Tam Ess

"Tribe" Mother and Children Oil on Canvas Figurative Painting

2023

Closing Time - Oil on Canvas Abstract Figurative Painting 2022 Artwork is on supported wooden frame. Ready to hang. Tam Ess makes oil paintings that explore...

"Changes" Oil on Canvas Figurative Painting 2023 Artwork is on supported wooden frame. Ready to hang. Tam Ess makes oil paintings that explore the subconsciou...

Hear No Evil - Oil on Canvas Abstract Figurative Painting 2022 Artwork is on supported wooden frame. Ready to hang. "See no evil, hear no evil." Tam Ess mak...

Bird and Keeper - Oil on Canvas Figurative Painting 2023 Artwork on supported wooden frame. Ready to hang. "Sometimes we find comfort in the most unexpected of forms or size. A protector swathed in resonant blues —a guardian cradling the delicate essence of the subconscious in a world engulfed in deep blues and vivid reds." Tam Ess...

Friends in High Places - Oil on Canvas Abstract Figurative Painting 2022 Artwork is on supported wooden frame. Ready to hang. "Friends come in different size and shapes. How delightful!" Tam Ess...

Sea Creatures Frolic - Oil on Canvas Figurative Painting 2022 Artwork is on supported wooden frame. Ready to hang. "This piece is a whisper of whimsy and a bold leap into the fantastical, destined to infuse any space with a surge of creative spirit and the thrill of the unknown and absurd." Tam Ess...

"Two Seas and a Moon" Surrealism American Scene WWII Modern WWI Denver WPA Era Arnold Ronnebeck (1885 - 1947) Two Seas and a Moon 30 x 22 1/2 inches Oil on Canvas, c. 1943 Signed u...

Armageddon finale. 2005, canvas, oil, 73x100 cm

Uruguayan artist Leonardo Aguirre creates visually animated surreal scenes in a theatrical environment. Aguirre rearranges whimsical components into unexpectedly harmonious ways of s...

Jules Perahim (Born: 1914; Bucharest, Romania - Died: 2008; Paris, France) Oil painting on paper depicting a figure with abstract multicolor design. (thi...

Genre: Surrealism Subject: Abstract Medium: Oil Surface: Canvas Country: France In this surreal composition by Heinrich M. Frama the artist clumps a group of figures towards the mid...

Marco Cingolani was born in Como in 1961 and moved to Milan at a very young age, in 1978. He began to frequent the underground creative environment, where art was mixed with fashion and punk music. In those years a new artistic sensibility was being formalized in Milan, whose roots no longer sank in the history of art and in the citation but practiced the critical manipulation of reality and its communication through the mass media. The image was taken out of context, subtracted from the use of common sense, radically distorted, almost mocked. The work of Marco Cingolani, from the beginning, has always tried to cancel the regulatory power of media images, subjecting them to the radical care of the artist, certain that art offers a decisive point of view for the interpretation of the world. In this context the interviews of the Interviews were born, where celebrities for their privacy were submerged by the microphones and the famous series dedicated to the attack on the Pope and to the tragic story of Aldo Moro. After having participated in numerous group exhibitions including An emerging scene (1991, Museo Pecci, Prato) and Two or three things that I know of them (1998, PAC, Milan), he is dedicated to major anthological exhibitions at prestigious public institutions such as Palazzo Strozzi in Florence and Promoter of Fine Arts in Turin. In November 2006 he took part in the collective exhibition "Senza famiglia", in the Palace of the Promoter of Fine Arts in Turin. In 2007 Cingolani received a further consecration: the Galleria Emilio Mazzoli hosts the exhibition entitled "What color are they?" in which the pictorial reflections on the color of Power and its disguises are presented. The art of Cingolani has always been fascinated by the passage from news to history and vice versa; also in this case the UN blue helmets, the red urn containing the electoral ballots, the multicolored segments of the Wall Street charts, the military uniforms and the party flags are contextualized in highly symbolic scenarios. In 2009 a return to the origins for Marco Cingolani, often the author of works expressly inspired by the religious theme. In particular, for this exhibition entitled " Percorsi della Fede", the artist focused his attention on the Marian apparitions that have marked the last two centuries: Lourdes and Fatima . In the same year an exhibition in Lucca at the National Museum of Villa Guinigi, joins him to some of the leading Italian artists of the last two generations; by the universally recognized and celebrated masters, present in the main international museums such as Mimmo Paladino, Sandro Chia, Salvo, passing through some of the protagonists of the 52nd Venice Biennale as Gian Marco Montesano, Daniele Galliano, Nicola Bolla, Bertozzi & Casoni who exhibited in 2009 in contemporary at the Lucca exhibition and at the Italian Pavilion of the Venetian event, to get to the young artists of the last generation already present in important national and international artistic events. Giacinto di Pietrantonio invites him the following year, 2010 to PAC, Pavilion of contemporary art in Milan, for the collective exhibition "Hybrid", alongside Jan Fabre, Gilbert & George, Charles Avery, Damien Hirst, Piotr Uklanski, Patrick Tuttofuoco and other great ones on the international scene. 2012 is the year of "Il Belpaese dell'arte", at Gamec di Bergamo, always curated by Pietrantonio and Maria Cristina Rodeschini, in the company of Elmgreen...