Unknown

'Clelia crosses the Tiber' Domenico Lupini attributed to, XVth century

1500s-1600s

Oil on Canvas. Central Italian school of the 17th century. The painting recalls in pictorial style the production of Angelo Caroselli (1585-1652), a Roman Baroque artist who was a pa...

Olio su tela. La grande scena racconta la Deposizione di Cristo dalla Croce, condensando due momenti della narrazione: il Compianto della Madonna sul corpo del Cristo e la deposizion...

Oil on Canvas. The 'work is probably the preparatory and presentation painting to the commission, of the fresco created by Moretti Larese for the vault of the church of Volpago del M...

The painting, done in oil on canvas, depicts the meeting between King David and Abigail, as narrated in the biblical text from the First Book of Samuel (I Samuel 25:1-34). David, left without food in the wilderness with his army, seeks relief from the wealthy Nabal, who contemptuously denies him any help, ungrateful of the benevolence he previously received from the king. Upon hearing the rejection, the ruler intends to take revenge by killing his entire lineage. Abigail, Nabal's beautiful and wise wife, decides to right the wrong and bring David plenty of food and gifts. In the king's presence the woman humbles herself, winning his forgiveness and benevolence. Soon afterwards widowed, she will in fact become his bride. The broad scene depicts the climax of the Old Testament episode, the moment when the woman prostrates herself before David and his servants prepare to deliver the gifts. The biblical event is here a pretext, as is customary in modern-age painting, for staging the colorful description of a sumptuous procession, which can be divided into two parts, almost two wings of a crowd divided specularly: on the left David with his dignitaries and the army; on the other, Abigail's retinue, handmaids, servants leading dromedaries and donkeys laden with food. The crowded group of figures is set in a natural proscenium: above a low horizon, barely hinted at by distant blue mountains, rises on the left side a craggy rocky cliff, the shelter of the army led by the ruler. The 'somatic intonation of the characters, as well as the choice of metallic chromatics and the play of light on the shiny fabrics refer to a clear Flemish matrix, particularly the influence of the frothy and sumptuous painting of Rubens and Van Dyck. As well set forth in the expert report prepared by Professor Giuseppe Sava, the work is to be attributed to Vincent Malò...

The painting features Our Lady holding the Child, who extends his hand toward the wooden cross, the symbol of the future Passion, and St. John. Behind the three figures a rocky mount...

Painting done in oil on canvas. The figure of Magdalene is depicted here, in keeping with tradition, with long red hair; with a gesture of sorrowful dedication she fixes her gaze on ...

oil on canvas 48” H x 36” W Nicolas V. Sanchez received his BFA from Kendall College of Art and Design in Grand Rapids, MI and his MFA from the New York Academy of Art. While at the...

Manes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...

Paul Manes was born May 4, 1948 in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and hi...

An abstract oil on canvas painting by Paul Manes Paul Manes is a globally exhibited and collected painter., His work is in the collections of numerous museums, including: The Metro...

From 'Circles' Collection Manes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-cou...

oil on canvas 18” H x 14” W Nicolas V. Sanchez received his BFA from Kendall College of Art and Design in Grand Rapids, MI and his MFA from the New York Academy of Art. While at the...