Jackie Battenfield

Hot Chimera, Red Leaves, Magenta Pink Branches Botanical Tree Painting On Mylar

2015

In this embroidery painting, a poinsettia pattern in red, yellow, purple and green is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery patterns...

In this painted embroidery, an ornate french tapestry in brick red, gold and ivory with royal blue details on is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery patterns...

In this pointillist landscape, a forest scene with trees in woods is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery...

In this painted wallpaper pattern, an ornate botanical pattern with roses against a powder blue background is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery patterns...

In this pointillist interior scene, an artist's studio is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery patterns...

In this painted embroidery, a botanical folk cross stitch pattern in red, orange, mauve and pink is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings...

Anonymous Self Portrait Collage 4 2019 Signed and dated on label, verso Ink, graphite, acrylic, and Mylar on 300 lb. hot-pressed watercolor paper mo...

Reverse Mylar Painting, 'Blue Composition (2),' 2017 by Catherine Howe. Oil and acrylic mediums on polyester sheeting, 40 x 30 in. / White Frame: 46 x 40.25 in. Howe's reverse-paint...

Dramatic small-scale painting created with oil on mylar mounted on panel by Russian-American artist Elena Zolotnitsky that depicts a “chair” from her “Extinct series” of paintings that features abandoned chairs. Artwork is 6 x 6 inches, Professionally framed 7 x 7 inches. Elena Zolotnitsky is Inspired by the concepts of beauty, adolescence, and passing time. She seeks to create works that are alive with the raw physicality of paint, to which viewers can relate on an emotional level. Artist signed, titled, and dated verso. The condition is new and excellent. Proudly presented by Andra Norris...

Dramatic small-scale painting created with oil on mylar mounted on panel by Russian-American artist Elena Zolotnitsky that depicts a “chair” from her “Extinct series” of paintings that features abandoned chairs. Artwork is 6 x 6 inches, Professionally framed 7 x 7 inches. Elena Zolotnitsky is Inspired by the concepts of beauty, adolescence, and passing time. She seeks to create works that are alive with the raw physicality of paint, to which viewers can relate on an emotional level. Artist signed, titled, and dated verso. The condition is new and excellent. Proudly presented by Andra Norris...

Dramatic small-scale painting created with oil on mylar mounted on panel by Russian-American artist Elena Zolotnitsky that depicts a “chair” from her “Extinct series” of paintings that features abandoned chairs. Artwork is 6 x 6 inches, Professionally framed 7 x 7 inches. Elena Zolotnitsky is Inspired by the concepts of beauty, adolescence, and passing time. She seeks to create works that are alive with the raw physicality of paint, to which viewers can relate on an emotional level. Artist signed, titled, and dated verso. The condition is new and excellent. Proudly presented by Andra Norris...

Spellbinding 'After Man Ray' painted with oil on mylar mounted to panel that is 15 x 13 inches, and professionally framed in a dull gold floater frame wi...