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Doug Bloodworth
Jelly Beans
2007

About the Item

This is not a photo. It is an oil painting by Doug Bloodworth. Photorealism is a genre of oil painting in which a painting, when viewed from ten or twenty feet away, looks exactly like a photograph. Only when one gets just a few inches from the painting does one realize that in fact it is an oil painting and not a photo. One really cannot get the effect of this work on a small computer screen; in real life, it is truly incredible. NOTE: The original painting has now been sold. Limited editions can be purchased by searching the artist’s name on Amazon. A bit about Doug -- Courtesy of Maria Ricapito Photorealist artist Doug Bloodworth was inspired by the beyond-lifelike sculptures of Duane Hanson—most notably, a “security guard” on display at New York’s Van De Weghe Gallery. “Thousands of people, myself included, went up to him and asked him where the restrooms were. It was truly uncanny,” says Bloodworth. Similarly, he enjoys overhearing visitors to his shows—in galleries from Zurich to Key West to South Beach to, yes, Disney World—saying that they “love the photos.” When corrected, told that these are oil paintings, he says, “Their look of incredulity is such a pleasure to watch. Many people stare at the paintings for a very long time.” One reason they are enthralled is that Bloodworth delights in depicting such beloved and familiar touchstones of Americana as Keebler fudge stripe cookies, M&Ms candies, Coke bottles, Monopoly games, Batman comics, and The New York Times crossword—in mid-attempt—all blown up to giant 4-foot-by-5-foot size. The hyper-real depictions of the pop culture flotsam and jetsam of our lives is a major part of the artist’s appeal, according to David Muller, president and curator of Photorealism, a Boca Raton–based dealer in solely photorealistic art. “It’s a combination of, number one, the actual technical skill involved in the works,” Muller says. “I’ve been in his studio and sat there for three hours watching him complete three square inches of a candy wrapper. Watching it appear from a white canvas is totally amazing. Then you have the addition of nostalgia. When one sees the actual works, it takes you back to another time.” This is a voyage that many have been interested in undertaking. Bloodworth feels lucky to be shown by Ron Hoy in his Hoypoloi Gallery (and its sister, Pop Gallery) located smack in the middle of Downtown Disney in Orlando, Florida. “Over a half million people walk by the door every week,” says Bloodworth. “They are introducing my artwork to a myriad of collectors, and I am so grateful for it. Over Labor Day weekend, I painted live at the Pop Gallery and there was a line up around the corner [to get postcards signed and remarques done]. What a great scene it was.” He’s equally happy (and humbled) to be on the walls of the Russeck Gallery on Palm Beach’s Worth Avenue and in Soho, New York City—where the other works hanging are by Picasso, Miro, Calder, Kandinsky, and the like. Not bad for someone with a degree in Commercial Art, who then apprenticed with Marv Gunderson, a renowned billboard painter. “I worked under Marv for several years, painting outdoor billboards half the size of an Olympic pool,” Bloodworth says. “Most of the billboards were for Marlboro brand of cigarettes, although we painted other billboards as well for McDonalds, Budweiser and others. Each billboard took a whole team of us about two weeks to complete. However, after three months or so of being in view, the billboards were whitewashed to make space for a new ad for a new client.” He moved on to painting murals and developing his signature style. His first five fine-art paintings were shown (and sold out) at Art Basel in Miami in 2011. The city is therefore close to his heart, and he shows at Effusion Gallery, next door to the Versace Mansion. “Recently, Lil Wayne came in [to Effusion Gallery] and bought my New York Times painting,” he says. “I was so honored.” Bloodworth’s time, however, is spent not hanging with hip rappers but instead holed up in his studio near Gainesville, Florida. “A photorealist painting in the size I create them – four feet by five feet – can take me over two months to complete,” he says. “But it is a labor of love.” Statement from the artist: My idol was Duane Hanson. He was a Florida sculptor who produced sculptures of people so life-like that they fooled the eye. When his security guard sculpture was on display at Van de Weghe Gallery in New York, thousands, myself included, went up to him and asked him where the rest rooms were. It was truly uncanny. Traditional photorealists who have impacted me include Richard Estes, Ralph Goings, Robert Bechtle, Charles Bell, Tom Blackwell, Chuck Close, Robert Cottingham, Don Eddy, Audrey Flack, Ron Kleeman, Richard McLean, John Salt and Ben Schonzeit. More recent photorealist influences include Pedro Campos, Roberto Bernardi, Simon Hennessey, Tom Martin, Steve Mills and Cynthia Poole. I love when people see my paintings at Foxx Galerie in Zurich and say to one another, “Nice photo”. Then Claudine Bandi, the owner, corrects them and tells them it is an oil painting. Their look of incredulity is such a pleasure to watch. Many people stare at the paintings for a long time. I also enjoy evoking the feelings of nostalgia amongst the viewers. Recently at Zimmermann + Heitmann Gallery in Dusseldorf, I overheard a family looking at my Monopoly painting. One said, “I was always the dog”; another said, “I was the iron”. At Atlas Galleries in Chicago, I heard a patron exclaim, “Wow! Look at the Kid Cowboy. I had exactly that book when I was a little boy. And the edges of the book were frayed just like it is in the painting”. I call my work photorealism, as opposed to pop art, hyperrealism, art deco, modern art, contemporary art, wall art, décor art. Galleries in the genre include Louis Meisel Gallery, Bernarducci Meisel Gallery and Jonathan Novak Gallery. Other artists who have influenced me include Andy Warhol, Salvador Dali, Keith Haring, Wayne Thiebaud, Pablo Picasso, Banksy, Mr. Brainwash, Jeff Koons, Gerhard Richter, Roy Lichtenstein, Jasper Johns, Rene Magritte, Claes Oldenberg, Richard Serra, Robert Motherwell and Piet Mondrian.

Creator:
Doug Bloodworth (1957, American)
Creation Year:
2007
Dimensions:
Height: 48 in (121.92 cm)Width: 36 in (91.44 cm)Depth: 2 in (5.08 cm)
Medium:
Canvas
Movement & Style:
Pop Art
Period:
21st Century
Condition:
Gallery Location:
Boca Raton, FL
Reference Number:
1stDibs: LU504138210

Shop All Doug Bloodworth

Doug Bloodworth

Doug Bloodworth is world renowned for his photorealist oil paintings depicting Americana. One rarely finds his original oil paintings for sale, as they each take months to complete and there is a wait list of collectors looking for them. Therefore, we have produced a series of signed and numbered copies of his oil paintings. These are known as giclees, which is a fancy French word meaning squirting ink. These are canvas works printed in limited numbers, and Doug signs and numbers each one. This piece is a numbered limited edition giclee on canvas. They range in size from 18" x 24" all the way to 28" x 36". It arrives to you gallery-wrapped on 1.5 inch museum-quality stretcher bars, ready to hang in your home or office. Doug Bloodworth has made arrangements with the grandchildren of The Three Stooges to produce these works under a licensing agreement (C3 Entertainment). He has done the same with Lucy’s children Lucie Arnaz and Desi Arnaz Jr. (Desilu and Unforgettable Licensing), as well as many many others. One cannot appreciate these giclees on a computer screen; in real life, they are absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique policy. When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Note: When you buy art online, check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping.