Henri F Bellan

Le Triomphe de La Republique, Paris

1899

Jean Baptiste Olive This premiere piece shows his work and influence which he had with Antoine Vollon. It is in its museum quality gold leaf frame. The piece has been exhibited in many shows with the exhibition labels on the reverse testimony. Artwork Size: 22 x 18" (56 x 46cm) Artwork Size with Frame: 31 x 27" (79 x 69cm) Free Shipping French, 1848-1936 Jean-Baptiste Olive was undoubtedly one of the greatest masters of the Marseille school at the end of the 19th century, along with Paul Guigou...

Jean Pierre Ferrand Picture Size: 23 x 28" (58 x 71cm) Outside Frame Size: 32 x 37 (81 x 94cm) Oil on Canvas Period: XXth. Condition: good condition no relines or patches Signed J...

Georges CAPGRAS This wonderful piece was exhibited at the Salon De L'Ecole Francaise. There is the exhibition label on the reverse. Picture size: 13 x 18" (32.5 x 46cm) Outside fram...

Louise Abbéma 1853–1927 Louise Abbéma (30 October 1853[1] – 10 July 1927) was a French painter, sculptor, and designer of the Belle Époque. Abbéma was born in Étampes, Essonne Born into a wealthy aristocratic Parisian family with close ties to the city’s artistic community, She began painting in her early teens, and studied under such notables of the period as Charles Joshua Chaplin, Jean-Jacques Henner and Carolus-Duran. Portraits of actors and actresses at the Comédie Française dominated her early works until she made a name for herself at the Salon of 1876 with her portrayal of the “Divine Sarah.” Abbéma ultimately executed multiple portraits and received recognition for her work at age 23 a bronze medallion of Sarah Bernhardt, with whom she was a close friend and possibly lover. Like most women artists of the time, Abbéma focused mainly on portraiture and genre scenes (images of everyday life). Her high-society portraits executed with a light touch and rapid brushstrokes reveal the academic and Impressionist influences that shaped her style. Her sitters included French diplomats and other notable members of society. Abbéma developed a variety of techniques using oil paints, pastel, and watercolor, and worked on various supports, including fans. Abbéma received commissions for panels and murals which adorned the Paris Town Hall, the Paris Opera House, numerous theatres including the Theatre Sarah Bernhardt, and the "Palace of the Colonial Governor" at Dakar, Senegal. Abbéma solidified her international reputation after exhibiting works, including two wall murals (on canvas), at the Women’s Building at the 1893 World’s Columbian Exposition in Chicago. A bust of Sarah Bernhardt sculpted by Abbéma was also exhibited at the exposition. Abbéma specialized in oil portraits and watercolors, and many of her works showed the influence from Chinese and Japanese painters, as well as contemporary masters such as Édouard Manet. She frequently depicted flowers in her works. Among her best-known works are The Seasons, April Morning, Place de la Concorde, Among the Flowers, Winter, and portraits of actress Jeanne Samary, Emperor Dom Pedro...

Sir David Murray An example of Sir David Murray's work with beautiful luminous colours. The surface of the canvas is in excellent condition given the age of this piece. Oil on can...

Jacques Fernand GONIN A very good and typical example of his work. The canvas is in very good condition with no patches or reline. It is signed clearly in the top left hand corner. ...

'Agay, le château et le Sémaphore'. Oil on canvas. +/- 1922 Signed lower right Measurements : 60 x 73 cm. This painting will be recorded in the second volume of the Catalogue Raisonn...

Grigory Gluckmann Vitebsk 1898 – 1973 Los Angeles "Daydreams" Oil on panel 71 by 89 cm Signed (lower right) “Gluckmann”; variously labelled (on the frame) Born in Russia in 1898, G...

Grigory Gluckmann Vitebsk 1898 – 1973 Los Angeles "Composition" Signed in Latin (lower right) “Gluckmann” Born in Russia in 1898, Grigory Gluckmann studied in Moscow and eventually ...

Renowned portraitist Frank West Benson paints a young woman by the fireplace reclining in a chair in his artwork entitled, “Firelight.”

Robert Spencer paints a sun-drenched scene of figures moving about outside red clay buildings in his work entitled, “Courtyard at Noon.”

"Moving the Wild Ones" by Robert Hagan is an original oil on canvas and measures 60x216. In this large original painting by Robert Hagan, cowboys on horseback run through the canyon mountains kicking up dust and trying to reign in runaway mustangs and they travel through the blue water and canyons. The contemporary cowboys are in trench coats with their cowboy hats flying off into the sky while holding Mustang Australian-style bullwhips that are ready to strike. Translating scenes of everyday life into nostalgic and blissfully peaceful visions of the world, Robert Hagan has become a premier Western artist of our time. A man of many talents his impressionistic style using a limited palette of oil brings a sense of tranquility that makes his paintings come alive. Robert Hagan is an Australian painter...