Suthamma (Ta) Byrne

Stretching

2023

Pachamama Glósóli 05 Portrait closeup of a woman with blue hair. Vibrant and powerful stare. Technique: oil, acrylic, and ink on large canvas 120x80cm ■■ 47,2 x 31,7 inch Structura...

Pachamama Glósóli 08 Portrait closeup of a woman with black hair. Vibrant and powerful stare. Technique: oil, acrylic, and ink on large canvas 116x89cm ■■ 46.7 x 35.3 inch Structur...

Portrait Miles Davis Miles Davis icon portrait. Technique: Acrylics, oil painting, China ink on canvas 73x60cm /28,7x23,6in 》》R E A D Y -- T O -- H A N G《《 ❶ → Original signed wo...

Madonna Structural analysis: Closeup portrait of the celebrity Madonna. The background is painted with a heavy and thick texture. Dripping of light blue and orange create movement t...

Portrait Kurt Cobain - Nirvana - Grunge Fluo iconic portrait of Kurt Cobain. Technique: Acrylics, oil painting, China ink on canvas 80x80cm / 31,5x31,5inch 》》R E A D Y -- T O -- H...

De guerres lasses from the novel of Françoise Sagan Portrait of a woman with blue and yellow hair with a crown of flowers. Structural analysis: Profile closeup of a woman with an epic hairdo. Such as Impressionist painting, the subject is firstly a study of light on human body, creating high contrasts on the skin. Technique: oil, acrylic, and ink on 3D canvas...

An impressive and masterful depiction of a young woman with a fan. An American artist who studied and traveled in Europe and painted this painting before his return. It has its original frame which is magnificent. The frame has been regilded in th past 10 years. Vinton was abroad in the 1880s. The sitter gazes coyly over her fan in a gesture that ladies and gentleman of fin-de-siècle Europe would have understood to mean “wait for me,” and perhaps indicating her interest in a potential suitor. Vinton embarked on several trips to Europe—to Spain in 1882 with William Merritt Chase and Robert Blum, and to several different countries in 1888 following his marriage—which provided inspiration for a renewed style and subject matter. While in Spain with Chase and Blum, the three artists visited Madrid and Toledo; there, Vinton studied the masterfully tenebrous portraits of Velázquez, an influence that can be seen in Portrait with Yellow Shawl...

Girl in restaurant in Paris. 19th century, oil on wood, 46x37,5 cm Eduardo Léon Garrido (1856-1949) Eduardo León Garrido was born in Madrid in 1856. He falls within the Group of Spaniards in Paris, as he warns in his style, with clear influences of Impressionism, somewhat reminiscent of Manet. He was the eldest son of Luis Garrido Fernandez, an official at the Ministry of Finance. His father would have liked him to embrace an administrative career but Eduardo León moved towards the artistic career. Trained in the Escuela Superior de Madrid, he painted his first work « the theft of the Sabine women », at only eighteen years old. Then he entered the Studio of Vicente Palmaroli (1834-1896). He will always consider the latter as his true teacher. In 1875, at the age of 19, he arrived in Paris to continue his studies with a scholarship from the city of Madrid. The same year he exhibited for the first time at the Salon where he presented a « Saint Jerome ». Very quickly he appears to be noticed by the famous merchant of the Rue Chaptal, Adolphe Goupil, for who he worked a few years. Notice that Vincent van Gogh worked for Goupil & Cie from 1869 till 1876 (his brother Theo entered in 1873. From 1876 on Garrido exhibits portraits and stylish, contemporary scenes. Catalogues indicates that he changed his dealer for the gallery Borniche around 1880. During the years 1882-1894 he did not expose anymore at the Salon (except once, in 1887, with the portrait of his friend, the painter Bréauté) . However, he painted a lot to feed the gallery of his dealer and a few galleries in Madrid. During that period he had also some student : Anne Blanche Dillaye (1851-1931), the american painter, studied with him from 1885 till 1887. From 1892 onwards it is the merchant Félix Gérard (one of the first dealers of work by Manet and Courbet), of the Rue Lafitte, which concludes with him an exclusive contract. He probably imposed to the artist to paint a different style. This sealed a radical departure from his 1880-1890 period, during which he painted the streets of Paris, café terraces, newspaper kiosks, and was likened to very fashionable Belle-Époque artists. From 1892 onwards, Garrido painted almost solely gallant scenes in the 18th century style, in keeping with current tastes and clients’ demands. Meanwhile, Garrido left Paris. In 1888 he established a studio on the banks of the Marne at La Varenne-Saint-Hilaire (Val-de-Marne near Paris). He married there in 1892 one of its models, Leonie Beck, and in 1893 their first child, Louis- Edouard, was born. He is quickly integrated into local life and became an art teacher in the Philotechnic Association of La Varenne. From 1895 onwards he presented new works at the Salon des Artistes Français and in 1914, he obtained the French citizenship, while two of his son went into battle (World War I). He continued painting, mainly landscapes, portraits of family members (children, granddaughter Odile born in 1923) and flowers. At the end of his life and because of poor eyesight he painted exclusively flower bouquets. In 1939, Eduardo León and his wife Leonie arrive at Caen. They settled with their son, Louis- Edouard, who resided there. Eduardo Leon Garrido died there in 1949. He is buried in the family burial at the cemetery Venoix in Caen. Some of his paintings can be seen in the Museo del Prado (Madrid), the Museo Carmen Thyssen (Málaga), the Museo Nacional de Bellas Artes (Argentina), Bilbao Fine Arts Museum and private collections such as the Bellver Collection in Sevilla. In the Musée Charles Léandre...

French Impressionist Oil on Canvas after a painting by Paul Cézanne titled 'Le Jardinier Vallier' (R950, FWN547). The painting is titled and signed 'élève de beaux arts d' Aix' to th...

"Music is a wonderful way to erase thoughts, bad and not so good, the best and the most ancient."

“For me, female beauty means harmony. This is what makes you touch the divine essence of things. Beauty is a gift. Harmony is when nothing can be added or taken away to make somethin...

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