Unknown

Chinese Peony and Phoenix Canopy Painting, c. 1900

1900

The owners of this work of art were likely the only two people in the world lucky enough to have access to its beauty. The experience of art itself can be an intimate one, and this bed canopy, hand-painted 100 years ago by an artist in Canton, was more intimate than most. It brings to life symbols of prosperity and good fortune for a married couple...

The experience of art itself can be an intimate one, and this bed canopy, hand-painted over 100 years ago by an artist in Canton, was more intimate than most. Delicately painted pheasants...

With exquisite detail and sparkling color, this portrait of a young woman is a remarkable example of reverse glass painting. Lending the finished work a subtle three-dimensional effe...

Thoughts of a long, happy life greeted the young couple who gazed up from their bed on this canopy panel. Adorned with chrysanthemums and peaches, both symbols of longevity, the lyri...

Popularized during the Qing dynasty, reverse glass painting requires an artist to essentially work backwards, starting with details and shading before adding color and form. Lending ...

With exquisite detail and sparkling color, this portrait of a young woman is a remarkable example of reverse glass painting. Lending the finished work a subtle three-dimensional effe...

Archaic Hercules Skinning a Rabbit, 2019 Acrylic on canvas 53.14 H x 55.11 W in. 135 H x 140 W cm In classical mythology, Hercules is famous for his strength and his numerous far-ra...

A complex composition of interlocking pyramids defines Cornwell not only as a great storyteller but a master of painting fundamentals and design. There exists no living artist today who can paint and draw on a level as Dean Cornwell. Published in Cosmopolitan magazine: "The Short Happy Life of Francis Macomber" by Ernest Hemingway Reproduced in Dean Cornwell, Dean of Illustrators (Broder) The work is rendered in the painterly style of a school of impressionism. Dean Cornwell was Normam Rockwell's favorite Illustrator. He was a student of Harvey Dunn, he in turn taught artists and developed talents for a generation. Oils for Cosmopolitan, Redbook, True, American Weekly, Life, Good Housekeeping. Book art for Man from Galilee and others. Ad contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt...

In the fish tank is al modern artwork realized in the 1970s-. Mixed colored oil and enamel on cardboard. Monogrammed CB on the lower margin

An original oil, oil stick and charcoal diptych painting on canvas by Contemporary female artist Dorothy Fitzgerald. This monumental work measures 60" (h) x 120" (w) This work was featured in the recent exhibition of The Corridors Gallery at Hotel Henry...

Acrylic on theatrical backdrop muslin, can be rolled, rod pockets top and bottom for hanging. This painting was featured at the Parliament of World Religions in Toronto in 2018. Kuan Yin...

James Seymour (1702–1752) Feeding Time in the Stables Oil on canvas 32 x 38 inches inc. frame Provenance: Private Collection, Lambourn James Seymour (1702–1752) was an English painter, widely recognized for his equestrian art. Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period. Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset...