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Pair of Religious Scenes - Painting - 18th Century

18th Century

The Tooth-Puller is a superb original oil painting on canvas, realized by an anonymous artist, a follower of Caravaggio, in the first half of the X...

To the Calvary with Maddalena is a superb and impressive original oil painting on canvas, realized by the Italian artist Ippolito Borghese (Sigillo, 1568 - after 1627) Original Title: Andata al Calvario con l'incontro con la Maddalena...

Judith Beheading Holoferne is an oil painting made by Giovanni Raffaele Badaracco, mid-17th Century. Oil on canvas, cm. 102x75.. Very good condition. Prov. Sotheby's, Amsterdam,...

Signed and dated lower left. Includes a beautiful later wooden frame cm. 137x8x182. Very Good conditions. Prov. Christie's London, February 15th 1974, n. 19. This artwork is shippe...

Still Life with fruits is an original oil on canvas realized in the 16th Century by an Italian School Master. Original oil painting on Canvas. The painting represents a still life...

The Market is an original old master artwork realized in the 18th century by an Anonymous Flemish artist. Oil painting on canvas. The artwork depicts a bargaining scene at the marke...

Roman master (c. 1650) - The Fall of Phaeton. 40.5 x 52.5 cm without frame, 56.5 x 59.5 cm with frame. Oil on copper, in carved and gilded wooden fra...

John Clostermann (Osnabrück 1660 - 1711 London) Portrait of a boy, maybe Charles Hinde Oil on canvas, 61 x 74,6 cm John Closterman (also Klosterman) was a portrait painter of the late 17th and early 18th centuries. He primarily portrayed English noblemen and European aristocratic families. His father was already an artist and he trained his son. In 1679 he went to Paris and studied with Francois de Troy. In 1681 he was in London and worked for the artist John Riley, whose studio he took over after his death. In 1696 he was invited to the Spanish court...

Oil on canvas by Jules Gouillet (1826-), France, 1907. Architectural and floral composition. Measurements : with frame: 113x87 cm - 44.5x 34.3 inches, without frame: 73x60 cm - 28....

- ANNA CATERINA GILLI or GILLI Anna Caterina Turin 1729- 1751 Her paintings recorded in Turin as a decorative artist for the Royal Palace and the Stupinigi, working in a simil...

Hercules and Omphale Oil on panel, 52 x 41 cm According to legend, Hercules had to make atonement and became a slave to the Lydian queen Omphale. When she found out who her slave was, she married him. Falling for his mistress and made effeminate by the luxury of court life, the former hero allowed himself to become the laughing stock of the court. He dressed in women's clothes, spun wool and did other women's work, whereas Omphale wore his lion's skin and carried a wooden club. When the time of punishment was over, the hero realised his delusion and left Omphale. So far, the painting could not be clearly assigned to an artist. Nevertheless, it impresses with its fluid and convincing painting, whose colourfulness and conception are reminiscent of the Prague School around Bartholomäus Spranger. This work follows an engraving and an etching made by Michel Dorigny in 1643 after a design by Simon Vouet. It shows the same scene but the print differs in minor details from the present painting (see e.g. the head of the lion) and the treatment of the faces seems to be painted more detailed and refined. So far there is no painting...

Already in the collection of Emperor Rudolf II in the first decade of the 17th century this composition was famous. The original is by Parmigianino and Rudolf's court painter Joseph Heintz...