Richard J. Watson

Same Tune, Different Drummer: abstract painting w/ found objects, military items

2002

"The Known Soldier" is an acrylic painting with photograph portraits and a number of found objects integrated into the painting including lace, decorative objets, and printed imagery referencing African American history. This painting "collects fragments from the artist's everyday life -- discarded objects found on the streets of Philadelphia that are saved and later repurposed to germinate an idea." Signed by the artist. No need for framing - all hanging hardware included and ready to install on your wall. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

"Southern Breezes" is an acrylic painting with photograph portraits and a number of found objects integrated into the painting including lace, decorative objets, and printed imagery referencing African American history. This painting "collects fragments from the artist's everyday life -- discarded objects found on the streets of Philadelphia that are saved and later repurposed to germinate an idea." Signed by the artist. No need for framing - all hanging hardware included and ready to install on your wall. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

Please contact me with zip code for precise shipping rates. "And the Beat Goes On" is a large acrylic collage painting with photograph portraits integrated into it, as well as found objects, and text. It includes imagery that references African American history and cultural references on the Black community. Signed by the artist. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...

"Optic Diamond IV" is a geometric abstract acrylic on canvas painting with mixed media elements. It is a square 36" x 36" canvas that hangs on the diagonal to measure 52" x 52 x 2". ...

"A Majority of One" is a large, vertical acrylic painting with a photograph portrait of Tupac Shakur and a number of found metal objects integrated into t...

"Pearl's World" is a large acrylic painting with a photograph portrait and a number of found objects integrated into the painting, including pearls, metal pins, tickets, and text. Th...

This large 119" x 72" mixed media painting by the artist, XVALA, is from his series 'Pandemic Collection: 8' and depicts bright colorful cartoon chara...

Mixed media on aluminum and framed. Cédric Bouteiller is a French multidisciplinary urban artist known for his complex and layered mixed-media works...

Original work of art. Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body o...

Contemplating Cultural Restoration, 2021. Mixed media: charcoal and acrylic paint on Fabriano Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recycled materials and their link to overconsumption. The materials are sourced from under-maintained and largely impoverished areas of Namibia. His artistic process has evolved to incorporate organic waste materials. Indigenous makalani fruits are often used as a food source and to brew alcohol. In these works the discarded makalani piths are cut in half and hand-stitched together alongside flattened metal bottle caps and shards of animal bone. The use of these discarded materials also points to the agricultural processes that sustain subsistence farmers. Sheehama highlights issues of land (re)distribution as years of Apartheid and colonialism carved up and cut off access to much of the arable land in Namibia, leaving the majority of the population scrambling for resources. The patchwork of different materials and textures speaks to the segregation of land and people, and the need to use our natural resources and knowledge to unify for a more just and fair society. Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...

Protesting his innocence, 2022. Mixed media: charcoal, pastel, acrylic paint on reclaimed paper Sheehama graduated from the University of Namibia with a Bachelor of Art (Fine Art) Honours degree in 2010 and has taught Visual Arts at the John Muafangejo...

Gathering Knowledge, 2021. Mixed media: charcoal and acrylic paint on Fabriano Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recycled materials and their link to overconsumption. The materials are sourced from under-maintained and largely impoverished areas of Namibia. His artistic process has evolved to incorporate organic waste materials. Indigenous makalani fruits are often used as a food source and to brew alcohol. In these works the discarded makalani piths are cut in half and hand-stitched together alongside flattened metal bottle caps and shards of animal bone. The use of these discarded materials also points to the agricultural processes that sustain subsistence farmers. Sheehama highlights issues of land (re)distribution as years of Apartheid and colonialism carved up and cut off access to much of the arable land in Namibia, leaving the majority of the population scrambling for resources. The patchwork of different materials and textures speaks to the segregation of land and people, and the need to use our natural resources and knowledge to unify for a more just and fair society. Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...