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French Impressionist Figurative Oil Pastel Painting"Resting Mother with Child"

4066 Art Deco Lady in blue pastel painting Set in a white frame

4062 Modern beach bathers gouache figural painting on artist board. Set in a vintage carved walnut frame Image size 14x21.5"

4092 Oversized textured Acrylic Impasto on stretched canvas Signed G.Roads

4072 Large scale acrylic impressionist painting by Brunelli Rapped canvas

4067 Surreal multi figural Star Star painting unframed

1-4086 A large scale vintage figurative painting, original oil on canvas in shades of blue .Unframed. Signed on verso G.Pascal Rocca

Almazan Realistic Still Life Acrylic Painting virtual frame MIQUEL was an artist focused on the art of realism. His structured works on his great mastery of drawing, are romantic an...

Sandbar Trilogy is a brilliantly colorful pop art painting, an ode to the popular gay beach scene in Miami, Florida. Three panels of male figures are seen lounging, sitting and stan...

Pastel on board - Saturday Evening Post Cover, Evening Gown May 21st, 1938 - Reproduced version looks better because the Saturday Evening Post Art Director retouched the plates before printing and strengthened the colors to give it more newsstand appeal - From Wiki : as an American illustrator and portrait painter who studied at The School of The Art Institute of Chicago and Art Students League of New York. She began her career as an illustrator and during World War I, she traveled across France entertaining military troops with Anita P...

SALE ONE WEEK ONLY "Grid No.8" is a multi-material canvas work that is part of his series on creating discontinuous storyboards that reflect the the way an innocent mind is forced to process the confusing, muddled, and discordant images of media and society. The piece was painted in acrylic, watercolor, and pastel on canvas and is 78 in by 90 in. Sun Wang is from Chengdu, China. He is currently based in Detroit, Michigan after receiving his M.F.A from Cranbrook Academy of Art in 2019. He is currently in a residency at Carrie Able Gallery in Williamsburg, New York. He was chosen as one of the 10 Artist Fellows for Playground Detroit...

This intimate work by Camille Pissarro represents a period of significance for the Impressionist master. The early 1880s was a time of great experimentation for the artist, after he spent much of the preceding decade devoted to landscape painting. Shifting focus, he embarked on a series of works in a range of media dedicated to the human figure - particularly peasant women. In watercolor, gouache, pastel, and print, Pissarro captured the rural female and the minute moments of domestic life. Depicting a peasant woman tying her scarf, Paysanne Nouant son Foulard displays the harmony of color and composition that typifies his work of the 1880s. Composed of a symphony of color and strokes of paint, the work exemplifies the plein air technique of Pissarro's best Impressionist canvases. A true master of his art, no other artist successfully chronicled rural peasant life quite like Pissarro. Counted among the most respected artists of the 19th century and widely considered the father of Impressionism, Pissarro’s works experienced a surge in interest in the early 2000s. This is reflected in Pissarro’s new auction record of over $32.1 million, set at a 2014 Sotheby’s auction in London, which far surpassed his previous record of $14.6 million. Born in St. Thomas in the Danish West Indies, Pissarro was sent to school in Paris at the age of 11, where he first displayed a talent for drawing. In 1855, having convinced his parents of his determination to pursue a career as an artist rather than work in the family shipping business, he returned to Paris where he studied at the Académie Suisse alongside Claude Monet. At the outbreak of the Franco-Prussian War in 1870, Pissarro moved to England. With Monet, he painted a series of landscapes around South-East London and studied English landscape painters in the museums. When he returned home to Louveciennes a year later, Camille discovered that all but 40 of the 1500 paintings he had left there - almost 20 years of work - had been vandalized. In 1872, Camille settled in Pontoise where he remained for the next 10 years, gathering a close circle of friends around him. Gauguin was among the many artists to visit him there and Cézanne, who lived nearby, came for long periods to work and learn. In 1874, Pissarro participated in the first Impressionist exhibition...

If there ever were a perfect work in the canon of art history, this masterpiece study by Dean Cornwell would be it. Every line has meaning and not a line out of place, as Cornwell d...