Tea Clipper 'Taeping' closing in on the Clipper 'Ariel', 1866
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Henry ScottTea Clipper 'Taeping' closing in on the Clipper 'Ariel', 1866Circa 1990
Circa 1990
About the Item
- Creator:Henry Scott (1911-2005, British)
- Creation Year:Circa 1990
- Dimensions:Height: 20 in (50.8 cm)Width: 30 in (76.2 cm)Depth: 3 in (7.62 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Farmers Branch, TX
- Reference Number:1stDibs: LU2549212449192
Henry Scott
Henry Scott was a painter of marines and coastal subjects strongly associated with the Royal Society of Artists. As well as painting lucrative shipping portraits for some of his wealthy clientele, he also executed several works of British and American clippers. The works of Henry Scott have often been confused with those of Montague Dawson. Scott works similarly to that of Dawson and captures a wonderful freshness and feel of immediacy. Scott’s palette is striking, with all surfaces and elements observed, capturing every movement in full flow. His sails are nearly always bellowed with a good stiff breeze which is further emphasized by the spray of the water being wiped across the top of the choppy seas. Particularly notable are his skies which move the subject, helping the canvas to feel alive. In 1970, Scott was commissioned to paint Morning Cloud, which was skippered and owned by the then Prime Minister, The Right Honorable Edward Heath P.C., M.B.E., M.P. Scott exhibited at the Society of Marine Artists, The Royal Exchange, London, The Guildhall, London and the Royal Academy, London. He also exhibited at the St. Malo Museum, France and Madison Square in New York. Henry Scott was honored as a Fellow of the Royal Society of Arts and awarded an honorary Life Member Cape Homers by the International Association of Master Mariners.
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MaterialsOil
- Le Fiacre au Cheval Blanc, Pont St. Michel – ParisBy François GallLocated in Farmers Branch, TXLe Fiacre au Cheval Blanc, Pont St. Michel – Paris ( 1945 ) Dimensions: 21 5/16 x 28 3/8 in (54.1 x 72 cm) Medium: Oil on board Signed and inscribed ‘Fr. Gall Pont St. Michel Paris’ (lower right) Painted in Paris in 1945 Provenance Private Collection rancois Gall – Gáll Ferenc was born in Kolozsvar Hungary (at the time)from where he moved to France. After having Aurel Popp for the first master, he studied art at the Royal Academy of Fine Arts – Workshop Coromaldi in Rome before joining the Collegium Hungaricum (equivalent to Villa Medici), then travel to Europe through Scholarship to study obtained for his talents as a sculptor, ceramicist, designer, painter and portraitist already large, including Roman and Hungarian families, bystanders and onlookers, friends, musicians, singers, street scenes of markets and caravans circuses street. The first exhibition of his work was organized by his hometown in 1932, the second to the Gallery Moderna in Rome, where he presents his many social issues. Arriving in Paris in 1936, he enrolled at the Fine Arts (workshops Charles Guerin and Andrew Devambez), meet other artists such as Christian Bérard, Othon Friesz, André Derain and Pablo Picasso, is befriended fishermen Seine, the booksellers who help to learn French through versifications Victor Hugo Gavillon the family with whom he exchanges breads and cakes against tables, their daughter Nadine – who has the reputation of the House Dalloyau around the world – is on one of them in a pram between Samaritan and Belle Jardinière. Happy in this free country dreamed, he walks Paris Montmartre to Montparnasse, through the docks and the Grands Boulevards, in search of new subjects. This is the animation of the Parisian life that he will present the summer of 1937 to Szalmasy Gallery in Budapest. Success is complete! Back to Paris in 1938, Ferenc Gall receives Honorable Mention for his painting “The Spanish refugees” acquired by the French State. 1939 Silver Medal at the Salon d’Asnieres. Early in 1939 he was recalled to Kolosvàr with his dying father, but he can not return to France, the declaration of war is imminent .. Liberated by the Allies in Wels in Austria, where it is then medical director and caregiver (a moving letter many Jews with typhus demonstrates), it is finally repatriated to Paris, returning to his attic of 16 Dauphine. 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This honor is due to the private secretary of the great gallery owner who discovered the young artist painting in all weathers on the banks of the Seine, Gall was organizing raffles with his sketches for the production of large canvases. Some of them are now found on sale at Christie’s, Sotheby’s. Marlborough Fine Art Gallery in London brings together thirty of his works that are very successful and is warmly welcomed by Dunoyer de Segonzac which follows immediately after exposure. The same gallery will present its 1951 “Landscapes of France” From the beginning of the 1950s traveling exhibitions and multiply throughout France and the world, including Belgium, the USA, where the artist is also slated to play the role of Manet cinema, but his participation in the other exhibitions “prevents” the French Week “in Sweden where he befriends Maurice Chevalier which he made sketches and portraits, Mexico, Israel. Then the ports and beaches to attract, he went there during the school holidays with his family he does ask, before returning home parents Eugenie Martel-en-Quercy and the landscape of the Causses around. Martel, where you can meet Gen Paul and his bicycle. In 1954, Gall family acquired the romantic house with workshop and yard flowered acacia, purchased from the widow of the painter J.Emile Zingg at 8 Villa Brune, in the 14th arrondissement of Paris. In 1961, wanting to replace an older worker on the ladder while hanging paintings in the organization of the Salon des Independants, François Gall suffered a fall of several meters Grand Palais and remains paralyzed in a plaster shell for more than a year. Participating each year in Paris at the Salon of Painters witness to its time, the price Francis Smith he was awarded in 1963, the Galliera Museum . 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