Richard Edward Miller

The Goldfish Bowl

Unknown

Coastal Scene by Sigurd Solver Schou (1875-1944) Oil on panel 10 x 13 inches unframed ( 25.4 x 33.02 cm) 14 ½ x 17 ⅛ inches framed (36.83 x 43.4975 cm)...

In the Bazaar I, 1834-1855, by Theodore Frere (1814-1888) Oil on wood 7 x 5 inches unframed (17.78 x 12.7 cm) 10 ⅝ x 9 inches framed (26.9875 x 22.86 cm) Signed on lower right Descr...

Seated Nude by George Grosz (1893-1959) Oil on canvas 9 ½ x 5 ½ inches unframed (24.13 x 13.97 cm) 15 x 12 inches framed (38.1 x 30.48 cm) Signed on bottom...

Passage Along the Shore by Victor Pierre Huguet (1835-1902) Oil on canvas 15 x 23 inches unframed (38.1 x 58.42 cm) 21 x 29 inches framed (53.34 x 73.66 cm) Signed on bottom right Description: In this piece, Victor Pierre Huguet depicts five men traveling...

In the Bazaar II, 1834-1855, by Theodore Frere (1814-1888) Oil on wood 7 x 5 inches unframed (17.78 x 12.7 cm) 10 ⅝ x 9 inches framed (26.9875 x 22.86 cm) Signed on lower right Desc...

Clown With Big Pants, 1942, by Everett Shinn (1876-1953) Oil on canvas 12 x 10 inches unframed (30.48 x 25.4 cm) 19 ½ x 17 ¼ inches framed (49.53 x 43.815 cm) Signed and dated on bot...

Clyde Steadman's "What Are You Having" is an original, handmade oil painting that depicts the interior of a bar with a bartender at the counter.

Figure standing with window

Red draped figure look out window onto landscape

Searching for Andy (Warhol) references woman looking at one of the 199 paintings that Andy Warhol did of Mao. This painting is usually seen in the museum exhibitions around the world Looking for Andy (Warhol) is 16" x 10" and is framed which makes it 20 " x 14" . The artist describes himself as one of the New Orientalists which is a traveling painter in the modern world. Raj Chaudhuri (b 1967) My work comes from my life as a human being. I paint what I know and love. Capturing people and their interaction with the environment interests me—be it urban or rural, cityscape or landscape. I strive to find beauty in everyday happenings and how we experience this amazing world in which we live. Growing up in India, I feel my work is enriched by the depth of culture, vibrant colors and energy there. Twenty-three years ago, Colorado became home, giving me a longstanding enjoyment of the mountains, the brilliance of people here and the rich history of the west. I truly enjoy traveling and painting on location; I thrive in painting subjects with which I have a deep connection and understanding of people, structures and landscape. Art has always been my passion. I found ways to incorporate my artistic abilities in UI design and software development before coming to art full time. To a great extent I find that what like in computer design and now in art is that we are creating abstractions of the real world. There are repeating patterns in how we solve problems in many arenas. The creation of a painting is a technical and visionary problem, with many aspects behind the brushstrokes and values. These challenges underlie the thrill of creating a piece that speaks to viewers, to see what we feel and know about the world around us in art. To me painting is about finding beauty, balance and something visually engaging. I am fascinated by how light illuminates my compositions. It is different literally in every painting! The design of a painting to me is paramount, and I try and find something beautiful, simple and clear in the composition and then build in layers upon layers of complexity. I want to lead the viewer through a visual journey and have them stay connected to the painting. Art is a way of expressing something deeply personal along with the pure enjoyment of the visual. My goal is to find an interesting design clearly present in each painting, so the viewer sees the abstract visual dialogue that sets up the appealing story of the subject in the painting. 2024 Best of Show Presented by the Coors Western Art Advisory Committee (last image of horse in snow...

Marguerite Stuber Pearson was a firm proponent of the Boston School tradition, characterized by her mastery of academic technique and the selection of traditional subjects of portraiture, figures in interiors and still lifes. In her debut exhibition at the Guild of Boston Artists in 1931, one reviewer happily reported that her paintings were “executed in the best Boston School tradition.” Upon seeing the show, Edmund Tarbell...

Frederick James Boston (1855 - 1932) The Letter Oil on canvas 20 x 16 inches Signed lower left The first instructor of art at the Brooklyn Institute of Arts and Sciences, Frederick ...