Items Similar to Eve of Destruction - Modern Interpretation of the Garden of Eden, Original Oil
Want more images or videos?
Request additional images or videos from the seller
Rose Freymuth-FrazierEve of Destruction - Modern Interpretation of the Garden of Eden, Original Oil2021
2021
About the Item
Once the innocence is gone, the true character of Eve is revealed in Rose Freymuth Frazier's painting entitled "Eve of Destruction". Complete with a tattooed belly and a necklace that reads "Bitch", this interpretation of Eve after her expulsion from the Garden is a truly modern one. She has a cigarette hanging from her mouth, is carving that poison apple with seemingly not a care in the world as a beautifully colored snake makes itself at home around her neck. This piece is framed in a heavy black wooden frame measuring 60 x 40 inches
Rose Freymuth-Frazier
Eve of Destruction, 2021
oil on canvas
54h x 34w in
137.16h x 86.36w cm
RFF057
Rose Freymuth-Frazier Employing the techniques of the past in the service of contemporary exploration, I seek to add a fresh voice to the sometimes venerable, sometimes dusty and archaic tradition of large-scale figurative painting, while subtly addressing the mythology, objectification and subjugation of women. My subjects are at first glance close to home-new mothers, friends, lovers, artists, dancers-but are then quickly placed at a distance via edgy modification, rigorous technique, minimal contexts and composition, and idiosyncratic use of color. I am also interested in social presentation, artifice, and simulation as they relate to my subjects. I hope to peel away a gossamer thin layer of reality, not just to document the real but also to reveal what might be. BIOGRAPHY Given my restless history, it is curious that I became a figurative painter in New York City. My maternal Grandparents fled Hitler's Germany in the late 1930's. After being refused entry to the United States, they were welcomed into the Dominican Republic, where they happily resided in a small orderly bungalow of their own design and made their living as studio photographer and cheese maker for seven years. Amid this exotic island milieu, my mother was born. Similarly, my fraternal grandparents, he being a US medic stationed in New Zealand and she, a seventeen year old Kiwi, met just long enough in the back of an ambulance in the early 1940's for her to come to the US on a steamer eighteen months later with their nine-month-old baby boy: my father. My eventual parents found each other in Nevada City, California, a small Gold Rush town flanked by a river and nestled in the foothills of the Sierra Nevada Mountains. There they fashioned a life according to their own rules and beliefs, free from the rigid standards of mainstream society. I was born on the floor of an old miner's cabin on a frigid November night in 1977. The midwife, who had learned the art of delivering babies while assisting her grandfather across the moors of Scotland, lived atop an icy ridge, did not own a telephone, and was summoned just in time. She made her living as a welder and considered her midwifery skill a gift. She refused to take money for her services. As payment, my mother, a ceramic sculptor, crafted her a large salad bowl with which to catch future placentas. So for the price of a handcrafted, multi-use salad bowl, (my first brush with art), I came into the world. I grew up in a free-spirited, idyllic wilderness until my existence was reported to the authorities in the form of a birth certificate. At eight years old, after some home schooling and experimental education, I was finally sent to public school. By sixteen I left the small town and moved in with my older brother who lived by the sea. A year later I applied and was accepted to the Interlochen Arts Academy in Northern Michigan where I spent my senior year of high school. At eighteen years old, I came to New York City on a scholarship to study theater. The city dazzled me, but after completing the term of study-and perhaps echoing my mother's flight from Barnard on a motorcycle years before-I headed back west, this time to Los Angeles where I landed in a Hollywood Boulevard youth hostel. It was in the culturally diverse atmosphere of Southern California, amid the palms, cars, and birds of paradise that I began to paint. In a twist of fate that only Hollywood could deliver, I was discovered stuck in traffic on Ventura Boulevard and given a record deal, (although I was not a singer). For six months I was under contract as Ruby Blonde and was paid to do nothing. Mercifully, the album was never made but I chose to use the free time and money to paint. Inspired by trips through Mexico and Guatemala, I fashioned giant faces from memory, which I painted on oversized pieces of scavenged plywood. I found the act of painting both hypnotic and meditative. So I returned to New York, (via Argentina), to further pursue the serious study of figurative painting technique. We know that in the past realism was discredited as kitsch and blamed for it's ability to appeal to and affect the masses. This inherent accessibility is the reason I choose to paint in the realist tradition.
- Creator:Rose Freymuth-Frazier (1977, American)
- Creation Year:2021
- Dimensions:Height: 54 in (137.16 cm)Width: 34 in (86.36 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:
Rose Freymuth-Frazier
Rose Freymuth-Frazier was born and raised in Nevada City, California - a small gold rush town in the foothills of the Sierra Nevada Mountains. She attended Interlochen Arts Academy, a private boarding arts high school in northern Michigan. Upon graduation she was awarded a scholarship to study theatre at the American Musical and Dramatic Academy in New York City. After completing her training, and a couple of years spent in Hollywood, (which included a stint on a campy, nighttime teen soap opera), Freymuth-Frazier turned her attention to her other interest - figurative oil painting.
Seeking rigorous, technical training that most schools could not offer, she returned to New York City and studied for two years at the Art Students League. After taking a master class at the New York Academy of Art with Steven Assael, she continued her studies in a tradition common to painters of the past, through full-time apprenticeship. Her first apprenticeship was for two years under Assael in his New York City studio and her second was with Odd Nerdrum in Norway, at his farm and studio on the North Sea.
References from a broad swath of art history can be found in Freymuth-Frazier’s solitary subjects. Influences range from Balthus’s discomforting depictions of preadolescence, and the queen of Kitsch, Margaret Keane’s “Big Eyed” children and animals, to the heavy chiaroscuro and technical rigor of Caravaggio and Rembrandt. This unique combination of classicism and pulp results in something of a hybrid between Lowbrow esthetic and Old Master technique.
Freymuth-Frazier’s work has been exhibited internationally with galleries in Barcelona, Sydney, Amsterdam and across the United States from New York City and Chicago to Seattle and Los Angeles. Her work can be found in private collections internationally, including The Seven Bridges Foundation in Connecticut and the John and Diane Marek Collection in Tennessee. She has received attention and reviews from numerous publications including Playboy Magazine, Ms. Magazine, ArtNews, Hi-Fructose Magazine, Beautiful Bizarre Magazine, The Chicago Tribune, Art Papers, American Artist Magazine and The Huffington Post.
In October 2015, her work was included in Cavalier Galleries extraordinary survey of American realist works, "American Realism: Past to Present", in New York City. Freymuth-Frazier is represented by Cavalier Galleries in New York City, Connecticut and Nantucket and Victor Armendariz Gallery in Chicago. She lives and paints in New York City.
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2017
1stDibs seller since 2017
322 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Chicago, IL
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Union - A Group of Uniformed Soldiers Standing in an Open Field, Oil on LinenBy William Blake (b. 1991)Located in Chicago, ILA group of uniformed soldiers gather in a grassy field. We see cannons yet must bring our own decisions about what is about to transpire. Painted in the loose style of Winslow Homer, "Union" by William Blake captures a scene in a Civil War Reenactment as the Union Army's Artist Reporter. Portraying Homer as an Artist-reporter, Blake has to be more than merely good draftsmen. He has to be an astute observer, have an instinct for story and drama, the ability to sketch quickly and accurately, and no small amount of daring, as he faces battles first hand. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. Please contact the gallery for framing options. William Blake Union, 2022 oil on linen 24h x 36w in 60.96h x 91.44w cm WIL034 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...Category
2010s Contemporary Figurative Paintings
MaterialsOil, Linen
- Pollinators - Two Figures in Flower Suits, Surrounded by Butterflies, Bright SkyBy Rose Freymuth-FrazierLocated in Chicago, ILArtist Rose Freymuth Frazier presents "Pollinators" - two figures dressed in flowered suits, their faces obliterated by a swarm of butterflies flying inside glass helmets. Set upon a...Category
21st Century and Contemporary Contemporary Figurative Paintings
MaterialsLinen, Oil
- Peace Cadet - Large Scale Portrait of Woman in Space Suit Surrounded by BunniesBy Rose Freymuth-FrazierLocated in Chicago, ILFlower Power with a modern twist. Artist Rose Freymuth Frazier plays presents "Peace Cadet" - a woman clad in a space suit, shooting a pistol that has flow...Category
21st Century and Contemporary Contemporary Figurative Paintings
MaterialsOil, Linen
- Peonies in White Light - Oil Painting with 12K White Gold Leaf, Blond FemaleBy Michael Van ZeylLocated in Chicago, ILThe blond figure, along with the floating peonies, combine to explore the dynamic between the eternal and the temporal, as well as our own relationship with nature. The gold leaf adds a three-dimensional softness as well as a glow upon which the female figure floats. Her skin is seductively painted; her teal dress falls off her shoulder; white peonies float by; the scene is set for a dreamy visual feast. The painting is framed in a gilt frame. Michael Van Zeyl Peonies in White Light oil and 12K gold leaf on linen wrapped panel 24h x 36w in 60.96h x 91.44w cm EDUCATION 1987-1990 American Academy of Art, Chicago, IL 1999-2000 American Academy of Art, Chicago, IL - Life Drawing & Oil Painting Palette & Chisel Academy, Chicago, IL - Painting & Life Drawing Art Students League, New York, NY - Painting EXHIBITIONS 2017 “Anne Harris...Category
21st Century and Contemporary Contemporary Figurative Paintings
MaterialsGold Leaf
- Lily in Blue Tights on Pluff Chair - Oil Painting Figure and Vintage Chair StudyBy Andrew S. ConklinLocated in Chicago, ILAndrew S. Conklin Artist Statement—Motion Capture Studio Series Andrew S. Conklin, a native of Chicago, Illinois, is a figurative painter. Conklin's paintings are a product of his ...Category
21st Century and Contemporary Contemporary Figurative Paintings
MaterialsOil, Linen
- Sharp Shooter, Homage to Civil War Artist Winslow Homer, Original Oil on LinenBy William Blake (b. 1991)Located in Chicago, ILWinslow Homer first visited the front lines during the 1862 Peninsula Campaign. From this experience he created his first painting; the iconic painting of the lone sharpshooter which now hangs at the Portland Museum of Art. During the 155th reenactment of the Peninsula Campaign at the Endview Plantation in New Port...Category
2010s Contemporary Figurative Paintings
MaterialsOil, Linen
You May Also Like
- Dust Ford KingLocated in Santa Monica, CAIn this series of portraits, Birch materializes enigmatic, ectoplasmic figures in his psychologically charged canvases linking sympathies between external forces and interior emotion...Category
2010s Contemporary Figurative Paintings
MaterialsCanvas, Linen, Oil
- Red Collider Unseen FoxLocated in Santa Monica, CAIn this series of portraits, Birch materializes enigmatic, ectoplasmic figures in his psychologically charged canvases linking sympathies between external forces and interior emotion...Category
2010s Contemporary Figurative Paintings
MaterialsLinen, Oil
- Triptych Oil on linen: 'Elephant'By David MellenLocated in New York, NYDavid Mellen has proceeded to work according to his own design. He sees art as a medium of discovery rather than a display of untrammeled emotion. This has very little to do with a ...Category
2010s Contemporary Abstract Paintings
MaterialsLinen, Oil
- Japanese Contemporary Art by Hiromi Sengoku - Spending a Night Scooping UpBy Hiromi SengokuLocated in Paris, IDFOil, tempera, acrylic, Japanese mineral pigment, gold leaf on paneled linen Hiromi Sengoku is a Japanese artist born in 1982 who lives & works in Tokyo, Japan. She graduated from Mu...Category
2010s Contemporary Figurative Paintings
MaterialsGold Leaf
- Kazakh Contemporary Art by Baurjan Aralov - Mom I'm Buying a BikeLocated in Paris, IDFOil on linenCategory
2010s Contemporary Figurative Paintings
MaterialsLinen, Oil
- Kazakh Contemporary Art by Baurjan Aralov - No Title, Interieur Series 1Located in Paris, IDFOil on linenCategory
2010s Contemporary Figurative Paintings
MaterialsOil, Linen
