Stephen Basso

Red Sofa seated female figure with cat and pillows dominant red color

1987

Oil on canvas signed and dated on reverse. Part ot a human and animal series by the artist

Oil on linen canvas signed and dated on reverse

This is an oil on linen painting signed and dated on reverse.

Soft pastel on archival toned paper signed and dated top left. Part of an ongoing series by the artist of artist and model subject matter

Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagination, wry wit and fear...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are...

A mid century Expressionist oil on canvas of a man, child and cat in an interior with a cityscape beyond. The work is not signed but there are various notations to the top rear stret...

Beyond the Limits is a work that explains what youth in a developing country goes through. Most youth who have to experience the squalor of a developing economy are characterized by wholesale dejection and despair with many of them resorting to drug use and various crimes that jeopardized their lives. Many cannot see a future beyond their present abode. Artist Busari Adewale...

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

Herbert Katzman 1923-2004 (American artist active in New york, Illinois and Italy) Oil Painting Dated 1946. Signed. Dimensions; Sight-16" x 20", Frame-23.5" x 27". Provenance: this bears an old stamp verso from Christie's auction house. Herbert Katzman was born in Chicago on Jan. 8, 1923, His father believing that discipline was a good teacher, sent Herbert and Bob to St. John's military academy for their elementary education but it wasn't long before Herbert found his way to the Art Institute of Chicago where he wanted to study sculpting. His Father vehemently objected and refused to finance his studies, but that wasn't enough to discourage the young artist. He put himself through school working as a student janitor and a few other odd jobs. At 17 he entered the Advanced School of the Art Institute, his interest having turned to painting. His study there was briefly interrupted by a short stint in the navy (1942-44). After receiving a medical discharge, he returned to Chicago to work with Boris Anisfeld, who introduced him to German and French Expressionism...

Michel De Gallard, France (1921-2007). Oil on canvas signed lower left, Silver gilt and dark wood frame. Provenance: Label on verso Galerie de la Presidence, Paris, Titled: 'Femme...

Framed 27 X 24 inches Sight 18 X 15 inches Walter Spitzer (Polish/French, 1927 - ) born in Cieszyn, Poland. A Polish Jewish Holocaust survivor, he made his first drawings in a concentration camp. Walter Spitzer has lived and worked since WWII in France, where he studied at the École des Beaux Arts in Paris. Walter Spitzer has achieved great renown as a painter and printmaker. Whether in his paintings of Biblical subjects or in lithographs of Shtetl scenes, His humanity was inspired by the writings of Sartre, Montherlant and Kazantzakis, Walter Spitzer is occupied with two great, interlinked themes: man’s inhumanity to man, and the humanity of man. He will surely be recognized in the future as one of the great witnesses to the twentieth-century experience. Walter Spitzer was born in Chieszyn, Poland, the son of a Jewish liqueur producer, and attended the German school there. He began to draw and paint at an early age. In 1939 the Spitzer family was forcibly removed by the Germans to the town of Strzemieszyce, which was turned into a ghetto in 1942. When the ghetto was liquidated in June 1943 Spitzer’s mother was shot, and the sixteen-year-old Walter was deported to Blechhammer, a subcamp of Auschwitz. There he painted portraits of Wehrmacht soldiers and fellow inmates in exchange for food. He was one of the few to survive the evacuation march from Auschwitz to Buchenwald, where to begin with, in late February 1945, he was held in the Little Camp. To enable him to make drawings documenting life in the camp, the Communists organized his transfer to the main camp. While on a death march in early April he made his escape in the vicinity of Jena and was soon in the hands of the Americans. Spitzer served as an interpreter with an American army unit, and at the same time executed numerous drawings depicting the world of the camps. In June 1945 the Americans took him to Paris, where – following the advice of his father, who had died in 1940 – he began to study art at the École des Beaux-Arts in Par the following year. After completing his training as an artist he produced paintings expressing a critical view of the society of his day. In 1955, in commemoration of the camps and the death marches, he executed a cycle of nine etchings in an edition of thirty, which he gave to various museums in Israel and in France. In the 1960s he established himself as an illustrator of exclusive editions of works by such authors as André Malraux, Jean-Paul Sartre, Joseph Kessel and Nikos Kazantzakis. The Six-Day War prompted him to begin painting subjects from Jewish and Biblical history; At age 19, he was asked to make the scenery for the Edouard VII Theater in Paris, which was showing The Dibbuk of Ansky. In 1947 the same theater asked him to make the scenery for the Hill of Life ( Max Zveig). Spitzer has been a member of the Salon d'Automne since 1952. He was the last remaining survivor of the Montparnasse Ecole de Paris. A group of Jewish expats that included Issachar Ber Ryback, Abel Pann, Abraham Mintchine, Isaac Antcher, Alexandre Altmann, Henri Epstein, Mane Katz, Marcel Janco, Gregoire Michonze...