Jennifer Presant

Red Interior, Oil Painting, Scene Through Window

2006

framed: 23 x 19.75 image: 15.5 x 11.5 Nicolai S. (Nicola) Cikovsky (1894 - 1984) was active/lived in New York / Russian Federation. Nicolai Cikovsky is known for Shore landscape, figure, still life and portrait painting, printmaking. His mural "Irrigation," and "Gathering Dates" is at the Department of Interior, Washington, D.C. (WPA, GSA) Landscape and figure painter Nicolai S. Cikovsky, 1894-1984, was born in Russia, where he studied at the Vilna Art School, 1910-1914; the Penza Royal Art School, 1914-1918; and Moscow High Tech Art...

Betsy Podlach (American, born 1964.) Still life with Fruit, a Bowl of Apples Framed 25 X 26 24 X 25 inches Betsy Podlach graduated from Harvard, cum laude, (she studied at Harvard with Alfred Decreido and William Reimann as well as Carlos Fuentes continuing her studies at the New York Studio School of Drawing, Painting, and Sculpture, Ms. Podlach was awarded an art fellowship and residency at The International School of Art in Umbria, Italy. Betsy Podlach is an American painter who considers the Italian Venetians and the american abstract expressionist painters her mentors. The two painters she is most inspired by are Titian and Jackson Pollock, Both use the picture plane and abstraction and space, light, movement and form to communicate a physicality built entirely on the principals of painting, in the “classical” sense of a flat plane and lines, color, shape, space and light applied to that flat surface to create magic – light, space, form, emotion, force, movement, the physical and the spiritual. She describes her work as a figurative version of abstract expressionism. She was influenced by many of the abstract expressionists from the NY school...

Genre: Modern Subject: Kitchen still life with pineapple, sourdough bread and lemons Medium: oil paint, done in a sgraffito, impasto somewhat brutalist technique Surface: board Country: United States Dimensions: 18 X 24 Being sold unframed Enid Munroe re-establishes the aesthetic worth of ordinary manufactured objects within the basic form language of Cubism. In her painting the artist uses trompe-l'oeil to render her composition, involving realistic imagery in order to create the optical illusion that the depicted objects exist in three dimensions. Enid Munroe is an artist and teacher who is well known regionally for her paintings, works on paper and Gold leaf, silver leaf, trompe l’oeil collage and assemblage series. She has been included in numerous invitational and juried exhibitions both nationally and regionally. Her works are in leading public, corporate and private collections including the Brooklyn Museum and the National Museum of American Art. Munroe cites painter Georgia O’Keeffe as one her influences and sources of inspiration. “Georgia O’Keeffe really helped lift the concept of women as artists,” stated Munroe. Munroe lived and worked in Mexico, Japan and Italy before settling in Connecticut. She is the author of An Artist in the Garden: A Guide to Creative and Natural Gardening (Henry Holt & Co, 1994) and has been active in regional art events including the founding of the annual Pequot Library...

Hand signed Irises (purple and yellow flowers) 30 X 37 framed. 20.5 X 26.5 sheet without frame. Bernard Chaet (born 1924, Boston, MA - 2012) was an American artist; Chaet is known for his colorful, dynamic modernist paintings and masterful draftsmanship, his association with the Boston Expressionists, and his 40-year career as a Professor of Painting at Yale University. His works also include watercolors and prints. In 1994, he was named a National Academician by the National Academy of Design. Chaet was instrumental in transforming Yale’s traditional art program into one with a more modernist approach that gained national prominence. Chaet melded landscape and abstraction in a traditional established by Vincent Van Gogh, Georges Seurat, Edvard Munch, Piet Mondrian, and Ferdinand Hodler. His own tenure began in 1951 at Yale, where he worked closely with Josef Albers to revamp Yale’s art program. Between 1959 and 1962 he was the chair of what was then called the Yale Department of Art of the School of Fine Arts — prior to becoming one of the independent professional schools at Yale in 1973. Chaet taught painting and drawing and mentored generations of emerging talents. Chaet was the author of the 1970 textbook “The Art of Drawing” and “An Artist’s Notebook 1979,” both of which have since been reissued several times. In the latter book, alongside examples of work by his favorite artists, are student drawings by Yale graduates such as Robert Birmelin, Michael Mazur and Eugene Baguskas. Born in Boston, Massachusetts, in 1924, Chaet studied at the School of the Museum of Fine Arts in Boston and then earned a B.A. at Tufts University. Known for his expressionist landscapes and still lifes, Chaet’s work has continuously been shown in galleries in his native Boston, in New York City, and around the country. In 2010, a retrospective of his seascapes was featured at the Cape Ann Historical Society in Gloucester, Massachusetts, where he had a home and a summer studio in nearby Rockport. His has also exhibited at David Findlay Gallery in New York and at Swarthmore College. Many of Chaet’s students went on to notable art careers, including Janet Fish, Chuck Close, and Richard Serra. His work is represented in the collections of the Brooklyn Museum, the Art Institute of Chicago, the Metropolitan Museum of Art in New York, the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Museum of Fine Arts in Boston, the Yale University Art Gallery in New Haven, CT, and the Addison Gallery of American Art in Andover, MA. Chaet is the recipient of many awards including: the National Foundation of the Arts and Humanities, Sabbatical Grant in 1967-68, the National Academy of Fine Arts, Benjamin Altman Award in Painting in 1997, and the American Academy of Arts and Letters Jimmy Ernst Prize in 2001. Chaet was born and raised in the Dorchester neighborhood of Boston, MA. He completed a dual program at the Museum of Fine Arts, Boston—studying painting with Karl Zerbe—and Tufts University, graduating with a B.S. in 1949. Chaet is known for his association as a first generation Boston Expressionist. (along with Hyman Bloom and Jack Levine) Chaet was a contributing editor to Arts Magazine. In 1960 he published the book Artists At Work, which features in depths conversations with artists Pat Adams, Anni Albers, Josef Albers, Al Blaustein, Hyman Bloom, James Brooks, Robert Engman, Esther Geller, Seymour Lipton, Conrad Marca-Relli, Gabor Peterdi, Irwin Rubin, Elbert Weinberg...

Hand signed and dated leeks on a kitchen table 31.5 X 39.5 framed. 21 X 28.5 sheet without frame. Bernard Chaet (born 1924, Boston, MA - 2012) was an American artist; Chaet is known for his colorful, dynamic modernist paintings and masterful draftsmanship, his association with the Boston Expressionists, and his 40-year career as a Professor of Painting at Yale University. His works also include watercolors and prints. In 1994, he was named a National Academician by the National Academy of Design. Chaet was instrumental in transforming Yale’s traditional art program into one with a more modernist approach that gained national prominence. Chaet melded landscape and abstraction in a traditional established by Vincent Van Gogh, Georges Seurat, Edvard Munch, Piet Mondrian, and Ferdinand Hodler. His own tenure began in 1951 at Yale, where he worked closely with Josef Albers to revamp Yale’s art program. Between 1959 and 1962 he was the chair of what was then called the Yale Department of Art of the School of Fine Arts — prior to becoming one of the independent professional schools at Yale in 1973. Chaet taught painting and drawing and mentored generations of emerging talents. Chaet was the author of the 1970 textbook “The Art of Drawing” and “An Artist’s Notebook 1979,” both of which have since been reissued several times. In the latter book, alongside examples of work by his favorite artists, are student drawings by Yale graduates such as Robert Birmelin, Michael Mazur and Eugene Baguskas. Born in Boston, Massachusetts, in 1924, Chaet studied at the School of the Museum of Fine Arts in Boston and then earned a B.A. at Tufts University. Known for his expressionist landscapes and still lifes, Chaet’s work has continuously been shown in galleries in his native Boston, in New York City, and around the country. In 2010, a retrospective of his seascapes was featured at the Cape Ann Historical Society in Gloucester, Massachusetts, where he had a home and a summer studio in nearby Rockport. His has also exhibited at David Findlay Gallery in New York and at Swarthmore College. Many of Chaet’s students went on to notable art careers, including Janet Fish, Chuck Close, and Richard Serra. His work is represented in the collections of the Brooklyn Museum, the Art Institute of Chicago, the Metropolitan Museum of Art in New York, the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Museum of Fine Arts in Boston, the Yale University Art Gallery in New Haven, CT, and the Addison Gallery of American Art in Andover, MA. Chaet is the recipient of many awards including: the National Foundation of the Arts and Humanities, Sabbatical Grant in 1967-68, the National Academy of Fine Arts, Benjamin Altman Award in Painting in 1997, and the American Academy of Arts and Letters Jimmy Ernst Prize in 2001. Chaet was born and raised in the Dorchester neighborhood of Boston, MA. He completed a dual program at the Museum of Fine Arts, Boston—studying painting with Karl Zerbe—and Tufts University, graduating with a B.S. in 1949. Chaet is known for his association as a first generation Boston Expressionist. (along with Hyman Bloom and Jack Levine) Chaet was a contributing editor to Arts Magazine. In 1960 he published the book Artists At Work, which features in depths conversations with artists Pat Adams, Anni Albers, Josef Albers, Al Blaustein, Hyman Bloom, James Brooks, Robert Engman, Esther Geller, Seymour Lipton, Conrad Marca-Relli, Gabor Peterdi, Irwin Rubin, Elbert Weinberg...

R.P. Overmyer (American, 1948-2010). An original oil painting (this might be acrylic) on canvas. A figural Pop Art work painted in an abstract whimsical style, featuring an interior scene of bloody murder, with corpse figure, bullet riddled wall and chair, picture frame with photograph, and additional forms. Artist signature to bottom R.P. OVERMYER. The artist was a syndicated cartoonist and creator of the popular strip, "Hollywood Dog." Work Size: 29.5 x 39.5 in. Dimensions: 30 X 40.25 X 1.75 in. Overmyer was a longtime LA-based cartoonist and designer. His newspaper clients included LA Weekly and the San Jose Metro Weekly; his animation employers included Fox and Universal Studios. He may be best known for his Hollywood Dog feature, which was nationally syndicated in its current, political-cartoon illustration art form since I believe January 2006 and included the Los Angeles Times among its clients. The feature was originally a comic strip for the Los Angeles Reader, was trademarked for t-shirt production in 1989, and was briefly the basis for a television show in the post-Simpsons 1990s. That show appeared in 1993 and feature Simpsons utility performer Hank Azaria as the voice of the title character. He is from a long line of outsider, alternative, underground comics, cartoonist movement like Robert Crumb, Art Spiegelman, Chris Ware, Harvey Pekar, Ben Katchor, Ralph Bakshi...

Bold outlines and strong weighty forms coalesce with a compositional delicacy that forms the hallmark of Hartley's work. The work has a long and distinguished provenance and exhibit...

Sunflowers, Large Scale Modernist Floral Bouquet Still-Life by Tarmo Pasto. A stunning large-scale modernist oil on canvas still-life of sunflowers by Dr. Tarmo Pasto (American, 1906-1986). This modern floral bouquet still-life, painted by Pasto in 1973, harkens back to Van Gogh's world famous turn-of-the-century depiction of the same subject. Pasto uses a modern and fresh color palette of dark green, light yellow, lavender, and peach in this vibrant modern sunflower portrayal. Signed "Tarmo Pasto" and dated "73" lower right. Presented in a brown painted wood frame. Image size: 38"H x 30"L. Framed size: 44"H x 36"W x 2"D. Dr. Tarmo Pasto was a psychiatrist and artist, who taught psychology and art through the 1970s at California State College at Sacramento since the schools inception. He also authored a book on art...

Alexander Kreisel (1901-1952) Montmarte, Early 20th century (c. 1920-1950) Oil on canvas 30 x 40 in. Signed lower right: Inscribed verso: Montmarte At the end of the 19th century, the agrarian village of Montmarte had been annexed into Paris' ever-growing city limits, and it became a hub for artists and their dealers, cabarets, and even brothels. Vincent Van Gogh lived in this area with his brother, an important moment in his artistic development. Here, Kreisel depicts a nude, white model being depicted by a Black female artist...

"Madam Suburbia" (Woman and Baby by the Yellow Window) in Oil on Canvas An auburn-haired woman sits in a chair with her infant child, by American painter, Patricia Gren Hayes (b. 19...

"Rosemary" with feather boa - Bay Area Figurative Movement Study Oil on Canvas A dark-haired woman with a feather boa sits propped on a stool surrounded by bright textures and patte...

Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas Still life in a semi-cubist style by Irene Pattinson (American, 1909-1999). On a reddish-purple table, there is a plate with two apples, a bottle of wine, and an acoustic guitar. The guitar's headstock is shown extending from where the neck meets the body, implying a cubist interpretation of the scene. At the back of the still life arrangement, there is a (collage) newspaper with "Costa Rica!" in the headline. At the left of the composition, there is a curtain or cloth draped across part of the scene. Signed "Irene Pattinson" on verso. No frame. Canvas size: 32"H x 24"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance:The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works) Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963; Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...