Lealand R. Gustavson

The Porter

1941

Signed Lower Center

Medium: Oil on Canvas Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, October 22, 1955. The Post described, “Mother is making rapid progress...

Medium: Oil on Canvas Signature: Signed Lower Left: Hughes Sight Size 25.00" x 23.00;" Framed 31.25" x 29.25" Original cover illustration for The Saturday Evening Post, November 11,...

Medium: Oil on Canvas Signature: Signed Upper Left Sight Size 36.50" x 26.50;" Framed 43.00" x 33.00"

Medium: Oil on Canvas Signature: Signed Upper Left Image of two men, one seated and one standing. From the book Head Tide by Joseph C. Lincoln

Medium: Oil on Canvas with an Element of Collage Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, February 27th, 1954. The Post described, “...

Chani Cohen Zada Afterbirth , 2018 oil on canvas 100 x 100 cm 39 x 39 in Exhibited: 'Between Holy and Mundane', Lewinski College, Tel Aviv. Israel 11.1-...

Albert Benaroya (Israeli) Red Tulips oil on canvas 81x56 cm Born in Istanbul, Benaroya is an Israeli artist, a master of depiction in hyper - realism...

Albert Benaroya (Israeli) Red an Purple Orchids oil on canvas 81x56 cm Born in Istanbul, Benaroya is an Israeli artist, a master of depiction in hype...

In 2001 the German art historian Art historian and Raphael Expert, Prof. Jürg Meyer zur Capellen, published the painting "Die Heilige Familie" in a monographic article, ascribing the present work to the Venetian painter Giovanni Battista Pittoni (1687 -Venice - 1767). (Newspaper "Weltkunst", October 2001, No 12, p. 1850 f. ill.) He describes it as a typical work by this artist. Pittoni was one of the most influential and successful artists of the Venetian Settecento. He was a pupil of the Veronese Master Giovanni Balestra (1666-1740). His style is influenced by Sebastiano Ricci (1659-1734) and Giambattista Tiepolo (1696-1770). Giovanni Battista Pittoni was already successful at a young age and soon lead his own workshop. He created large-scale hitoria paintings, as well as large, religious altarpieces. In addition to Venetian and Upper Italian patrons, Pittoni also had many interested parties from Europe. His work is accordingly scattered in many different museums and private collections today. Pittoni - like other painter colleagues of his time - repeated his own compositions both by hand and with the help of his workshop. He repeatedly incorporated details into other pictures and contexts. Prof. Meyer zur Capellen noted the very good condition of the present work and the high quality of the paint with fine graduations and the vivid brushstrokes. Provenance: The panting has not been on the art market for at least 300 years. In the year 2000 the work was donated by the Münster-based, Noble Family Ketteler zu Harkotten to a private collection in Westphalia. Most probably the canon Nikolaus Hermann von Ketteler zu Harkotten bought the piece in Venice in 1750 together with the altarpiece of the Clemens Church in Münster. On the reverse of the work is a fideicommissum number by Ketteler zu Harkotten. As it belonged to the family commission, the painting was inalienable until 1919, when the corresponding law was repealed, and after that time it remained in the family's possession without interruption. Pittoni's only direct relationship to Münster is the commission for the high altar painting of the Baroque St. Clemens Church. It can be assumed that then canon von Ketteler saw this painting in the artist's workshop during his stay in Venice and acquired it for himself. This would also explain the discrepancy in dating. (ca. 1735/1750). However, it is also possible that the painting originated in the possession of Ferdinand von Plettenberg...

Surreal hyper realistic trompe l'oeil oil painting by Latin American artist Victor Del Castillo. Peaches, grapes and cherries in rich brilliant colors and incredible detail. Measures...

"Contemporary, American, Blue, Vintage TV, with Cat in Mid Century Mod Room" This work is titled, "Ten past 4:00." It is 41 x 58.25" and is Unframed Oil on Canvas. $18,000, price negotiable. A well-known figure of the contemporary Fort Worth art scene, Daniel Blagg...