhabited by eccentrics of ambiguous genders and time periods. With tongue-in-cheek nods to the past, Barrett combines...