Walter Wellenstein

"Kulissenspiel" ( Backstage Game ) 1954 Oil Painting by Walter Wellenstein

1954

Pastel and carbon pencil on cardboard, ca. 1930 by Hugo Scheiber. Signed lower left: Scheiber H. Dimensions: 14.96 x 12.99 in ( 38 x 33 cm ), Framed: 19.69 x 15.75 in ( 50 x 40 cm ) ...

Oil on cardboard, 1960 by Walter Wellenstein ( Dortmund 1898-1970 Berlin ), Signed and dated lower left: Wellenstein 60. Framed. Height: 27.56 in ( 70 cm ), Width: 39.37 in ( 100 cm...

Oil on canvas, 1980's by William Skotte Olsen, Denmark. Monogrammed lower right: WSO. Framed Typical are the figures whose faces appear flat and mask-like. In the 1980's and 1990's O...

Oil on hardboard, 1963, by Heinz Borchers ( 1898-1972 ), Germany. Framed. 25.59 x 15.55 in ( 65 x 39,5 cm ) Provenance: estate of the artist

Oil on hardboard, 1951, by Heinz Borchers ( 1898-1972 ), Germany. Signed and dated top right: Heinz Borchers 51. Framed. Dimensions: 29.53 x 23.82 in ( 75 x 60,5 cm ) Provenance: es...

Oil on hardboard, 1979 by Heinrich Richter-Berlin ( 1884-1981 ), Germany. Monogrammed and dated lower left: Richter-Berlin, Nov. 79. Framed. Height: 17.32 in ( 44 cm ) Width: 16.93 i...

Gorgeous mid century figurative landscape of a a group of figures, sitting on the lake shore with a guitar by Francis Albert Genta (French, 1901-1989), c.1950. Signed "A. Genta" lower right. Unframed. Image size: 18"H x 24"W. Albert Genta was born in Paris, France in 1901 and is primarily known for painting female portraits and landscapes. Albert Genta (Francis Albert Genta) is a painter French specialist naked , born 13 September 1901 in Paris 12th and died on 5 September 1989 in the 20th, Paris . He was a female nude painter...

Oil painting on board, unframed, abstracted, figurative, expressionist, energetic brushwork

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Danny McCaw's (US based) "The Dancers" is an original, handmade oil painting with impasto brushstrokes that depicts two ambiguous human figures of white and grey with a white and mar...

Danny McCaw's (US based) "RAdiance" is an original, handmade oil painting with impasto brushstrokes that depicts an ambiguous figure of white and grey sitting in an interior of grey ...

Danny McCaw's (US based) "Red Symphony" is an original, handmade oil painting with impasto brushstrokes that depicts two ambiguous human figures of white and grey sitting in an inter...