Samson Toba

She Save Us

2023

The artwork titled "Inseparable" portrays a strong relationship between women and Aje, the Yoruba deity of wealth, prosperity, and feminine power. The piece captures the essence of this relationship through vibrant colors, intricate details, and symbolic imagery. The details in the artwork are also significant. The women wear traditional Yoruba attire, with intricate patterns and symbols that reflect their cultural heritage. The necklace on the neck is adorned with cowrie shells, and other ornaments, which represent the wealth and prosperity that Aje brings to her devotees. Aje has no gender yet it's inseparable from feminine You're in search for aje but left behind the woman Surely you've failed even before you start You're on the journey of making it really big but neglect the power of the source Do you think a river can ever have any wonder aside from the source Women and wealth are inseparable yet women are the destroyer of AJÉ The artwork "Inseparable" is a testament to the deep connection between women and Aje. It portrays the strength and resilience of women and the power and prosperity that Aje brings to those who honor her. It also celebrates the rich cultural heritage of the Yoruba people and their reverence for the divine feminine. Overall, this piece is a beautiful tribute to the enduring relationship between women and Aje. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Ayandare Adeniran, Ayanmuyiwa (born 1991) is an Artist who hails from Ogbomosho, Oyo state, Nigeria. At his early stage of life, his artistic talents sprang up and his parent helped in developing them by providing him with what they understood he needed by buying drawing books, crayons, and watercolors among others to help his creative skills. After his primary and secondary education, he received a Nigeria Certificate on Education (NCE) from a prestigious college; the Federal College of Education (SPECIAL), Oyo, where he studied Fine and Applied Arts. Musa Ibrahim was the first practicing Artist who helped Ayandare in his Artistic career which was during a compulsory Industrial Training program for students in the Fine Arts department. After College, yawning for knowledge and flare for artistic work dragged him to Arowolo Wasiu, a metal sculptor who trained him in sculpting metal. A thirst for one's zeal can only be quenched by following the path thus making him proceed to TOPE FATUNMBI...

The artwork "Bored" is a stunning creation that weaves a delicate tapestry of dreams and reality. The artist has skillfully captured the essence of a young girl's imagination, allowing the viewer to peer into the depths of her thoughts and aspirations. The lady's posture exudes an air of calm contemplation, but her eyes tell a different story. They glimmer with a hint of mischief and wonder, hinting at the magical world she has conjured up in her mind. In the background of the painting, the artist has masterfully depicted a vision of northern horsemen, galloping majestically across vast, snow-covered plains. These horsemen, clad in traditional attire, symbolize strength, courage, and freedom - qualities that the young girl may yearn for or admire. The contrast between the girl's stillness and the dynamic scene she envisions creates a captivating juxtaposition, emphasizing the power of imagination and the allure of the unknown. As the viewer gazes at the artwork, they are drawn into a narrative of the young girl's daydream. Perhaps she is longing for adventure, yearning to explore the far-off lands of the North, or maybe she seeks to break free from the mundane routine of everyday life. The painting stirs the imagination, leaving room for personal interpretations and connections. The title "Bored" takes on a deeper meaning in light of the young girl's reverie. It hints at the idea that boredom can be a catalyst for creativity and imagination. In moments of monotony, the mind often seeks escape, finding solace in the realm of daydreams and fantasies. This painting serves as a reminder that boredom is not necessarily a negative emotion, but a gateway to exploration and self-discovery. The artist's technique in "Bored" is nothing short of mesmerizing. The use of vibrant colors and soft brushstrokes adds a touch of surrealism, enhancing the dreamlike quality of the artwork. The girl's expression is a masterpiece in itself, evoking empathy and inviting the viewer to empathize with her world of dreams. In a world where we are constantly surrounded by distractions and technology, "Bored" reminds us of the power of introspection and the beauty of allowing our minds to wander freely. It encourages us to embrace moments of stillness and delve into the depths of our imagination, just like the young girl in the painting. Art has the incredible ability to transport us to different realities, and "Bored" achieves just that. It invites us to envision our own northern horsemen or any other fantastic tales that lie within our hearts. It celebrates the essence of childhood wonder, where even the simplest of moments can become the foundation for extraordinary journeys. In conclusion, "Bored" is an exquisite artwork that captures the essence of a young girl's daydream about northern horsemen. It stands as a testament to the power of imagination and the art of storytelling through visual means. As we gaze upon this masterpiece, let us also be reminded of the beauty of introspection, the allure of dreams, and the magic that lies within every one of us. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) Muideen Abdulkadir...

Nakedness of Truth is an original painting by Abifola Olorunlana. Olorunlana created Nakedness of Truth with Acrylic on a 36W by 48H inches primed canvas. Nakedness of Truth was made over a painting Abifola Olorunlana did and didn't like (an underlying painting depicting four figures fetching water from a river and gossiping about someone they didn't like). The Nakedness of Truth is a painting that advocates for people who belong to the LGBTQ community and salutes their unity in making the movement impactful globally. For years many have stayed reclusive about their true identity due to religious beliefs, societal constructs, and government laws which have left many depressed till their last days, many were even killed for courageously coming out to state their true identity. This is depicted in the painting: dark yellow eyes sticking out of the woods to portray a sense of public rejection, yet my subject boldly stands out of the green woods and leaves to express courage, strength, and power. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Olorunlana Abifola (b. 1999) is an emerging visual artist from Nigeria whose works of art cut across mix-media and contemporary art paintings which includes portrait paintings of Black people...

The artwork titled "Aláàárù Ajé" (Carrier of Wealth) features a lady with a head made of a Sekere, a traditional Yoruba percussion instrument made from dried gourds covered with beads. The lady is depicted wearing a blue dress with intricate details and patterns. Ayandare Adeniran, Ayanmuyiwa behind this intriguing piece of art has managed to capture the essence of the Yoruba culture, which is renowned for its rich cultural heritage and traditional beliefs. The use of the Sekere in the artwork is symbolic of the Yoruba people's deep-rooted love for music and the arts, which are considered an integral part of their daily lives. The lady in the artwork, with her head made of Sekere, is a representation of the Yoruba deity, Oshun, who is revered as the goddess of love, fertility, and prosperity. According to Yoruba mythology, Oshun is believed to be the owner of the Sekere and is often depicted carrying it around during festive celebrations and ceremonies. The blue dress worn by the lady in the artwork is also significant in Yoruba culture as it represents wealth, royalty, and nobility. The intricate details and patterns on the dress are a testament to the artist's attention to detail and skill, which are essential in Yoruba art. Overall, the artwork "Aláàárù Ajé" (Carrier of Wealth) is a beautiful representation of Yoruba culture, tradition, and mythology. The artist's use of the Sekere and the blue dress is a nod to the Yoruba people's love for music, art, and fashion, which are essential elements of their identity. The artwork is a reminder of the rich cultural heritage of the Yoruba people and the importance of preserving it for future generations. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Ayandare Adeniran, Ayanmuyiwa (born 1991) is an Artist who hails from Ogbomosho, Oyo state, Nigeria. At his early stage of life, his artistic talents sprang up and his parent helped in developing them by providing him with what they understood he needed by buying drawing books, crayons, and watercolors among others to help his creative skills. After his primary and secondary education, he received a Nigeria Certificate on Education (NCE) from a prestigious college; the Federal College of Education (SPECIAL), Oyo, where he studied Fine and Applied Arts. Musa Ibrahim was the first practicing Artist who helped Ayandare in his Artistic career which was during a compulsory Industrial Training program for students in the Fine Arts department. After College, yawning for knowledge and flare for artistic work dragged him to Arowolo Wasiu, a metal sculptor who trained him in sculpting metal. A thirst for one's zeal can only be quenched by following the path thus making him proceed to TOPE FATUNMBI...

The King's Ring is an intriguing artwork that portrays a man wearing a ring. The ring is the centerpiece of the artwork. The painting is oil and acrylic on ca...

At first glance, "Independent" captures the viewer's attention with its striking imagery of a woman wearing a vibrant yellow coat. The choice of yellow as the dominant color is symbo...

Acrylic paint on canvas Hand-signed by the artist

Acrylic paint and ink on paper pasted on canvas Hand-signed by the artist

A tribute to Amy Winehouse Acrylic paint on canvas Signed Unique work Joanna Flatau was born in Varsaw, Poland. She graduated from Varsaw History of Arts University and from the F...

A tribute to Amy Winehouse Acrylic paint on canvas Signed Unique work Joanna Flatau was born in Varsaw, Poland. She graduated from Varsaw History of Arts University and from the F...

Acrylic paint on canvas Signed Unique work Joanna Flatau was born in Varsaw, Poland. She graduated from Varsaw History of Arts University and from the Fine Arts Varsaw Academy in ...

Title: «Nefertiti» Description: Acrylic on canvas, figurative, Portrait, modern "She was and will continue to be the most beautiful woman of all times and peoples, without a doubt. Her popularity among the people did not fade with the exit from the historical stage of the reformer pharaoh." The work is talking about a woman who is considered to be the most beautiful of all time and people, and her popularity has not diminished even after the exit of a reformer pharaoh from the historical stage. It suggests that her beauty is timeless and everlasting, and she is revered by people even in contemporary times. The description could be referring to a historical figure, possibly a queen or a renowned beauty. Victoria Tsemka...