Berthe Morisot

Girl in a Green Coat

Léon François Comerre 1850-1916 French L'odalisque à l'éventail (The Odalisque with the Fan) Signed "Léon Comerre" (upper left) Oil on canvas Combinin...

Signed “G-Seignac” (lower right) Oil on canvas French Academic painter Guillaume Seignac was renowned for his masterful treatment of the idealized nude. His languishing female subje...

This Neo-Impressionist landscape by the French artist Achille Laugé captures an orchard in late spring in his celebrated, highly modern style. The work displays a thick impasto thanks to the artist's distinctive technique of applying his paint in quick dabs, a characteristic of his later works. One of the foremost painters of the Post-Impressionist period, Laugé’s works are beloved for his sensitivity to light, shade and tone, and his mastery of medium is clearly on display in Almond Trees...

Paul César Helleu is regarded among the most sought-after society portraitists of his era, and his Belle Époque works rival those of his contemporaries John Singer Sargent and Giovanni Boldini. He is best remembered for capturing the era's most beautiful socialites, including Consuelo Vanderbilt, the Duchess of Marlborough, the Comtesse de Loriol Chandieu and the Comtesse Mathieu de Noailles, among others. This work, however, stands out in that it captures the charming likeness of one of his art world cohorts, Mathilde See, a Parisian-born decorator and painter of floral still lifes. She is the essence of the modern woman, captured in her fashionable dress as she strolls along the flower-lined streets of Paris. Commanding in size, Portrait de Mathilde See fully displays Helleu's mastery over the medium of pastel. The muted palette of greys and blues is typical of the artist, bringing a harmony and cohesiveness to the composition. Furthermore, Helleu cleverly alludes to See's own artistic output with a backdrop of vibrant floral blooms, enlivening the canvas and complementing the greens and blues of the peacock feather adorning her hat. The portrait is all the more significant thanks to its provenance. It was previously in the collection of A. Alfred Taubman, one of America's most successful entrepreneurs and one-time owner of Sotheby's. Considering Taubman encountered some of the most noteworthy and beautiful works of art ever made through his auction house, the fact that he chose this portrait by Helleu to grace his collection is a testament to its import. Born in Brittany in 1859, Helleu moved to Paris in 1876 in order to study at the École des Beaux-Arts. Like so many other artists of his generation, he was trained there under the Academic master Jean-Léon Gérôme. That same year, he also attended the Second Impressionist Exhibition...

A charming relic of a bygone era, this rare oil is the work of the inimitable American illustrator, Norman Rockwell. The iconic artist’s ability to render the details and nuances of ...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...

The present work of art titled "Urban Abstraction (ripped off posters)" is part of a series of paintings that the artist composed in the 1980s and 1990s inspired by the observation of the urban reality of those years. The artist take the cue from his walks in Florence, both in the center and in the suburbs, and by the observation of billboards and posters scattered throughout the city. The mass of information, colors, messages and words were carried on the canvas with acrylic colors, ideally reconstructing the tears and overlaps of all the information and advertising contained on these huge sheets of paper that invade our cities. The geometric lines are overlaid with jagged lines, overlaps and color dripping and also the choice in the color palette, with different shades of white, gray, rose, orange red and blue helps in rendering the result of the tears and ripped paper. The result is a beautiful multicolored modern abstract canvas, both aesthetically and ethically, with many rich layers of color, texture and expression in which the artist leaves his own message. The painting is housed in a simple modern white lacquer wood frame. Andrea Spinelli...

This romantic French 19th century allegoric oil painting on square canvas has a sky blue background, a fluffy cloud fills the central part of the painting where a woman is lying down playing the lyre, while a graceful cherub seems to twirl over her. This oil on canvas painting represents the allegory of music - with a woman dressed in classical clothes and a putto- a very popular theme during all the neoclassical age, with its lively scene inspired by the Rococo period. The composition creates a awesome trompe-l'œil effect thanks to the color palette scheme. Well painted white and gray shadings (chiaro scuro) that stands out from the light blue background in typical grisaille style. This painting originally was an over door frieze...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

This beautiful Italian 18th Century old masters oil painting on oval canvas with giltwood frame is attributed to Solimena and features a religious scene. In this splendid oval-shaped painting are depicted Saint Dominic...

JParames is considered one of the most talented and promising Portuguese artists of his generation. Born in Lisbon in 1978, he studied at the National Society of Fine Arts in Lisbon. His work is represented in numerous private and public collections, national and international. Several exhibitions in galleries and public spaces have attracted public attention, allowing expose his work abroad, including France, Germany, Canada and USA. "Agora Gallery" in New York, writes about his "strong bold colors figures populate the paintings of JParames. strange characters evolve in mysterious scenes, triggering a clash of primary colors. This type of palette and composition, resemble the latest works of Matisse and Miró, "quoted in the prestigious newspaper Express. "The Magical Colors...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. Framed