Unknown

Venice. XVI century. Madonna with child with St. John. Attrib. Marco Bello.

The Holy family with St. Joseph and St. Anna. Tuscan school. Late mannerist period, Circa 1610. Oil on canvas. Size 102cm x 77cm Painting by an unknown Tuscan painter from the lat...

The Agony in the Garden. (Christ on the Mount of Olives). Technique: Oil on Panel, 4 wooden boards, not parqueted. Dim. with frame: 78cm x 67cm Dim. without frame: 52 x 62 cm Germa...

Francis Bassano , workshop. Agony in the Garden of Gethsemane. Venetian school. Late Renaissance Italian painting. Christ praying in the Garden of Gethsemane.u2028 Late 16th - Ear...

Moses Strikes Water from the Rock Dutch school, XVII century. Workshop of Jacob de Wet (Haarlem, 1610-1675). Technique: Oil on oak wood panel, composed of 3 horizontal panels. In this evocative work, Moses stands in a cave, gathering the Israelites. There was no water to drink or for their cattle. The people were discontented in the desert. But Moses and Aaron listened to the voice of God. With Aaron’s staff, Moses struck the rock, and water gushed forth abundantly, quenching their thirst. Jacob de Wet’s workshop specializes in subjects from the Old and New Testaments. The recognizable rectangular format, simple compositions, and clear narratives define his style. The interplay of light and shadow, reminiscent of Rembrandt, adds timeless allure. The characters’ costumes, with their large hats and turbans...

A couple of young boy and girl, dressed in ethnographic costumes, probably Savoyard, ride a donkey. The scene takes place in the middle of the countryside with mountains in the back...

Year 1975. Still life. Between Pop Art and radical avant-gardes in Florence. Oil painting on canvas. Size: cm 71x 71 Signed and dated lower right Andrea Chiarantini.`75 The paintin...

Two oil on panel Old Master landscape paintings by Johannes Jakob Hartmann (Bohemian, 1680-1730) Bohemia, early 18th Century Panel: Height 73cm, width 93cm Frame: Height 90cm, width...

Provenance: Private Collection, New Jersey The present painting depicts Saint Vincent Ferrer preaching from a raised pulpit to a group of seven peopl...

A portrait of courtier and politician John Poyntz, after Hans Holbein, circa 1644 - 1674. This painting is based on a drawing by Hans Holbein, part of the drawings collection of the ...

Figurative Group Roman Catholic Saints Italian School, late 17th century/ early 1700's sketch of a lamb showing verso to panel oil painting on panel, framed framed: 20 x 24 inches bo...

Ferdinand Victor Leon Roybet. French ( b.1840 – d.1920 ). Le Mousquetaire. Oil on Panel. Signed upper right. Image size 31.1 inches x 24.4 inches ( 79cm x 62cm ). Frame size 39 inche...

Gillis Claeissens Portrait of a Lady, probably "Anne Joigny-de Pamele" Oil on wood, 35,5 x 28 cm Gillis Claeissens has only recently been rediscovered as an important portrait painter of the 16th century. He received his training in the studio of his father, Pieter I Claeissens. Gillis became a freemaster of the St Luke's Guild in Brussels in 1566 and worked at the court of Alexander Farnese in Brussels between 1589 and 1592. Later he was also court painter to the Archdukes Albert and Isabella. After his return to Bruges, he created portraits of high Bruges society. It was only through the Forgotten Masters exhibition in Bruges in 2018 that the work of Gillis Claeissens was rediscovered. The present painting recently turned up in a private collection and was confirmed as a typical work by Claeissens by Mrs Oosterwijk at the Museum Groeninghe in Bruges. Gillis Claeissens or Egidius Claeissens (Bruges, 1526 – Bruges, 17 December 1605) was a Flemish painter of portraits and altarpieces and a member of a prominent family of artists originating in Bruges. It has only been possible to distinguish Gillis Claeissens' work from that of his father and siblings after scholars discovered a contract with the artist for the painting of a tryptich. It was further discovered in 2015 that he artist can be identified with the Monogrammist G.E.C. These discoveries have allowed to recognise Gillis Claeissens as an important portraitist alongside Pieter Pourbus in 16th century Bruges. Portrait Paintung, Old Master, Bruges School, Bruges Painting...