Santiago Garcia

"#1488" Acrylic painting of red blue and black converse on a tall white canvas.

2021

Paul Norwood paints the world around him, blurring the lines between representation and abstraction. His loose, gestural style and bold, thick brushwork suggest rather than define forms, creating sensation without being overly insistent. The deconstruction of his imagery into an array of simple shapes and saturated colors expresses a heightened sense of reality and breathes life into his subject matter. Paul is based in the Bay Area, but has been painting on both coasts for over 20 years. He’s had solo and group shows in many galleries across the country and is included in the collections of Sir Richard...

In his work, Tetteh condenses the internal sentiments and tensions of his characters and focuses them, using the eyes as the outlet for expression. In this way his subjects become independent bodies, bold and daring. By examining the psychological conditions we as humans are prone to experience, and then exhibiting them through physiological manifestations of that experience, Tetteh’s work is processual in nature, approaching each personality with care and consideration. His experiments are not only in content but in form, colour, and texture, manipulating paint through swift brush strokes and thick impasto. Theophilus Tetteh...

Paul Norwood paints the world around him, blurring the lines between representation and abstraction. His loose, gestural style and bold, thick brushwork suggest rather than define fo...

Lily Sol’s current work “Flower Goddess” is a symbol of blooming into her true self and honoring the divine femine energy within all of us. Through her paintings she is able to celebrate the fierce women in her life and shine light on the diverse and unique beauty of cultures around the world. She loves exploring different mediums in her art journal, playing with collage, acrylic paints, watercolors, and pressed blooms. While painting she tries to stay in an intuitive mindset and allow her works to transform naturally—always seeking the harmony between staying loose yet in control, yin & yang of life. Bright colors, a playlist she can dance...

“Since I was young, I have loved nature – the trees, flowers, and butterflies. Growing up in Phoenix, AZ these things were not around and so I began to pai...

Paul Norwood paints the world around him, blurring the lines between representation and abstraction. His loose, gestural style and bold, thick brushwork suggest rather than define fo...

Archaic Hercules Skinning a Rabbit, 2019 Acrylic on canvas 53.14 H x 55.11 W in. 135 H x 140 W cm In classical mythology, Hercules is famous for his strength and his numerous far-ra...

This large 119" x 72" mixed media painting by the artist, XVALA, is from his series 'Pandemic Collection: 8' and depicts bright colorful cartoon chara...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...

Carmelo Niño Amantes con escena, 2019 Acrylic on canvas 200 x 400 cm 78.7 x 157.4 in. The work is accompanied by a certificate of authenticity signed b...

Carmelo Niño Carolina niña con Marina, 2021 Acrylic on canvas 350 x 200 cm 137.7 x 78.7 in. The work is accompanied by a certificate of authenticity signed by the artist. Carmelo Niño, a Venezuelan artist originally from Maracaibo, Zulia State, an oil-producing region of Venezuela, is today one of the most outstanding painters in the plastic arts landscape in the country. Many years have passed since his birth in 1951 to the present, when he inaugurates this August 2022, a major exhibition at the Ascaso Gallery in Miami, with paintings from different dates resulting from the permanent and daily work of reflection, physical and intellectual, that he has always pursued in his creative life. Without neglecting a single moment of day-to-day life to be in front of the medium-sized canvas on the easel or of larger canvas hanging on a wall, he works in his large studio in the area of El Junco, outside the capital city of Caracas, surrounded by lush green vegetation, with a wonderful climate of pleasant temperature and poetic mist that invites to the reverie and glorification of his life as a painter. From a very early age Niño and his family discovered his vocation for drawing, a discipline in which he showed a special disposition and talent. From this moment on he dedicates his life to art, to the practice of painting, starting from a fantastic and strange world of fantasy, close to surrealism, unfailingly influenced by the circus of fantasy owned by his mother and a musician father. These circumstances will shape the artist's life. His traces and influences from the beginning will be present in his creative work, especially through the memories of the infinite curiosity to look, touch and be enraptured by the strange furniture and objects from his mother's circus that he knew were deposited in a room of the house. This universe of fantasy will leave an indelible mark on his subconscious and will serve as the thematic and artistic support for all his work. In an interview conducted by the critic Roberto Montero Castro in 1977, Carmelo Niño states, "the symbols of my painting come from the everyday life". His life has been one of continuous work and effort. At the age of fifteen he enrolled in the School of Arts of Maracaibo, graduated three years later, 1966, and immediately, with a scholarship, he travelled to Spain, took a few courses at the San Fernando Academy in Madrid, strengthened his preparation in art workshops and in frequent visits to the big museums of this European capital. With a sensitive gaze he penetrates the mysteries of masterpieces of the great artists who have made the universal history of art. His life as a painter has been intense, of intense study, preparation and work. With much composure and modesty he talks about his life and his artistic production, recognized not only in Venezuela, but also internationally. His participation in exhibitions began in 1969 and as early as 1970 he held his first individual exhibition at the Fine Arts Center of Maracaibo. From these dates onwards successes started to come, with the participation in collective and individual exhibitions, in Venezuela and abroad, as well as the awards from 1971, when he won the Scholarship Award at the First National Salon of Young Artists in Maracay, Aragua State; in 1972 he was awarded the Second Prize at the Regional Salon of Maracaibo. 1975 is the year of awards, he received the First Prize at the IV Salon of Young Artists in Caracas; the Aurelio Rodriguez Award at the IV Avellan Salon in Caracas and the First Prize at the Salon of Young Zulian Artists in Maracaibo; he also participated in the group exhibition of History of Painting in Venezuela, at Casa de Las Americas, Havana, Cuba; and in 1976 he was invited by Jose Gomez Sicre to take part in the exhibition of Venezuelan painting...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...