Items Similar to Adoration of the Child Jesus, XVII century
Want more images or videos?
Request additional images or videos from the seller
1 of 15
UnknownAdoration of the Child Jesus, XVII century1600s
1600s
About the Item
Oil painting on canvas. Northern Italy school. The depiction of the Nativity is seen here as a contemplative moment of the Holy Child, by Mary and Joseph, accompanied by little angels. The pictorial ways resume those of widely replicated models, starting from Correggio, from Barocci, to arrive at the numerous versions of Gherardo delle notte, or the Flemish painter Gerard Von Honthorst, representative of tenebrism, a pictorial current that played on strong contrasts of darkness and light, light and dark. In this work too, the light radiated by the Baby Jesus illuminates the figures around him and makes them emerge from the surrounding darkness. The restored and relined work is presented in a 19th century frame.
- Creation Year:1600s
- Dimensions:Height: 46.86 in (119 cm)Width: 59.85 in (152 cm)Depth: 2.76 in (7 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Milan, IT
- Reference Number:1stDibs: LU68039475502
About the Seller
4.8
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2017
1stDibs seller since 2017
102 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Milan, Italy
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- David and Abigail, fourth decade of the 17th centuryLocated in Milan, ITThe painting, done in oil on canvas, depicts the meeting between King David and Abigail, as narrated in the biblical text from the First Book of Samuel (I Samuel 25:1-34). David, left without food in the wilderness with his army, seeks relief from the wealthy Nabal, who contemptuously denies him any help, ungrateful of the benevolence he previously received from the king. Upon hearing the rejection, the ruler intends to take revenge by killing his entire lineage. Abigail, Nabal's beautiful and wise wife, decides to right the wrong and bring David plenty of food and gifts. In the king's presence the woman humbles herself, winning his forgiveness and benevolence. Soon afterwards widowed, she will in fact become his bride. The broad scene depicts the climax of the Old Testament episode, the moment when the woman prostrates herself before David and his servants prepare to deliver the gifts. The biblical event is here a pretext, as is customary in modern-age painting, for staging the colorful description of a sumptuous procession, which can be divided into two parts, almost two wings of a crowd divided specularly: on the left David with his dignitaries and the army; on the other, Abigail's retinue, handmaids, servants leading dromedaries and donkeys laden with food. The crowded group of figures is set in a natural proscenium: above a low horizon, barely hinted at by distant blue mountains, rises on the left side a craggy rocky cliff, the shelter of the army led by the ruler. The 'somatic intonation of the characters, as well as the choice of metallic chromatics and the play of light on the shiny fabrics refer to a clear Flemish matrix, particularly the influence of the frothy and sumptuous painting of Rubens and Van Dyck. As well set forth in the expert report prepared by Professor Giuseppe Sava, the work is to be attributed to Vincent Malò...Category
17th Century Other Art Style Figurative Paintings
MaterialsOil
- Madonna and Child with St. John, c. 1540-1560. Attributed to Carlo PortelliLocated in Milan, ITThe painting features Our Lady holding the Child, who extends his hand toward the wooden cross, the symbol of the future Passion, and St. John. Behind the three figures a rocky mount...Category
18th Century and Earlier Other Art Style Figurative Paintings
MaterialsOil
- The Preaching of St. John the Baptist, Workshop of Fans Francken II, 1600sLocated in Milan, ITThe sermon of the Baptist is set in a large open space, with rich vegetation and wooded glimpses, and on the back, in the distance, you can see the buildings of a city. The scene see...Category
17th Century Other Art Style Figurative Paintings
MaterialsOil
- Madonna Enthroned with Child between angels and saints Nicholas of TolentinoLocated in Milan, ITThe painting features the enthroned Madonna and Child, two praying angels, and Saints Nicholas of Tolentino, Augustine, Luke the Evangelist, and Monica, below an elegant canopy. The ...Category
16th Century Other Art Style Figurative Paintings
MaterialsOil
- Mythological Subject, Italy XVII Century, The Tale of Apollo and MarsyasLocated in Milan, ITOil painting on canvas. Northern Italian school of the seventeenth century. The large canvas derives from an engraving of 1562 by the Venetian Giulio Sanuto, who faithfully reproduce...Category
17th Century Other Art Style Figurative Paintings
MaterialsOil
- Penitent Magdalene and St. John the Baptist, oil on slate, early 17th centuryLocated in Milan, ITThe figure of the Magdalene emerges from the darkness, leaning to follow the curve of the stone support; it is depicted vaulted with an interrogative air towards the dark, as if in an attitude of listening, the left hand raised and the other leaning on the "memento mori" very shortened. In front of her a scourge and the jar of ointment. Painted en pendant, Saint John the Baptist is depicted as a young man, with a lamb at his feet, in his hand the processional cross with the banner "exception agnus dei", while with his right hand he draws from the source of water, recalling the episode that will see Jesus Christ baptized. In both paintings the figures stand out in a strong and incisive way thanks to the black that characterizes the slate plate on which they are depicted. Historical-critical analysis: We are faced with two examples of oil painting on stone. The beginnings of this particular technique are to be placed in the first half of the sixteenth century: after some fifteenth-century experiments it is with Sebastiano del Piombo that the genre takes hold in the sixteenth century. There were different types of support used, also linked to their availability: amethyst, marble in various colors, alabaster and blackboard. The reasons underlying this technical choice refer to Renaissance artistic theories: it is no coincidence that the painter who most often experimented with oil painting on marble...Category
Early 17th Century Other Art Style Figurative Paintings
MaterialsOil
You May Also Like
- 17th century Italian figure painting - Fall of Fetonte - Oil on copper LandscapeLocated in Varmo, ITRoman master (c. 1650) - The Fall of Phaeton. 40.5 x 52.5 cm without frame, 56.5 x 59.5 cm with frame. Oil on copper, in carved and gilded wooden fra...Category
Mid-17th Century Baroque Figurative Paintings
MaterialsCopper
- Florence -original still life painting-original realism still life oil paintingLocated in London, Chelsea"Florence," a captivating Impressionistic masterpiece by the talented artist Irina Trushkova, beautifully captures the essence of one of the world's most enchanting cities. Rendered ...Category
21st Century and Contemporary Photorealist Still-life Paintings
MaterialsCanvas, Oil
- Portrait of a Boy, John Closterman, Large English Portrait Art, Old MasterBy John ClostermanLocated in Greven, DEJohn Clostermann (Osnabrück 1660 - 1711 London) Portrait of a boy, maybe Charles Hinde Oil on canvas, 61 x 74,6 cm John Closterman (also Klosterman) was a portrait painter of the late 17th and early 18th centuries. He primarily portrayed English noblemen and European aristocratic families. His father was already an artist and he trained his son. In 1679 he went to Paris and studied with Francois de Troy. In 1681 he was in London and worked for the artist John Riley, whose studio he took over after his death. In 1696 he was invited to the Spanish court...Category
17th Century Baroque Figurative Paintings
MaterialsCanvas, Oil
- William, 1st Viscount Bateman and FamilyLocated in London, GBOil on canvas Image size: 24 x 18 1/2 inches (61 x 47 cm) Gilded wood framed Provenance Estate of Judge Davis Norton and Florence Edelstein. William Bateman was a British Whig politician who sat in the House of Commons between 1721 and 1734. He was made Knight Companion of the Order of the Bath...Category
Early 18th Century Figurative Paintings
MaterialsOil, Canvas
- Jules Gouillet, Architectural and Floral Composition, Oil on Canvas, 1907Located in Saint Amans des cots, FROil on canvas by Jules Gouillet (1826-), France, 1907. Architectural and floral composition. Measurements : with frame: 113x87 cm - 44.5x 34.3 inches, without frame: 73x60 cm - 28....Category
Early 1900s Baroque Figurative Paintings
MaterialsCanvas, Oil
- Antique battle painter - 17th century figure painting Battle KnightBy Jacques CourtoisLocated in Varmo, ITJacques Courtois, known as il Borgognone (Saint-Hyppolite 1621 - Rome 1676) circle of - Battaglia. 53 x 80 cm without frame, 73.5 x 97.5 cm with frame. Antique oil painting on canv...Category
Late 17th Century Old Masters Landscape Paintings
MaterialsOil, Canvas