Sandra Cohen

"Pantomime Horse", contemporary, women, yellow, pink, white, acrylic painting

2015

John Baker’s “The Retirement of the Old Fisherman” is an acrylic painting on canvas with collage 20 inches by 16 inches in reds, blues and browns. After ...

John Baker’s “Lifelong Priorities of a Priest” is an acrylic painting on canvas with collage 20 inches by 16 inches in maroon, flesh tones and blacks. Bedecked with official awards from his superiors, but also wearing a bird badge...

John Baker’s “Blind Surgeon” is an acrylic painting on canvas with collage 24 inches by 18 inches in flesh tones and light greys. Unkempt, one eye closed and the other pressed by a m...

John Baker’s “The Collyer Brothers” is an acrylic portrait painting on canvas with collage 20 x 20 inches in silver greys. Mad as hatters, crazy as bedbugs, and most of all oddly sym...

John Baker’s “Tough Times” is an ink, acrylic, oil and collage portrait on canvas 16 x 12 inches in dark mauves and cream whites with red and pink accents. The artist addresses spiri...

John Baker’s “Cramming for the Exam” is an acrylic portrait painting on canvas with collage 30 inches by 30 inches in dark blues and straw yellows. Although sparks of understanding f...

Archaic Hercules Skinning a Rabbit, 2019 Acrylic on canvas 53.14 H x 55.11 W in. 135 H x 140 W cm In classical mythology, Hercules is famous for his strength and his numerous far-ra...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...

Luis Miguel Valdes (Cuba, 1949) 'La soledad de las columnas', 2018 oil on canvas 55.2 x 181.2 in. (140 x 460 cm.) ID: VAL-334

Gyre acrylic, spray paint on canvas 80" x 96" 2022 Part of the New Minority Series Dennis Jones was first introduced to the use of a bidet while being extremely ill in Hurghada, Egypt. He has played the game of ‘Jenga’ with prostitutes in Phuket, Thailand. Once he hiked down to the bottom of the Grand Canyon from the North Rim and back in twelve hours. Jones has also visited fifty US National Parks. The work of Dennis Jones is growth oriented. There is diversity among his oeuvre and much risk in such an approach. Eschewing a ‘signature style’ that he considers to be boring, creatively limiting and market driven, he prefers to consider how method and expression intermingle and form a conceptual basis. A cursory glance may consider his prodigious output to lack focus, but a deeper reading reveals that he remains true to himself and allows his work to take him where it needs to go. There has always been the presence of a figure in his work, either implied, or directly visible. One can trace several years of development from his interest in figurative and cartoon-like imagery in, Toyland (2006), through his foray into text based work (2007-13) and a later influence of abstraction (2012-18). Following this trajectory brings one to his current body of work that combines figuration, cartoons and abstraction. He is a visual artist, educator, and architect. Each of the ‘hats’ he wears directly influence his work. He states that ‘a fascination with an integration of material, process and expression, truth of emotion and visually communicating thought are what sustain and drive him as an artist. Jones has participated in over seventy solo and group shows that include local, national and international venues. His creative output includes paintings, sculptures, drawings, installations, videos, photos, books, teaching and residential architecture. Jones’ work was selected to be included in the New American Paintings 2019 Midwest Competition Publication, juried by Staci Boris, Associate Director of Exhibitions, School of the Art Institute of Chicago. Currently, his focus is on a growing body of paintings, in mixed media, on canvas that combine abstraction, figuration and cartoon imagery. Jones had a one person exhibition at the University of Michigan in September through December of 2018. A review of the show can be read on the page titled, Candyland Review. Earlier the same year, He curated an exhibition titled, SIX, that opened in January of 2018, at The Janice Charach Gallery; a five thousand square foot space, located in West Bloomfield, Michigan. The exhibition featured the work of six Detroit artists and provided adequate space for each to show a body of work…essentially six individual shows in one space. Selected venues that have shown Jones’ work include: The OK Harris Gallery, New York; Galerie Protege, NY; The Mary Washington Galleries, Mary Washington University, Fredericksburg, Maryland; The Kraft Lieberman Gallery, Chicago; The Drift Gallery, Portsmouth, NH; The Project Room, Lincoln, NE; The Art Gallery of Windsor, Windsor, Canada; Artcite, Windsor, CA; The Thames Gallery, Chatham, Ontario, Canada; The Kenderdine Art Gallery, University of Saskatchewan, Saskatchewan, CA; Definitely Superior Gallery, Thunder Bay, ON, CA; Gallery Lambton, Sarnia, ON, CA, WKP Kennedy, North Bay...

"Luis Miguel Valdes (Cuba, 1949) 'Strong Tower', 1998 acrylic, marbel dust on canvas 78.8 x 78.8 in. (200 x 200 cm.) ID: VAL- "

"Luis Miguel Valdes (Cuba, 1949) 'Cuarto', 2017 oil, acrylic on canvas 76.8 x 76.8 in. (195 x 195 cm.) ID: VAL- "