Jessie Willcox Smith

Chapel Grace Church Nursery

1902

Approximate Date: 1957 Medium: Oil and Pencil on Board Signature: Signed Lower Left Sight Size 23.50" x 20.75", Framed 29.50" x 26.50" Original cover illustration for The Saturday E...

Approximate Date: 1902 Medium: Charcoal, Watercolor and Oil on Illustration Board Signature: Signed Lower Right Sight Size 23.50" x 15.50", Framed 31.50" x 23.00" Bed-Time, published...

Medium: Oil on Paperboard Signature: Signed and Inscribed, Signed Maxfield Parrish and inscribed A gift to his son / Maxfield Parrish Jr. / June 1939 on the reverse Sight Size 3.50" ...

Medium: Oil on Board Signature: Signed Lower Left Sight Size 26.00" x 24.00", Framed 32.00" x 20.00" Original cover illustration for The Saturday Evening Post, December 12, 1959. T...

Medium: Oil on Board Signature: Signed Lower Left Sight Size 27.00" x 23.75;" Framed 34.50" x 37.50" Original cover illustration for The Saturday Evening Post, September 12, 1959. ...

Signature: Signed and Dated Lower Left Vignette for an unknown publication, with Scientific Engraving Company labels on verso

MORNING BREAKFAST is an original mixed media collage on board by Brooklyn artist Karl A. McIntosh. MORNING BREAKFAST is a colorful abstract dinner table scene portraying three black people seated together having breakfast. McIntosh's inventive use of cut bits of colored paper in shades of red, brown, blue, pink, black, and magazine print clippings for facial details, dishes, lettering layered with wildly expressive yellow, blue, green and white painted accents create an energetic and rambunctious morning gathering to start the day! The cacophony of colors fills the dining scene with lively engagement. The viewer can't help but continue gazing at the frenzied movement and visual chatter going on in MORNING BREAKFAST, a captivating and irresistible painted collage by Karl A. McIntosh. Framed size - 27.25 in. x 33.5 in. Image size - 221.25 in. x 27.5 in. Excellent condition, archival framing, cherry tone bevel wood frame accented with green wood/gold edge liner, hand signed by the artist "K.A.McIntosh" on upper left edge. About the artist: Karl A. McIntosh is a self taught artist who works is pastel, watercolor, acrylic, stone, wood and metal and is a known for his imaginative transformation of found objects into works of art. Born in Kingston, Jamaica, McIntosh moved to the United States at an early age and later took up art. Among his mentors are artist Otto Neals with whom he worked at the Bob Blackburn Printmaking Working Workshop and artist Marian Griffin. McIntosh is also a poet, drummer and dancer who draws his creative inspiration and expression from his study of African art and culture. McIntosh’s bold, bright colors dance off the page and tantalize the senses. His work is profound in its statement and deliciously whimsical. His work is an honest portrayal of everyday life and the people who live it but on occasion, takes on public figures and world events most often employing satire as thick as the layers of paint or paper he uses to depict them. McIntosh’s work has been exhibited at numerous venues across the country including Dorsey’s Art Gallery, The Skylight Gallery, MOCADA (The Museum of Contemporary Diasporan Art), 843 Studio Gallery, The National Black Fine Art...

Contemporary striped painting by Ron Piller. Painting: Acrylic, Graphite, Gesso, Household, found printed paper on Wood. Multi-colored stripes, modern contemporary. hang verticall...

Bernard Nacion Untitled (Style of Rembrandt), Late 20th Century Ink and pencil on artist board 19 3/4 x 15 in. This illustration shows a group of Dutch gentlemen in the style of Rem...

Guy Pene du Bois' "Two Figures in Courtroom" is a WPA era American scene oil painting created in a realistic style. Modernism at its best The work is framed by Heydenryk. Pène du Bois descended from French immigrants who settled in Louisiana in 1738 and was raised in a Creole household. He was born in 1884 in Brooklyn, NY and first studied with William Merritt Chase at the New York School of Art and later continued his training with Robert Henri. Pène du Bois was greatly impressed with Henri's credo that "real life" was subject matter for art and throughout his life a realist philosophy informed his art as well as his parallel career, art criticism. In 1905, Pène du Bois made his first visit to Paris where he painted scenes of fashionable people in cafes rendered in the dark tonalities and impasto associated with the Ashcan School. By 1920, he had achieved his mature style, which was characterized by stylized, rounded, almost sculptural figures painted with invisible brushstrokes. The subjects of his paintings were often members of society whom he gently satirized. In 1924, Pène du Bois and his wife, Floy, left for France where they would remain until 1930. Returning to America showcases pictures the artist produced after this very productive period abroad. After five years of living in France, Pène du Bois was able to observe American life with fresh eyes. His work becomes more psychologically intense and less satirical. In Girl at Table a slender, blond is shown gazing at a small statue that she holds at arm's distance. The meaning is elusive, but a powerful sense of longing is evoked. Similarly, paintings such as Dramatic Moment and Jane are taut with unresolved dialogue. Both pictures depict mysterious interiors in which a lone woman anxiously awaits the denouement of a suspenseful scene. Other pictures, for example, Chess Tables, Washington Square and Bar, New Orleans, recall Pene du Bois's Ashcan origins in their depiction of urban entertainment. During this period, landscape becomes an important subject for Pène du Bois. Girl Sketching...

Bernard Nacion Untitled (Waiting By The Phone), Late 20th Century Collage with magazine cut outs on artist board Image: 11 x 9 in. Mat: 16 x 13 in. This collage features portraits o...

Kathy Osborn paints highly detailed, interior scenes, inspired by imagery from the Post-War era of the 1950s and 60s. Osborn’s multi-step process begins with a meticulous arrangement...