Items Similar to 19th Century genre painting of a woman holding flowers
Want more images or videos?
Request additional images or videos from the seller
William Oliver19th Century genre painting of a woman holding flowersC1880
C1880
About the Item
William Oliver
British, (1823-1901)
The Flower Maiden
Oil on canvas, signed,
Image size: 36 inches x 24 inches
Size including frame: 47.25 inches x 35.25 inches
William Oliver Williams known as William Oliver was a figurative and genre artist who specialised in paintings of young women. He was born in Worcester in 1823 the son of a William Williams a surgeon and Jane Oliver. He moved to London and enrolled at the Royal Academy in 1848. He married Jane Hughes on 30 December 1852. Two of their sons also became artists: William Oliver ‘Rhys’ Williams, known as Oliver Rhys (1854-1907) and Reginald Arthur Williams, who signed his works as Reginald Arthur (1862-1899).
He exhibited at the Royal Academy from 1858-1882 and at the Royal Society of British Artists, the British Institute. He also exhibited around the country at the Royal Birmingham Society of Artists, Glasgow Institute, Manchester Art Gallery and the Walker Art Gallery, Liverpool.
He worked for the Arundel Society in the early 1850’s travelling to Italy to draw Giotto’s fresco in Padua as well as other classical works. He later used his knowledge to incorporate Roman and Greek themes into his paintings, particularly fabrics and costumes. He died on 16 April, 1901 in Kensington.
Examples of his work can be found in the Manchester Art Gallery, Russell-Cotes Art Gallery, Sheffield Museum, Sunderland Museum, the V&A and in the Royal Collection.
Presentation: The painting is housed in a new English made gilt frame in the appropriate style for the period, which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.
© Benton Fine Art
- Creator:William Oliver (1823 - 1901, British)
- Creation Year:C1880
- Dimensions:Height: 47.25 in (120.02 cm)Width: 35.25 in (89.54 cm)Depth: 3.25 in (8.26 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Moreton-In-Marsh, GB
- Reference Number:1stDibs: LU1562370922
William Oliver
William Oliver was a painter based in London; he painted figurative and genre subjects. His works mainly depicted figures of young women and pretty girls, or an attractive woman sometimes in Greek or Roman costume. His paintings were popular at the time and prints were made in response to demand. This popularity is reflected in the fact that 21 of his paintings are exhibited in public museums and galleries throughout the United Kingdom, as seen on the Art UK website.
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1972
1stDibs seller since 2015
271 sales on 1stDibs
Typical response time: <1 hour
Associations
The British Antique Dealers' AssociationLAPADA - The Association of Arts & Antiques DealersInternational Confederation of Art and Antique Dealers' Associations
- ShippingRetrieving quote...Ships From: Moreton-In-Marsh, United Kingdom
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Large scale 19th Century genre/sporting oil painting of lady with donkey & cartBy Alfred William StruttLocated in Moreton-In-Marsh, GloucestershireAlfred William Strutt British, (1856-1924) Good Sport Oil on canvas, signed, old hand written label verso with the artist’s address Image size: 31.5 inches x 54.5 inches Size includi...Category
19th Century Victorian Animal Paintings
MaterialsCanvas, Oil
- 19th Century seascape oil painting of Penzance harbour, CornwallBy William Edward WebbLocated in Moreton-In-Marsh, GloucestershireWilliam Edward Webb British, (1862-1903) Penzance Harbour Oil on canvas, signed Image size: 29 inches x 45.5 inches Size including frame: 38 inches x 54.5 inches A pleasing coastal painting of Penzance Harbour at low tide by William Edward Webb. In the foreground, a fisherman sells his catch to a woman and her daughter, whilst figures in horses and carts wait for others to unload their boats. William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871. By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester. Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work. His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall...Category
19th Century Victorian Landscape Paintings
MaterialsOil, Canvas
- 19th Century historical genre oil painting of a courtshipBy Henry Gillard GlindoniLocated in Moreton-In-Marsh, GloucestershireHenry Gillard Glindoni British, (1852-1913) The Suitor Oil on canvas, signed & dated 'Jan 1908' Image size: 27.5 inches x 35.5 inches Size including frame: 41 inches x 49 inches Thi...Category
19th Century Victorian Figurative Paintings
MaterialsCanvas, Oil
- 19th Century historical Italian genre scene of a woman & baby sat next to a manLocated in Moreton-In-Marsh, GloucestershireWillem Johannes Martens Dutch, (1838-1895) The Admirer Oil on canvas, signed & transcribed with title to stretcher Image size: 19.25 inches x 24.5 inches Size including frame: 28 in...Category
19th Century Victorian Figurative Paintings
MaterialsCanvas, Oil
- Historical military oil painting of a prisoner being brought before officersBy John Seymour LucasLocated in Moreton-In-Marsh, GloucestershireJohn Seymour Lucas RA British, (1849-1923) Stolen Despatches Oil on canvas, signed & dated 1882 Image size: 19.5 inches x 29.5 inches Size including frame: 27 inches x 37 inches Pro...Category
19th Century Victorian Figurative Paintings
MaterialsCanvas, Oil
- 19th Century historical genre oil painting of English civil war soldiersBy Ernest CroftsLocated in Moreton-In-Marsh, GloucestershireErnest Crofts British, (1847-1911) On the March Oil on canvas, signed Image size: 8.5 inches x 12.5 inches Size including frame: 17 inches x 21 inches A wonderful historical painti...Category
19th Century Victorian Figurative Paintings
MaterialsCanvas, Oil
You May Also Like
- 19th Century Oil Painting of a Market Scene by H. C. BryantBy Henry Charles BryantLocated in London, GB19th century oil painting of a market scene by H. C. Bryant English, 1877 Canvas: Height 51cm, width 76.5cm Frame: Height 68cm, width 93.5cm, depth 5cm Painted by the English artis...Category
Late 19th Century Victorian Figurative Paintings
MaterialsCanvas, Oil
- Ophelia, Victorian 19th Century Royal Academy Oil PaintingLocated in London, GBOil on canvas, signed lower right Image size: 33 1/2 x 56 1/2 inches (85 x 143 cm) Original gilt frame Provenance With the artist's son, Millie Dow Stott Esq., until 1912. Artist's Studio Sale, Christies, November 1913. Private Collection Exhibitions London, Royal Academy, 1895, no. 679. Paris, Societe de la Nationale des Beaux-Arts, 1896, no. 1179. Berlin, VII Internationale Kunstausstellung 1897. no. 3533. Manchester, City of Manchester Art Gallery, 1912, no. 339. In the 1890s William Stott exhibited regularly at the Royal Academy, mainly highly decorative works with subjects derived from classical mythology and literature. This painting was Stott's 1895 entry to the Royal Academy and was subsequently exhibited at the Paris Salon of 1896 and then on to the Berlin, VII Internationale Kunstausstellung 1897. Shakespeare was a favourite source for Victorian painters, and the tragic romance of Ophelia, from Hamlet, was an especially popular subject, featuring regularly in the Royal Academy exhibitions. The most popular and iconic image of Ophelia's death was, and is to this day, John Everett Millais's 1851 painting showing the confused and tragic Ophelia floating downstream on her back in a state of mad ecstasy, arms raised in a gesture of inevitable submission. However, although Stott chose not to pastiche this image, it seems highly likely that he was prompted to take up this subject, which had almost become a 'rite of passage' among Victorian painters, by the fact that in 1894 Millais's Ophelia was presented to the National Gallery of British Art by Sir Henry Tate. It appears that Stott was much influenced by John William Waterhouse...Category
Late 19th Century Victorian Figurative Paintings
MaterialsCanvas, Oil
- Ezekiel in the Valley of Dry BonesBy Philip Burne-JonesLocated in New York, NYProvenance: Christie’s, London, 3 March 1922, lot 46 (with The Tower of Babel); James Nicoll Private Collection Sotheby’s, London, 29 March 1983, lot 157 Private Collection, New Yo...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil, Canvas
- 1830's English Oil Storm Clouds Norfolk Landscape Norwich Cathedral River YareBy (Circle of) John ConstableLocated in Cirencester, GloucestershireStorm Clouds over the River Yare *see notes below English School, circa 1830's circle of John Constable (English 1776-187) oil painting on canvas, framed canvas: 18 x 25 inches condi...Category
Early 19th Century Victorian Landscape Paintings
MaterialsCanvas, Oil
- 'His First Suit, ' a large Victorian oil painting, signed 'Fred Morgan'By Frederick MorganLocated in London, GB'His First Suit,' a large Victorian oil painting, signed 'Fred Morgan' English, c.1899 Frame: Height 109cm, width 133cm, depth 8cm Canvas: Height 92cm, width 116cm, depth 2.5cm Executed in oil-on-canvas, and mounted in a carved giltwood frame, this beautiful English painting, titled 'His first suit,' is by the late Victorian artist Frederick Morgan, an artist working in a similar style to that of the more well known Arthur John Elsley...Category
1890s Victorian Figurative Paintings
MaterialsCanvas, Oil
- Large Victorian painting of children resting outdoors by J.O. BanksLocated in London, GBLarge Victorian painting of children resting outdoors by J.O. Banks English, late 19th Century Frame: Height 91cm, width 111cm, depth 10cm Can...Category
19th Century Victorian Landscape Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
19th Century Black Painting
Antique Flower Painting
Antique Flower Painting Paintings
19th Century Style Paintings Framed
Antique Olive
19th Century Artist Flowers
Flower Painting 19th
19th Century Flower Painting
Antique Oil Painting Flowers Paintings
Antique Flowers Painting
Birmingham Painting
Antique Paintings Of Flowers
Painting 30 X 36
19th Century Oil Paintings Flowers
House Of Olive
Greek Theme
British Genre Paintings
Genre British