Harry Anderson

Story Illustration "Katie Cling & the Dutchess"

1944

Medium: Gouache on Board Dimensions: 30.00" x 22.00" Signature: Signed Lower Right

Medium: Mixed Media on Board Signature: Signed Lower Center "Dancing the minuet before a camera and the hundred people behind it isn't the same as just dancing because you like the ...

Signature: Signed Lower Right "Stevan Dohanos" Framed dimensions are 27.00" x 31.00." Interior scene with a family cooking. Original advertisement for American Optical published in ...

Approximate Date: 1902 Medium: Charcoal, Watercolor and Oil on Illustration Board Signature: Signed Lower Right Sight Size 23.50" x 15.50", Framed 31.50" x 23.00" Bed-Time, published...

Signature: Signed and Dated Lower Left Vignette for an unknown publication, with Scientific Engraving Company labels on verso

Medium: Oil on Paperboard Signature: Signed and Inscribed, Signed Maxfield Parrish and inscribed A gift to his son / Maxfield Parrish Jr. / June 1939 on the reverse Sight Size 3.50" ...

Alexander Sharpe Ross gives us a voyeur view of an attractive couple kissing and embracing on a couch. Sharpe's radical use of composition is on ...

OPISSO CARDONA, Alfredo (Barcelona, 1907 - Mataro, Barcelona, 1980). Painter and illustrator, was the son of Ricardo Opisso and nephew of Joan Cardona, who gave him the first lessons in painting. He completed his training at the School of La Lonja de Barcelona, and in 1921 held his first exhibition in his hometown, with the support of the critic Joan Merli, who was also its main sponsor. In 1944 he won the National Prize Drawing Biennial in Barcelona, and in 1958 the first prize drawing Ynglada-Guillot. He also attended the National Exhibition of Fine Arts. In 1947 he settled in Mataro, where he exhibited at the gallery Tot Art. He made numerous exhibitions until 1956, and after ten years of silence returns to his work since 1967. He cultivated a careful and precious, evocative figuration of Catalan modernist environment . It is represented in the Prado Museum...

Art Deco Movie Set 20th Century American Modernism Hollywood WPA Social Realism Arthur Rosenman Ross (1913 - 1981) Art Deco Movie Set, Probably MGM Studios, 1937 17 x 27 inches Gouache on illustration Board Signed Art Ross, ‘37 lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

An original Gouache painting measuring 16 x 20 inches by Joseph Margulies. The painting is signed lower right. Born in Vienna, Joseph Margulies becam...

Synthetic, Late Cubist gouache of a mandolin, tulips and a chess board by French artist Mireïo. Signed and dated '93 top right and signed and titled 'Tulipes, Mandoline et échiquier' to the back of the paper. Presented in a plain black frame. This particular work of art is very much in the style and highly reminiscent of works by Picasso...

Original Painting Cathedral Interior New Yorker Cover Proposal 1939 Jesus Church Antonio Petruccelli (1907 – 1994) Cathedral New Yorker cover proposa...