American Realist Interior Paintings

Born in New York City in 1959, Max Ferguson started as a filmmaker, making award-winning animated films as a teenager. But it was while he was a visiting student at an art school in ...

Still Life American Scene Social Realism 20th Century Woodstock Modern Dudensing Konrad Cramer (1888 – 1963) "Black Glass Bowl and Napkin" 16 ½ x 14 inches Oil on Board Singed lower...

Represented by George Billis Gallery, NY & LA -- My latest series opening at the George Billis Gallery, titled “Modern Society,” continues my exploration into midcentury architect...

Light and briefly executed genre scene depicts cozy domestic atmosphere with few people singing and playing guitars surrounded by listeners. All inhabitants of the moment are greatly...

"Red Sand Shovel" is a contemporary trompe l'oeil oil painting of antique object in an interior. The child's shovel is hanging on a hook slightly off kilter. Artist Bio: John Morfi...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

"God Bless Our Home" is an interior and figurative scene of a woman sitting on her couch in serious and proper expression. The Americana style painting was created by American genre ...

"Little Girl and Dog on Shovel" is a blue, white and red trompe l'oeil oil painting of a child's beach shovel. Morfis' incredible realism contrasts the qua...

Two Small pink peonies grace the white background of this canvas. Lucas' studio is surrounded by nature and often paints what grows in her backyard, finding and magnifying beauty all...

Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern. Signed upper right and verso 8 x 10 inches oil on board. BIO The son of a men's haberdasher, Mervin ...

Zoe Hawk Artist Statement My work deals with the complex experience of girlhood, exploring adolescent anxiety, feminine identity, and belonging. These themes are tackled within scen...

Gourds by Mark Schiff We guarantee that you will love this painting. If not, you can return it for a complete refund, no questions asked.

Wang Kun's "Auspicious" is an oil painting created in 2023 that depicts a beautifully lit, opulent still life of plums with dried flowers and a decorative plate. kun Wang(王琨), was ...

Men Working Mural Study American Scene Social Realism Mid 20th Century Modern Jo Cain (1904 – 2003) Men Working: WPA Mural Study 17 ½ x 10 ½ inches Oil on ...

Americana Still Life Painting of American Diner Table Condiments & Sauces Art by Leading British Urban Painter, Angela Wakefield Art measures 12 x 9 inches Frame measures 17 x 14 in...

"Simple Beauty" is a colorful flower still life with orange, purple, and blue Artist Bio Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also recei...

Linda Hefner is known for her vibrant acrylic paintings of historical New England barns and architecture. Hefner’s love of endangered Americana is rooted ...

Linda Hefner is known for her vibrant acrylic paintings of historical New England barns and architecture. Hefner’s love of endangered Americana is rooted ...

Linda Hefner is known for her vibrant acrylic paintings of historical New England barns and architecture. Hefner’s love of endangered Americana is rooted ...

Linda Hefner is known for her vibrant acrylic paintings of historical New England barns and architecture. Hefner’s love of endangered Americana is rooted in the past, including her o...

Studio Interior Scene Mid 20th Century American Modern WPA Still Life Realism The painting measures 10 x 12 inches. Framed, the work is 13 1/4 x 15 1/...

WPA Mural Study 1940 American Scene Modern Social Realism Figurative Mid Century Michael Loew (1907-1985) Detail for Mural (Social Security Building Washington D.C.) 24 x 24 inches ...

"Old Shoemaker" Ashcan 20th Century Modernism 1924 California WPA Realism Worker. Signed “Otis Oldfield” lower left. 14 x 12 inches. Exhibited: Galerie des Beaux Arts, San Francisco, CA, 1925 Provenance: Estate of the Artist Born in Sacramento, CA on July 3, 1890, Otis Oldfield left high school at age 16 to work in a local print shop. In 1909 he arrived in San Francisco and enrolled at the Best Art School. After working for two years as a bellhop at the Argonaut Hotel and as a hat check boy at the Cliff House, he had saved enough money for further studies in Paris. In 1911 he sailed for France and enrolled at Académie Julian. Caught up in the activities of wartime Paris, he was an apprentice for a book...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Scott Yeskel was raised in the suburbs of Orange County, California after his parents moved from New Jersey when he was a child. The mild weather and suburban sprawl fueled Scott’s interest in the landscape. 

After graduating from high school, he moved to San Francisco to pursue an education in the arts. Yeskel graduated from the Academy of Art College in 2002 where he won first place in the Landscape category at the Academy’s Annual Spring Show. He was quickly picked up by galleries in Philadelphia, Laguna Beach and San Francisco. Since that time, Scott has been the subject of over a dozen solo shows, countless group exhibitions and has been featured in over 20 magazine and newspaper editorials. 

His work speaks to those who identify with the California lifestyle – often romantic but sometimes plagued with frustration. His love/hate relationship with Los Angeles’ freeways, boxy apartments and urban sprawl feed Yeskel’s desire to paint his environment as he sees – a jumble of mixed emotions. Recently, Scott’s work was purchased by prestigious corporate collections including Microsoft and NBC/ Universal. Scott currently teaches an Abstract Workshop at the Kline Academy in West LA and resides with his wife and daughter in Los Angeles. Resume Born, 1977, Montclair, New Jersey 2002 – Graduated Academy of Art College, San Francisco, BFA SOLO SHOWS 2020- Vacant LA, online exhibition. 2016-Summer Days, Sue Greenwood Fine Art, Laguna Beach, Ca. Valley Scenes, Valley Performing Arts Center, Cal State Northridge, Ca. 2015- Modern Escape, Jack Fischer Gallery, San Francisco, Ca. 2013- Hotel Pools, Sue Greenwood Fine Art, Laguna Beach, Ca. 2012- Stop & Go, Sue Greenwood Fine Art, Laguna Beach, Ca. 2011 – Wanderlust, Sue Greenwood Fine Art, Laguna Beach, Ca. Mapping California, Jack Fischer Gallery, San Francisco Ca. 2009 – L.A. To Ventura and In Between, Vita Art Center, Ventura, Ca 2008 – Disconnections, Sue Greenwood Fine Art, Laguna Beach, Ca L.A. to S.F. with Love, Jack Fischer Gallery, San Francisco, Ca 2007 – Mass Transit, Sue Greenwood Fine Art, Laguna Beach, Ca. 2006 – Maps, Sue Greenwood Fine Art, Laguna Beach, Ca. 2005 – Trouble in Paradise, Bedlam Gallery, Los Angeles, Ca. 2004 – Moving On, Pringle Gallery, Philadelphia, Pa. 2003 – Two Roads, Pringle Gallery, Philadelphia, Pa. SELECTED GROUP SHOWS 2021-Summer Salon, Sullivan Goss Gallery, Santa Barbara, Ca 2019- Group Cityscape IX, George Billis Gallery, Los Angeles, Ca Ashes of Hope, Sky Studios, Los Angeles, Ca 2018-Cityscape VIII, George Billis Gallery, Los Angeles, Ca Celebration Art, Patricia Rovzar Gallery, Seattle, Wa 2016-House and Home, Cannon Art Gallery, Carlsbad, Ca 2105-Venice Art Walk Auction, Google Headquarters, Venice, Ca 2013-Ryman Arts, ‘An Affair of the Arts’, Los Angeles, Ca. 2012-Palm Springs Fine Art Fair, Palm Springs, Ca. artMRKT San Francisco, SFDC Concourse Exhibition Center, S.F., Ca 2011 – L.A. Art Show, Los Angeles Convention Center, L.A. Ca. Palette to Palate, Laguna Art Museum, Laguna Beach, Ca. artMRKT San Francisco, SFDC Concourse Exhibition Center, S.F. Ca 2010 – Art San Diego, Hilton San Diego Bayfront, San Diego, Ca. 2009 & 2010 – L.A Art Show, Los Angeles Convention Center, L.A., CA 2008 – Auction 100, Laguna Beach Art Museum, Laguna Beach, Ca. Aqua Art Miami, Aqua Hotel, Miami, Fla Red Dot Fair, Park South Hotel-New York City, New York 2006 – Venice Art Walk Juried Auction, Bergamont Station, Santa Monica, Ca. Fin, Bedlam Gallery, Los Angeles, Ca. 2005 – Create-Fixate, Spring Arts Tower, Los Angeles,Ca. 2004 – Meet the Artists IV, The Pacific Club, Newport Beach, Ca. Group Cityscapes, Greenwood Chebithes Gallery, Laguna Beach, Ca. Getting to Know You, Backstreet Gallery, Santa Monica, Ca Scott Yeskel / Brandon Smith, Hotel Biron Gallery, San Francisco, Ca. 2003 – Around Town, Pringle Gallery, Philadelphia, Pa. 2002 – Academy Spring Annual, Academy of Art, San Francisco, Ca. 1998 – Juried Luggage Show, Luggage Store...

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the idea of emptiness, as both a suggestion of solitude and as a state rife with the possibility of change and fulfillment. As a painter, he seeks out familiar, evocative scenes and concentrates on capturing the stillness of an empty room or vacant chair. His paintings can be seen as solitary, or as simply aberrant pauses between moments of frantic activity. The works are imbued with a quality of light that brings simple, content-rich objects into sharp focus. Condron attempts to establish not so much a connection to a chair or a room, but the feeling created by the wide embrace of emptiness. Ultimately, Condron creates scenes - part representation of real places, part invention from deep in his mind. The openness of his works invites the viewer to share the moment of quiet with him. By choosing places that seem to have been abruptly vacated, he attempts to awaken a connection to the moment before, or to the quietude he preserves inside himself in the form of memories. Matt Condron was born in 1967 in Simi Valley...

Superbe original painting on canvas depicting an Anonymous man holding a Brown leather satchel. keywords; Brown leather, satchel, travel bag, americana, surrealism, vintage, oil pai...

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the idea of emptiness, as both a suggestion of solitude and as a state rife with the possibility of change and fulfillment. As a painter, he seeks out familiar, evocative scenes and concentrates on capturing the stillness of an empty room or vacant chair. His paintings can be seen as solitary, or as simply aberrant pauses between moments of frantic activity. The works are imbued with a quality of light that brings simple, content-rich objects into sharp focus. Condron attempts to establish not so much a connection to a chair or a room, but the feeling created by the wide embrace of emptiness. Ultimately, Condron creates scenes - part representation of real places, part invention from deep in his mind. The openness of his works invites the viewer to share the moment of quiet with him. By choosing places that seem to have been abruptly vacated, he attempts to awaken a connection to the moment before, or to the quietude he preserves inside himself in the form of memories. Matt Condron was born in 1967 in Simi Valley...

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the idea of emptiness, as both a suggestion of solitude and as a state rife with the possibility of change and fulfillment. As a painter, he seeks out familiar, evocative scenes and concentrates on capturing the stillness of an empty room or vacant chair. His paintings can be seen as solitary, or as simply aberrant pauses between moments of frantic activity. The works are imbued with a quality of light that brings simple, content-rich objects into sharp focus. Condron attempts to establish not so much a connection to a chair or a room, but the feeling created by the wide embrace of emptiness. Ultimately, Condron creates scenes - part representation of real places, part invention from deep in his mind. The openness of his works invites the viewer to share the moment of quiet with him. By choosing places that seem to have been abruptly vacated, he attempts to awaken a connection to the moment before, or to the quietude he preserves inside himself in the form of memories. Matt Condron was born in 1967 in Simi Valley...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

An oil painting of a neutral-toned interior, man sits comfortably, playing a guitar. Painting dimensions: 14 x 16 inches Framed dimensions: 19.5 x 21.5 inches

Original Painting Cathedral Interior New Yorker Cover Proposal 1939 Jesus Church Antonio Petruccelli (1907 – 1994) Cathedral New Yorker cover proposa...

Kenny Harris is represented by George Billis Gallery NYC. Kenny Harris’ new paintings evoke the light and mood of architectural spaces from his travels around the world. He is fascin...

Kenny Harris is represented by George Billis Gallery NYC. Kenny Harris’ new paintings evoke the light and mood of architectural spaces from his travels around the world. He is fascin...

Kathryn Freeman's brightly colored oil triptych , a must for opera lovers, depicts the operas Carmen, Rigoletto, and La Boheme, respectively. The operas com...

Please see accompanying video. We are a 1stdibs Platinum Seller with 100% 5-star reviews. One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique policy. When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final. If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it. They are stuck with it. By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Mark Schiff — Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics. Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting. Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack. Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American. Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State. ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas. He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers. But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style. It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint. Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari. Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method. Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart, take on a luminous quality, always photoreal, but even more beautiful. Mark developed his own technique for working with bottles by painting a canvas all black, so that the transparency of the bottles allows a wonderful range of light to filter through. The same light and reflection can be seen in the black rotary phone...

American realist painter Steven Levin continues his "Books and Butterflies" series with this still-life. Butterflies flit around cut lilacs and an open book. The wings of the butterf...

Represented by George Billis Gallery. I think of my work as being like a visual journal- observations and interpretations of people, places and things I experience day to day. Tran...

Represented by George Billis Gallery. I think of my work as being like a visual journal- observations and interpretations of people, places and things I experience day to day. Tran...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

A large (48 x 48 inch) painting of a scene in the art studio by American artist John Winslow (1938 - ).

An American Still Life of an Apple, Pear and Grapes Oil on canvas on board Signed illegibly circa late 1800s 9 3/4 x 5 7/8 (16 x 12 3/4 frame) inches This is an example of late 19...

Represented by George Billis Gallery, NYC & LA --Mooers writes of his work, “My paintings begin with a serious sense of play, both in the staging and the creating of the compositions...

Exhibited: National Academy of Design, New York, 1906 (as no. 101) Art Institute of Chicago, 1908 (as no. 74)

"Two Sisters" is a contemporary realist painting of two young women sitting at a bar. One sister looks a bit reserved, her hair down, clasping her hands in...

Kenny Harris is represented by George Billis Gallery NYC. The artist has traveled around the world, painting on location. He is fascinated with subtle light effects and expressive p...

A still life of an ushanka, a type of hat with ear covers. Personett's textured fur and wood table invites the viewers to feel as if they are in the painting. The frayed edges of the strings of the hat suggests this is a well-worn garment, loved for many years. Signed "Personett" lower right corner. Framed in a traditional black frame w gold trim. Framed dimensions: 17 x 15 inches Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design, The Angel Academy of Art, and finally settled on the Florence Academy of Art, graduating in 2015. In January 2016 she apprenticed the painter Odd Nerdrum in Norway for eight months. Rachel Personett works strictly from life, and enjoys the challenged of painting the ephemeral. Working from life provides the opportunity to travel around the world painting the ever changing people and landscapes. Artist Statement My mother had studied advertising in college, so she knew a lot about arts and good craftsmanship. She did talks at my elementary school each week and on a different artist. I remember being very moved by the images of Van Gogh and Andrew Wyeth. At the Florence Academy I really liked Sargent, Sorolla, Willard Metcalf, Henri Fantin-Latour and Velazquez. At Odd Nerdrums I gained new respect for Rembrandt and was introduced to other Scandinavian painters like Edward Munch...